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Theater in Lebanon: Production, Reception and Confessionalism
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With a rich history of conflicts, a society full of contrasts, Lebanon presents a theater not less fascinating with its wide spectrum of social peculiarities. Confessionalism, which crystallizes to a key concept in the social balance as well as its misbalance, defines the images of the »self« and of the »other« within the Christian and Moslem social worlds and in the manner they interrelate with each other. It also generates a complex base for the interpretation of theatrical signs and symbols, theater being another stage for interaction between two conflicting social worlds. This book sheds a light on theater in Lebanon, its production and reception, the significance of theatrical performance and its implications, and the many categories ruling this phenomenon.
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Titles in the series (100)
Interkulturelles Theater zu Beginn des 21. Jahrhunderts: Ästhetik - Politik - Postkolonialismus Rating: 0 out of 5 stars0 ratingsTheater der Identität: Das Brünner deutsche Theater der Zwischenkriegszeit Rating: 0 out of 5 stars0 ratingsDas Drama nach dem Drama: Verwandlungen dramatischer Formen in Deutschland seit 1945 Rating: 0 out of 5 stars0 ratingsUnterm Blick des Fremden: Theaterarbeit nach Laurent Chétouane Rating: 0 out of 5 stars0 ratingsParadoxien des Zuschauens: Die Rolle des Publikums im zeitgenössischen Theater Rating: 0 out of 5 stars0 ratingsSchauspielen heute: Die Bildung des Menschen in den performativen Künsten Rating: 0 out of 5 stars0 ratingsZwischen den Kulturen - zwischen den Künsten: Medial-hybride Theaterinszenierungen in Québec Rating: 0 out of 5 stars0 ratingsTragödie als Bühnenform: Einar Schleefs Chor-Theater Rating: 0 out of 5 stars0 ratingsÖkonomie im Theater der Gegenwart: Ästhetik, Produktion, Institution Rating: 0 out of 5 stars0 ratingsTheaterfestivals: Geschichte und Kritik eines kulturellen Organisationsmodells Rating: 0 out of 5 stars0 ratingsDas Theater der Prostitution: Über die Ökonomie des Begehrens im Theater um 1900 und der Gegenwart Rating: 0 out of 5 stars0 ratingsDas Trauerspiel-Buch: Der Souverän - das Trauerspiel - Konstellationen - Ruinen Rating: 0 out of 5 stars0 ratingsWie Absenz zur Präsenz entsteht: Botho Strauß inszeniert von Luc Bondy Rating: 0 out of 5 stars0 ratingsTheater und Fiktion: Spielräume des Fiktiven in Inszenierungen der Gegenwart Rating: 0 out of 5 stars0 ratingsSchauspieler außer sich: Exponiertheit und performative Kunst. Eine feminine Recherche Rating: 0 out of 5 stars0 ratingsDer kollektive Prozess des Theaters: Chorkörper - Probengemeinschaften - theatrale Kreativität Rating: 0 out of 5 stars0 ratingsVon der Weltseele zur Über-Marionette: Cechovs Traumtheater als avantgardistische Versuchsanordnung Rating: 0 out of 5 stars0 ratingsTheater der Nacktheit: Zum Bedeutungswandel entblößter Körper auf der Bühne seit 1900 Rating: 0 out of 5 stars0 ratingsMit Leib und Körper: Zur Korporalität in der deutschsprachigen Gegenwartsdramatik Rating: 0 out of 5 stars0 ratingsStop Teaching!: Neue Theaterformen mit Kindern und Jugendlichen Rating: 0 out of 5 stars0 ratingsTheater und Schule: Ein Handbuch zur kulturellen Bildung Rating: 0 out of 5 stars0 ratingsMythos Tragödie: Zur Aktualität und Geschichte einer theatralen Wirkungsweise Rating: 0 out of 5 stars0 ratingsTheater als Ort der Utopie: Zur Ästhetik von Ereignis und Präsenz Rating: 0 out of 5 stars0 ratingsDer Schnitt durch den Raum: Atmosphärische Wahrnehmung in und außerhalb von Theaterräumen Rating: 0 out of 5 stars0 ratingsPolitik mit dem Körper: Performative Praktiken in Theater, Medien und Alltagskultur seit 1968 Rating: 0 out of 5 stars0 ratingsAutorenregie: Theater und Texte von Sabine Harbeke, Armin Petras/Fritz Kater, Christoph Schlingensief und René Pollesch Rating: 0 out of 5 stars0 ratingsDas Drama des Prekären: Über die Wiederkehr der Ethik in Theater und Performance Rating: 0 out of 5 stars0 ratingsWalking Artists: Über die Entdeckung des Gehens in den performativen Künsten Rating: 0 out of 5 stars0 ratings
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Theater in Lebanon - Tarek Salloukh
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