Degas
By Sandra Forty
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Sandra Forty
Sandra Forty is a graduate of London University where she studied medieval and early modern history, including a spell at the Courtauld Institute learning about Renaissance art from Professor Gombrich. Since then she has worked as a journalist in London, then as a book editor and writer. She is the author of a number of books, most on art and architecture. Sandra lives in south Devon with her husband, children and many cats.
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Degas - Sandra Forty
Published by TAJ Books International LLC 2013
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Cary, North Carolina, USA
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eISBN 978-1-84406-237-9
PRINT ISBN: XXXXXXXXXXXXX
Printed in China.
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EDGAR DEGAS
1839–1917
Edgar Degas began as a classical painter of genre history scenes and died as one of the greatest and most innovative names in French art—although as with so many other artists, he did not receive a great deal of recognition in his lifetime. Along the way his style changed completely from strict academic formalism to near-abstract scenes of contemporary Parisian life. His primary subject was the human form, especially that of women, and he also loved the vibrancy of horse racing.
Degas is usually labeled an Impressionist because he was friendly with many of the Impressionist painters and was a founder of the Impressionist movement, but he actually rejected the characterization and referred to his style as realism.
He considered one of the Impressionists’ basic tenets—painting en plein air—ludicrous and only painted in a studio, using models for his figures or simply relying on his memory of a scene. Nevertheless, he did exhibit in seven of the eight Impressionist exhibitions.
Above all, Degas was a superb draftsman. This skill, coupled with his innovative eye, allowed him to generate an entirely new compositional approach to painting, making him one of the truly great recorders of ordinary lives.