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Making Sense as a Cultural Practice: Historical Perspectives
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In the cultural and social formations of the past, practices exist for the generation and integration of moments having and giving sense with the objective of strengthening the cultural and social cohesion. Such practices and processes have a constructive character, even if this is not always the intention of the actors themselves. As the production of sense is one of the central fields of action of cultural and political practice, the articles examine with an interdisciplinary perspective how, in different contexts, the construction of sense was organized and implemented as a cultural practice.
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Titles in the series (44)
Unorte: Spielarten einer verlorenen Verortung. Kulturwissenschaftliche Perspektiven Rating: 0 out of 5 stars0 ratingsLaut und Leise: Der Gebrauch von Stimme und Klang in historischen Kulturen Rating: 0 out of 5 stars0 ratingsEine Disziplin und ihre Verleger: Disziplinenkultur und Publikationswesen der Mathematik in Deutschland, 1871-1949 Rating: 0 out of 5 stars0 ratingsHistorische Kulturwissenschaften: Positionen, Praktiken und Perspektiven Rating: 0 out of 5 stars0 ratingsStimme im Raum und Bühne im Kopf: Über das performative Potenzial der höfischen Artusromane Rating: 0 out of 5 stars0 ratingsTextprofile stilistisch: Beiträge zur literarischen Evolution Rating: 0 out of 5 stars0 ratingsÜber die Praxis des kulturwissenschaftlichen Arbeitens: Ein Handwörterbuch Rating: 0 out of 5 stars0 ratingsBarocke Bekehrungen: Konversionsszenarien im Rom der Frühen Neuzeit Rating: 0 out of 5 stars0 ratingsDie Modernitäten des Nikolaus von Kues: Debatten und Rezeptionen Rating: 0 out of 5 stars0 ratingsCultural History in Europe: Institutions - Themes - Perspectives Rating: 0 out of 5 stars0 ratingsFrühe Neue Zeiten: Zeitwissen zwischen Reformation und Revolution Rating: 0 out of 5 stars0 ratingsTransferprozesse zwischen dem Alten Reich und Italien im 17. Jahrhundert: Wissenskonfigurationen - Akteure - Netzwerke Rating: 0 out of 5 stars0 ratingsWitz und Wirklichkeit: Komik als Form ästhetischer Weltaneignung Rating: 0 out of 5 stars0 ratingsEin Haus wie Ich: Die gebaute Autobiographie in der Moderne Rating: 0 out of 5 stars0 ratingsMaking Sense as a Cultural Practice: Historical Perspectives Rating: 0 out of 5 stars0 ratingsVergangenheiten auf der Spur: Indexikalische Semiotik in den historischen Kulturwissenschaften Rating: 0 out of 5 stars0 ratingsSpaces of the Poor: Perspectives of Cultural Sciences on Urban Slum Areas and Their Inhabitants Rating: 0 out of 5 stars0 ratingsTexte und Tabu: Zur Kultur von Verbot und Übertretung von der Spätantike bis zur Gegenwart Rating: 0 out of 5 stars0 ratingsRäume der Macht: Metamorphosen von Stadt und Garten im Europa der Frühen Neuzeit Rating: 0 out of 5 stars0 ratingsIn (Ge)schlechter Gesellschaft?: Politische Konstruktionen von Männlichkeit in Texten und Filmen der Romania Rating: 0 out of 5 stars0 ratingsGeschichtstransformationen: Medien, Verfahren und Funktionalisierungen historischer Rezeption Rating: 0 out of 5 stars0 ratingsTranskulturelle Dynamiken: Aktanten - Prozesse - Theorien Rating: 0 out of 5 stars0 ratingsErinnerung und Intersektionalität: Frauen als Opfer der argentinischen Staatsrepression (1975-1983) Rating: 0 out of 5 stars0 ratingsMemory Boxes: An Experimental Approach to Cultural Transfer in History, 1500-2000 Rating: 0 out of 5 stars0 ratingsDer Toussaint-Louverture-Mythos: Transformationen in der französischen Literatur, 1791-2012 Rating: 0 out of 5 stars0 ratingsNeue Stadtgeschichte(n): Die Reichsstadt Frankfurt im Vergleich Rating: 0 out of 5 stars0 ratingsGeschlecht in der Geschichte: Integriert oder separiert? Gender als historische Forschungskategorie Rating: 0 out of 5 stars0 ratingsRecounting Deviance: Forms and Practices of Presenting Divergent Behaviour in the Late Middle Ages and Early Modern Period Rating: 0 out of 5 stars0 ratings»Zwischenräume« in Architektur, Musik und Literatur: Leerstellen - Brüche - Diskontinuitäten Rating: 0 out of 5 stars0 ratings
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Making Sense as a Cultural Practice - Jörg Rogge
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