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The Viy
The Viy
The Viy
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The Viy

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This early work by Nikolai Gogol was originally published in 1835 and we are now republishing it with a brand new introductory biography. 'The Viy' is a short story in which a philosophy student is terrorised by a witch as he holds a vigil over the the dead body of a beautiful girl. Nikolai Vasilievich Gogol was born in Sorochintsi, Ukraine in 1809. In 1831, Gogol brought out the first volume of his Ukrainian stories, 'Evenings on a Farm Near Dikanka'. It met with immediate success, and he followed it a year later with a second volume. 'The Nose' is regarded as a masterwork of comic short fiction, and 'The Overcoat' is now seen as one of the greatest short stories ever written; some years later, Dostoyevsky famously stated "We all come out from Gogol's 'Overcoat'." He is seen by many contemporary critics as one of the greatest short story writers who has ever lived, and the Father of Russia's Golden Age of Realism.
LanguageEnglish
Release dateDec 12, 2014
ISBN9781473397132
The Viy
Author

Nikolai Vasilevich Gogol

NIKOLAI Vasilyevich GOGOL (1809-1852) was a Ukrainian-born humorist, dramatist, and novelist whose works, written in Russian, significantly influenced the direction of Russian literature. As enigmatic as he was influential, Gogol's novel Dead Souls and his short story "The Overcoat" provided the literary foundations of nineteenth-century Russian realism. His shorter works are gathered in Selected Stories of Nikolai Gogol: Ukrainian and St. Petersburg Tales, available from Warbler Press.

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    The Viy - Nikolai Vasilevich Gogol

    TheViyGogol_FC.jpg

    The Viy

    by

    Nikolai Gogol

    Copyright © 2013 Read Books Ltd.

    This book is copyright and may not be

    reproduced or copied in any way without

    the express permission of the publisher in writing

    British Library Cataloguing-in-Publication Data

    A catalogue record for this book is available from the British Library

    Nikolai Gogol

    Nikolai Vasilievich Gogol was born in Sorochintsi, Ukraine in 1809. He attended the Poltava boarding school, and then the Nehzin high school, where he wrote for the school’s literary journal and acted in theatrical productions. In 1828, after leaving school, Gogol moved to St. Petersburg with the ambition of becoming a professional author. At his own expense, he published a long Romantic poem. It was universally derided, and Gogol bought and destroyed all the copies, swearing never to write poetry again.

    In 1831, Gogol brought out the first volume of his Ukrainian stories, Evenings on a Farm Near Dikanka. It met with immediate success, and he followed it a year later with a second volume. Around this time, Gogol met the great Russian poet Aleksandr Pushkin, with whom he developed a close friendship. Over the next decade or so, he worked with great industry, producing a great amount of short stories. Of these, ‘The Nose’ is regarded as a masterwork of comic short fiction, and ‘The Overcoat’ is now seen as one of the greatest short stories ever written; some years later, Dostoyevsky famously stated We all come out from Gogol’s ‘Overcoat’. He also published Dead Souls (1842), a satirisation of serfdom, seen by many critics as the first ‘modern’ Russian novel and his greatest longer work.

    Gogol spent time living abroad in later life, settling in Rome and developing a passion for opera. As he got older, criticism of his work began to drain him, and he turned to religion, making a pilgrimage to Jerusalem in 1848. Upon his return to Russia, under the encouragement of the fanatical priest, Father Konstantinovskii, Gogol subjected himself to a fatal course of fasting. He died in Moscow in 1852, aged 42. He is seen by many contemporary critics as one of the greatest short story writers who has ever lived, and the Father of Russia’s Golden Age of Realism.

    (The Viy is a monstrous creation of popular fancy. It is the name which the inhabitants of Little Russia give to the king of the gnomes, whose eyelashes reach to the ground. The following story is a specimen of such folk-lore. I have made no alterations, but reproduce it in the same simple form in which I heard it.—Author’s Note.)

    I

    As soon as the clear seminary bell began sounding in Kieff in the morning, the pupils would come flocking from all parts of the town. The students of grammar, rhetoric, philosophy, and theology hastened with their books under their arms over the streets.

    The grammarians were still mere boys. On the way they pushed against each other and quarrelled with shrill voices. Nearly all of them wore torn or dirty clothes, and their pockets were always crammed with all kinds of things—push-bones, pipes made out of pens, remains of confectionery, and sometimes even young sparrows. The latter would sometimes begin to chirp in the midst of deep silence in the school, and bring down on their possessors severe canings and thrashings.

    The rhetoricians walked in a more orderly way. Their clothes were generally untorn, but on the other hand their faces were often strangely decorated; one had a black eye, and the lips of another resembled a single blister, etc. These spoke to each other in tenor voices.

    The philosophers talked in a tone an octave lower; in their pockets they only had fragments of tobacco, never whole cakes of it; for what they could get hold of, they used at once. They smelt so strongly of tobacco and brandy, that a workman passing by them would often remain standing and sniffing with his nose in the air, like a hound.

    About this time of day the market-place was generally full of bustle, and the market women, selling rolls, cakes, and honey-tarts, plucked the sleeves of those who wore coats of fine cloth or cotton.

    Young sir! Young sir! Here! Here! they cried from all sides. Rolls and cakes and tasty tarts, very delicious! I have baked them myself!

    Another drew something long and crooked

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