Strange Birth: Book One in the Repel Trilogy
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About this ebook
Allan and Jody Deere’s son Bret has been born under unusual circumstances. But it isn’t until a stranger knocks on their door, offering to help, that they realize the potential of Bret’s powers.
Strange Birth is the first book in the superhero Repel Trilogy.
Mark S. R. Peterson
Born in small-town northwestern Minnesota, Mark S. R. Peterson knew he had a love of writing as far back as 2nd grade.His genre interests are as expansive as his musical tastes–from classics like Mozart and Beethoven to heavy metal like Poison and Metallica. He writes thrillers, horror, science fiction, and fantasy, and even dabbles into nonfiction and inspirational.He is a graduate of Bemidji State University, majoring in criminal justice and psychology. He wrote his first book between homework and achieving his 2nd Dan black belt in Tae Kwon Do. He has over 15 years of law enforcement experience and currently lives, according to a Washington Post article, in the “ugliest county” in the United States.BEHOLDER’S EYE is his first published thriller novel, the first in his Central Division Series. KILLZONE is the first in his Shadowkill trilogy.
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Strange Birth - Mark S. R. Peterson
PROLOGUE
The cloth bag over her head smells like burritos and vomit.
She loves burritos.
Vomit, not so much.
Tammy Walker knew something was wrong before when she turned the corner, while scrolling through her friends’ Facebook posts, and didn’t immediately know where she was. She was in Manhattan, that much she knew, somewhere on 59th Street, maybe a dozen or so blocks from Central Park.
More importantly, where in the hell were her friends?
She didn’t normally go out to clubs, but after she broke up with Jacob she had to do something, go somewhere. He was too demanding, and she cherished her personal time if she was to maintain her 4.0 GPA. Jessica, Amanda, and Christy all raved about this new club, and had been urging her to go for two weeks.
And tonight she finally gave in.
Tammy grew up in rural Tennessee. Even though Gatlinburg and its neighboring town of Pigeon Forge are quickly becoming a vacationing mecca, it’s still a small town at heart. She dreamed of moving to the big city, living a big city life, having a big city job.
Her parents weren’t rich when compared to the likes of Bill Gates or Mark Zuckerberg. But when compared with those around her, they had more than most. Much of it hinged on the fact they owned a pair of hotels right in the heart of Gatlinburg, along with various cabin rental properties in the foothills of the Great Smoky Mountains.
So when she got accepted at the prestigious NYU, with a declared major in journalism, she knew money for college wouldn’t be a problem. But in the end, with her stellar grades, and outstanding ACT and SAT scores, she received several scholarships. Enough to pay for her entire four years.
As she gazed up at the street signs, a dark-colored van came up behind her.
With her heart racing, she dismissed any change in direction as two men jumped out. She clutched her purse tight, wishing this city would allow concealed carry. They don’t, of course. She did have a bottle of mace and keys.
That would have to do.
There were a few cars here and there, but no cops that she could see. As she started to dial 9-1-1, she was grabbed from behind and a bag was thrown over her head.
Hel-
A hand clamped around her mouth. After her purse was ripped away and her phone taken, she was thrown into the van, which sounded like a tin can.
* * *
What do we have here?
a deep male voice asks.
Her arms are pinned behind her. There is tape across her mouth. All she can do is breathe in the rank stench of burritos and vomit.
The burritos aren’t from her. The last thing she ate were a handful of Cool Ranch Doritos before going to the club.
She also doesn’t think the puke is from her either.
Someone whipped the bag off her head. She’s inside a building, a garage possibly. The floor is cement and pipes run along the edges of the ceiling. The dark van is behind her, its back open. In front of the van is a large overhead door.
Surrounding her are a dozen or so men, many armed with rifles and shotguns.
The man in the deep voice steps closer to her, emerging from the shadows like a wraith. He’s bald with a dark goatee, thinly sculpted to precision. He rubs his hands together, light sparkling from the many jeweled rings on his fingers. He grinned and licked his lips. Oh, you’ll bring quite a lot. Much more than these. We know just the buyers who’ll want someone as delicious as you.
