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The Fringe Poetry White Book
The Fringe Poetry White Book
The Fringe Poetry White Book
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The Fringe Poetry White Book

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'The Fringe Poetry White Book' is an anthology of work from poets based, predominantly, in the North West of England. It follows on from the success of the anthology 'The Fringe Poetry Cafe' and from a series of six poetry pamphlets under the titles 'Poetry on the Move' and 'Poetry Festival' all published by SeaQuake Books. There is an eclectic mix of styles and themes and, as in The White Book of Llaregyb, all life is here. There are many prize winning poems in the collection. The poets included are Margaret Rowland, Mary Braithwaite, Bill Lythgoe, Stephen Beattie, Phil McNulty, Malcolm Terry, Jacqueline Pemberton, Linda Lewis, Mike Parsons, Allan Potter, Bob Eccleston, Olga Reid, Neil Goldstraw, Jan Machin, David Walker, Simon Keegan, Shaun Fallows, Ruth Adamson, Hillary Banks, Zoe Dalton, David Subacchi and Jim Finn.

LanguageEnglish
Release dateOct 23, 2016
ISBN9781370499083
The Fringe Poetry White Book
Author

The Fringe

The Fringe is comprised of indie authors and artists who, in addition to all being members of the Goodreads group Fringe Fiction, share the belief that creativity can grow and thrive in an atmosphere of respect, honesty, and friendship. Publishing is rich with hidden gems and diamonds-in-the-rough that belong to self-published, indie and otherwise underappreciated authors. Fringe Fiction is devoted to those who admire such individuals and want an outlet to discuss under-the-radar books with readers eager to discover fresh talent by obscure authors. Indie aficionados who welcome such recommendations and are enthusiastic about giving them are encouraged to let members know what they might be overlooking in the lesser-known corners of publishing.

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    Book preview

    The Fringe Poetry White Book - The Fringe

    POETRY

    WHITE BOOK

    THE FRINGE POETRY WHITE BOOK

    Published by SeaQuake Books

    Copyright 2016. Individual contributors.

    ISBN: 9781370499083

    Smashwords Edition, License Notes

    This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to your favourite ebook retailer and purchase your own copy. Thank you for respecting the hard work of these authors.

    Publisher contact: -seaquakepublishing@gmail.com

    Contributors contact:-www.facebook.com/writinginsouthport

    'The Reverend Eli Jenkins inky in his cool front parlour or poem room tells only the truth in his lifework............the White Book of Llaregyb.'

    Dylan Thomas, 'Under Milk Wood'.

    Shadow in a doorway

    (Linda Lewis)

    Her voice is trapped in the space behind the ice -

    and she wants to shout, not plead

    as they hurry by.

    She is a stain on their conscience,

    a tear in the fabric of who they are.

    They do not look

    because they dare not see

    the naked need in her eyes,

    as she tries to capture and hold theirs.

    Can you spare any change please?

    The words are whispered,

    cracked like dried mud;

    she hasn't done this before.

    Once, she was like them,

    walking on,

    walking by,

    immune -

    or so she thought.

    At night,

    winter reaches beneath her clothes

    and presses frozen fingertips

    against her skin.

    Enveloped in darkness,

    she hides from the accusing glances

    of passers-by

    and becomes a shadow in a doorway.

    She shakes a paper cup -

    there is a pound coin in there,

    making an empty sound

    against the side.

    She remembers the woman who gave it to her,

    the way her eyes melted;

    her smile

    and her voice, asking her name -

    Jane.

    She was Jane once,

    a long time ago,

    or was it last week?

    A time before

    she became nameless,

    formless,

    wanting only to be warm

    and full of food,

    she was Jane.

    And now......

    she lifts the bottle to her lips

    because she needs to be numb

    and not feel

    the terror of nothingness,

    and her own disintegration.

    She can say the words,

    without seeing

    their contempt,

    their pity,

    or their shame.

    Unseeing,

    she speaks Into the void -

    Can you spare any change please?

    Pictures of Pain

    (Linda Lewis)

    -Reflections on the Francis Bacon exhibition Invisible Rooms.

    We walk inside the space

    within the walls;

    our feet make no noise.

    It is quiet -

    whispering a palpable peace;

    a menagerie of tortured souls

    scream

    from their designated places;

    contained in cages,

    they mock the mundane.

    We think we can guess

    at the artist's agony;

    feel his pain

    by gazing at distorted faces;

    slip his shoes on

    and step into brokenness,

    even as we mingle

    among the formless

    and the grotesque,

    trying to figure it out.

    His suffering is stark,

    daubed in oil,

    a rude shock,

    touching hearts,

    crude

    as the bare bulb,

    hanging,

    solitary

    Masks

    (Linda Lewis)

    They wear disguises

    like skin -

    their masks are closets

    to climb into;

    places to hide

    from who they really are;

    without light to shine

    on the darker shades

    of their souls.

    Sometimes they bleed

    and their scars show,

    clawing through the facade

    to beasts on the other side,

    monsters tied

    inside cages;

    and angry children

    beating fists

    against walls

    that keep them from their dreams.

    What I am not

    (Linda Lewis)

    I have crossed the threshold, the borderline, the divide, that which rips me from the girl I once was.

    Do not define me by

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