The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (Illustrated)

By Robert Louis Stevenson

This eBook features the unabridged text of ‘The Strange Case of Dr. Jekyll and Mr. Hyde’ from the bestselling edition of ‘The Complete Works of Robert Louis Stevenson’.

Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Stevenson includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

eBook features:
* The complete unabridged text of ‘The Strange Case of Dr. Jekyll and Mr. Hyde’
* Beautifully illustrated with images related to Stevenson’s works
* Individual contents table, allowing easy navigation around the eBook
* Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

• Language: English
• Publisher: Publishdrive
• Release date: Jul 17, 2017
• ISBN: 9781786567789

Robert Louis Stevenson

Robert Lewis Balfour Stevenson was born on 13 November 1850, changing his second name to ‘Louis’ at the age of eighteen. He has always been loved and admired by countless readers and critics for ‘the excitement, the fierce joy, the delight in strangeness, the pleasure in deep and dark adventures’ found in his classic stories and, without doubt, he created some of the most horribly unforgettable characters in literature and, above all, Mr. Edward Hyde.

Book preview

The Complete Works of

ROBERT LOUIS STEVENSON

VOLUME 4 OF 60

The Strange Case of Dr. Jekyll and Mr. Hyde

Parts Edition

By Delphi Classics, 2015

Version 4

COPYRIGHT

‘The Strange Case of Dr. Jekyll and Mr. Hyde’

Robert Louis Stevenson: Parts Edition (in 60 parts)

First published in the United Kingdom in 2017 by Delphi Classics.

© Delphi Classics, 2017.

All rights reserved.  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

ISBN: 978 1 78656 778 9

Delphi Classics

is an imprint of

Delphi Publishing Ltd

Hastings, East Sussex

United Kingdom

Contact: [e-mail]

www.delphiclassics.com

Robert Louis Stevenson: Parts Edition

This eBook is Part 4 of the Delphi Classics edition of Robert Louis Stevenson in 60 Parts. It features the unabridged text of The Strange Case of Dr. Jekyll and Mr. Hyde from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of Robert Louis Stevenson, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

Visit here to buy the entire Parts Edition of Robert Louis Stevenson or the Complete Works of Robert Louis Stevenson in a single eBook.

Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.

ROBERT LOUIS STEVENSON

IN 60 VOLUMES

Parts Edition Contents

The Novels

1, Treasure Island

2, The Black Arrow

3, Prince Otto

4, The Strange Case of Dr. Jekyll and Mr. Hyde

5, Kidnapped

6, The Master of Ballantrae

7, The Wrong Box

8, The Wrecker

9, Catriona

10, The Ebb-Tide

11, Weir of Hermiston

12, St. IVes

13, Heathercat

14, The Great North Road

15, The Young Chevalier

The Short Story Collections

16, New Arabian Nights

17, More New Arabian Nights - the Dynamiter

18, The Merry Men and Other Tales and Fables

19, Island Nights’ Entertainments

20, Fables

21, Tales and Fantasies

22, Uncollected Stories

The Plays

23, The Charity Bazaar

24, Deacon Brodie

25, Beau Austin

26, Admiral Guinea

27, Macaire

The Poetry Collections

28, A Child’s Garden of Verses

29, Underwoods

30, Ballads

31, Songs of Travel and Other Verses

32, Additional Poems

33, New Poems and Variant Readings

The Travel Writing

34, An Inland Voyage

35, Travels with a Donkey in the Cevennes

36, Edinburgh: Picturesque Notes

37, Essays of Travel

38, Across the Plains

39, The Silverado Squatters

40, The Old and New Pacific Capitals

The Non-Fiction

41, Virginibus Puerisque and Other Papers

42, Familiar Studies of Men and Books

43, Memories and Portraits

44, Memoir of Fleeming Jenkin

45, Records of a Family of Engineers

46, Additional Memories and Portraits

47, Later Essays

48, Lay Morals and Other Papers

49, Prayers Written for Family Use at Vailima

50, A Footnote to History

51, In the South Seas

52, Letters from Samoa

53, Juvenilia and Other Papers

54, Pierre Jean de Béranger Article

The Letters

55, The Letters of Robert Louis Stevenson

56, Vailima Letters

The Biographies

57, The Life of Robert Louis Stevenson by Sir Graham Balfour

58, Robert Louis Stevenson by Alexander H. Japp

59, The Life of Robert Louis Stevenson for Boys and Girls by Jacqueline M. Overton