The other men chuckle.
To the side are four women, bound and gagged, on their knees.
The man stops when he’s less than a foot away from her. His breath is minty with a hint of tobacco.
What do they want with me?
She tries to scream this through the tape across her mouth, but all that escapes is a muffled whine.
Grinning, the man rips off the tape.
She screams. Help!
Scream all you want, darling,
he says. No one can hear you.
She stops, wanting to conserve as much energy as possible. Not that she’d be able to run anywhere. Besides, she has a dozen or so men to try get away from, and she was never known for her athletic ability.
What she has been known for these past few years is her research skills. This has worked well in putting together difficult journalism pieces. During her freshman year, she quickly grew bored of the trend towards feminism and social justice. She wanted to set herself apart. Her publication list soon grew more and more each year, and has now been working on a lengthy piece about human trafficking--a topic, she believes, that is deeply underreported in the media.
Ironic, for she may have walked right into their clutches.
And if I survive, what a story this will make. The Atlantic or the New Yorker may want to publish it for sure. I’ll be in the big time.
The man before her steps back and says, Strip. Now.
What?
she asks, her legs growing weak.
He crosses his arms. You heard me. Now.
She wants to protest the fact that the other four are fully clothed, but doesn’t feel like giving these assholes any more ideas.
If I have to tell you again,
he soon adds, I’ll have one of these guys do it for me. And they won’t be gentle about it either.
What she knows about human trafficking is that it is a global multi-billion dollar business. And the number of victims is in the millions. Although a small percentage of the victims are abducted, from teenage runaways to homeless people, the majority are drug addicts, working off their debt as if the traffickers are the most aggressive and ruthless collectors ever.
Seeing no option but to take off her clothes, she starts to unbutton her blouse. When she has two buttons left and the men whistle in delight at the prospect of bare flesh, she stops. The catcalls and whistles cease too.
Behind the bald, goatee man is a figure. She isn’t the only one who sees it, for the other men spread out now, racking back slides on their guns.
The bald man spins around. He has a knife in each hand. Who the fuck are you?
Let these ladies go,
the figure says. His voice is tenor in pitch. Not as high as a woman’s, but certainly not a bass either.
No,
the bald man says. He motions to one of his thugs on his right.
A single shot is fired.
He misses.
Having grown up just outside the city limits, Tammy is familiar with guns. Familiar enough to know that when a shot is fired at an object, it would be impossible for it to be deflected ninety-degrees . . . straight up.
Chips of concrete fall from the ceiling.
The bald man motions to a man on his left. Both fire this time. Both bullets end up in the ceiling.
An odd feeling overcomes her. A feeling of being slowly pushed backwards. And the feeling isn’t uniform across her body either. It’s in certain places, like on the front of her jeans, her wrists, even from around her neck.
More shots are fired.
All end in the same result.
By now, a dozen shell casings litter the floor. Instead of being strewn about in a haphazard fashion, they slowly roll away from the figure in a uniform line.
The bald man shifts to the side so she can see the figure fully now--or as fully as the shadows will allow. There are a few lights on along the back of this vast room. The figure isn’t some massive, hulking beast of a man.
He’s . . . normal.
But normal doesn’t describe what she sees underneath his feet. Light. Not much, maybe two or three inches, but there is light underneath him, as if . . .
He’s floating,
she whispers. Like Neo in The Matrix movies, except this one is standing still and not getting hit by bullets.
The bald man looks back at her, scowling. He turns back to face the figure, twirling his knives in the air. Light this fucker up!
Her arms are immediately released. Thank God they are too, for when the shooting starts, the blasts and booms are as loud as any rock concert she’s ever attended. Covering her ears, she moves back--no, that’s not quite right. She’s forced back.
Just like the others.
