War Is Kind and Other Poems
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This excellent anthology contains nearly all of Crane's verse, including two complete books of poems: The Black Riders and Other Lines, which garnered immediate praise; and War Is Kind, ablaze with vivid imagery. Here, too, are rewarding selections from his uncollected poetic works. Thought by some critics to anticipate the Imagist movement of the twentieth century, Crane's poems are usually brief, cadenced, and rhymeless, rich in drama and symbolism, and spiritually penetrating.
Stephen Crane
Stephen Crane (1871-1900) was an American author who won international acclaim for his 1895 novel The Red Badge of Courage. In the company of other esteemed writers, such as Joseph Conrad and H. G. Wells, Crane never lived up to his potential. After struggling with mental health and financial difficulties, he died of tuberculosis at the age of 28.
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War Is Kind and Other Poems - Stephen Crane
WAR IS KIND
and Other Poems
Stephen Crane
DOVER PUBLICATIONS, INC.
MINEOLA, NEW YORK
DOVER THRIFT EDITIONS
GENERAL EDITOR: PAUL NEGRI
EDITOR OF THIS VOLUME: JULIE NORD
Copyright
Copyright © 1998 by Dover Publications, Inc.
All rights reserved.
Bibliographical Note
This Dover edition, first published in 1998 and reissued in 2016, contains the unabridged texts of Stephen Crane's The Black Riders and Other Lines, 1896, 3rd Edition (Copeland and Day, Boston) and War Is Kind, 1899 (Frederick A. Stokes Company, New York). Also included are nine of Crane's uncollected poems. A new introductory Note has been specially prepared for this edition.
Library of Congress Cataloging-in-Publication Data
Crane, Stephen, 1871–1900.
War is kind, and other poems / Stephen Crane.
p. cm. — (Dover thrift editions)
ISBN-13: 978-0-486-40424-0 (pbk.)
ISBN-10: 0-486-40424-2 (pbk.)
I. Title. II. Series.
PS1449.C85W3 1998
8ll'.4—dc21
98-41719
CIP
Manufactured in the United States by RR Donnelley
40424202 2016
www.doverpublications.com
Note
STEPHEN CRANE [1871–1900] was born into a family full of ministers, soldiers, and writers. His interests and obsessions were strongly influenced by this fact: he was passionately rebellious in his attitude towards religion, conventional morality, and war, but also passionately devoted to writing. In a career of just ten years he wrote five novels, a host of stories and journalistic pieces, and two volumes of poetry. The poetry's significance has sometimes been overlooked, in part because his work in other genres comprises a much larger oeuvre. But in the decades since Crane's death, his poetry has won the growing enthusiasm of readers and critics alike. It is now ranked with the work of such great American originals as Whitman and Dickinson, and is credited with anticipating the stylistic innovations of twentieth-century poetry, particularly French symbolism.
Crane's short, tempestuous life was full of dramatic incidents, the stuff of literary legend. For instance, his friend and mentor Hamlin Garland recorded a fascinating account of how Crane's earliest poems were written: Crane was twenty-one at the time, an unknown and wretchedly poor. He had worked as a reporter, but his self-published first novel, Maggie: A Girl of the Streets, had attracted so little attention that the failure of his literary ambitions began to seem preordained. Desperate to find a form that would truly launch his career, he turned to poetry, and here his ideas and words flowed at an astonishing pace. He would appear at Garland's home with a sheaf of poems in his coat pocket, and remark that he had six or seven more lined up in his head, all in a row,
waiting to be set down. When Garland suggested he draft one on the spot, he did so without hesitation or a single crossed out word. The entire manuscript of what would become his first book—some sixty poems at least—seems to have been completed within just a couple of weeks.
At first Crane showed these works only to his roommates, fellow starving artists all, and their responses were hardly encouraging. They howled over the . . . verses so loud they nearly cracked my ears,