60, The Life of Mrs. Robert Louis Stevenson by Nellie Van de Grift Sanchez

www.delphiclassics.com

The Strange Case of Dr. Jekyll and Mr. Hyde

Stevenson’s most famous novel was first published in 1886 and concerns the unfortunate Dr. Jekyll (pronounced ‘Jeekill’), whose attempts to understand the ‘thorough and primitive duality of man’ lead him to ingest a potion that splits him into two people. To the novel’s original readers, this summary would constitute a fatal spoiler – but so legendary has the novel become that there can be few modern readers unaware of its central twist.

Stevenson had originally conceived the novel as a straightforward horror yarn, involving a thief that invents a potion that changes his physical appearance for the purpose of disguise. In a later essay, ‘A Chapter on Dreams’, Stevenson recalled how this version of the story was suggested by a dream. Disliking the initial result, which also failed to meet the approval of his wife, Fanny, Stevenson destroyed the manuscript. It is possible that it was also Stevenson’s wife who suggested that, by having the transformation happen more haphazardly, a more sophisticated story about man’s equal capacity for good and evil might be told. In any event, Stevenson grasped this idea enthusiastically, completing a new draft in three days.

The story is told in fragmentary narratives written by a Doctor and a Lawyer, culminating in Jekyll’s own full statement of the case. As well as creating a sense of mystery as each narrator witnesses a series of inexplicable events that is only finally explained by Jekyll’s own posthumous statement of his experiments, this structure is also symbolic of the fragmentary personality that Hyde’s existence reveals. For Jekyll is careful to note that Hyde is not simply his own ‘evil’ alter ego – rather he is just one facet of Jekyll’s personality, increased to the maximum. If Hyde is completely evil, it does not necessarily follow that Jekyll is entirely good – he always had the capacity for evil within him, but has repressed it in order to live a socially respectable life. It is this capacity for evil, lying beneath the socially acceptable face of society, that Hyde represents. This has made the novel open to all kinds of intriguing readings that suggest that the Jekyll/Hyde split is symbolic of the divergent experiences of ‘respectable’ Victorian society and their less respectable ‘others’ – a commentary on the hypocrisy of a society that condones certain kinds of behaviour so long as the mask of respectability is maintained.

This subtext means that the novel fits easily into the Gothic genre, which is typically concerned with the chaotic forces lying beneath the pretence of civilisation. It also reflects developments in Victorian psychology, as well as in evolutionary theory. Hence, Hyde is often described in the novel as a primitive; a step on the evolutionary ladder that modern man has long since passed – part of the horror in the story is Jekyll’s easy ability to regress into this more primitive form. This reflects a pervasive fear of evolutionary ‘degeneration’ prevalent in late-Victorian culture – one that the Gothic tales of the period exploited to the full.

The first edition

Title page of the first edition

CONTENTS

STORY OF THE DOOR

SEARCH FOR MR. HYDE

DR. JEKYLL WAS QUITE AT EASE

THE CAREW MURDER CASE

INCIDENT OF THE LETTER

INCIDENT OF DR. LANYON

INCIDENT AT THE WINDOW

THE LAST NIGHT

DR. LANYON’S NARRATIVE

HENRY JEKYLL’S FULL STATEMENT OF THE CASE

Richard Mansfield in the successful stage adaptation, which opened in 1887

Poster for the stage adaptation

STORY OF THE DOOR

Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theatre, had not crossed the doors of one for twenty years.