The shooting doesn’t last long, but it’s enough to cause cement chunks to fall like snow. The bald man and his thugs are thrown back across the room, away from the floating figure, and the van crashes through the overhead door. The four women cry out as they move away from the thugs.
Bullet casings along the floor form a semi-circle around the dark figure. Also, he is no longer floating an inch or so above the ground. He’s now about two feet in the air, his arms spread out.
The odd pushing feeling she experienced before ceases. The man with the mysterious gift of floating and deflecting bullets runs up to her, his hand extended.
She takes it.
She runs with him outside, followed closely by the four other women. He then stops, turning back towards the carnage. None of the thugs appear to be anything but banged up. There’s no blood anywhere that she can see. Many are moaning, clutching their heads, staggering around in disorientation.
Who are you?
she asks him.
Before he answers, the bald man stumbles out of the garage. He spots them, gasping, pointing. Get! Them!
* * *
Tammy is completely lost.
The man--her savior, hero, whatever she calls him, for he doesn’t answer her when she asks who he is--quickly leads her and the women along a labyrinth of alleys and streets. A few times they duck next to a dumpster while someone runs on by.
Where are we going?
one of the other women soon asks.
Safety,
he says.
But where to safety?
asks Tammy
They had just come through the basement of a dilapidated building. The door had been chained shut, but he just waves his hand and the door blows out from the wall with ease.
She wants to ask how all of this is possible, but holds back. Her professors won’t be very pleased with her lack of answers, yet if they were in this same situation she isn’t sure they’d be able to glean answers from someone who is trying to get her to safety.
She tells him where she lives.
Shaking his head, he says, I don’t know where that is. I’m . . . not that familiar with the city. Yet.
Could’ve fooled me,
she says. You seem to know your way around these parts.
Chuckling, he says, Just a good guesser, I guess.
They follow him down an alley, toward a street that at least has some traffic. The man is a little taller than her, maybe a few years older, if she has to guess by what little she sees of him. He wears a black hoodie, with strands of red hair sticking out from underneath it.
Across the lower half of his face is a black mask, as if someone cut off the bottom part of a Darth Vader mask, but it’s smoother than that of the sinister Dark Lord.
He also seems to be fit. Farmer fit, she calls it. Not a hulking mass that’s been honed in a gym. In her opinion, they could never hold a candle to someone who could throw hay bales and not even break a sweat.
He leads them out to the street. A car drives by, but doesn’t stop.
Where’s a cop when we need one?
she asks, and the others concur.
Cops can’t help,
he says.
Why not?
one of the others asks. Cops have guns.
So do the bad guys,
he says.
It’s at this moment that she realizes something about her savior.
How did you know where to find us?
she asks.
He stares back at them, not speaking, not moving.
I mean, how did you know those guys were in that . . . place? You know, where you found us?
Nodding, he says, That’s a long story. And one I can’t get into now. I need to get you all to safety.
They walk a block--she wishes she at least had her phone, for she doesn’t have a clue what time it is--but stop when a dark van turns the corner behind them. Its lights turn on high, its engine revs, and its tires squeal. It angles straight at them.
Stay over there,
he says, gently pushing her and the others without actually touching her toward the side of a brick building.
He steps out into the street, planting his feet in a wide stance. He holds one hand behind him and the other extended in front as if he’s getting ready to sprint. When the van nears him-
Move!
Tammy yells. It’s gonna hit you!
Then, an odd feeling overcomes her. It’s the same pushing sensation she felt back at the garage. This time, though, it keeps her firmly planted to the brick wall. Now, all she can do is watch while the van runs straight for him.
What the hell is he doing?
As the van speeds closer and closer, a car parked along the curb inches away from him and even a nearby fire hydrant starts bending. The van then tips on its side, soaring up and around him, and lands on its side. Shards of glass pelt the street as it screeches to a halt.
The glorious sound of police sirens grows louder and louder.
You’re safe now, all of you,
he says, still standing in the middle of the street.
"But . . .