Writers Editors Critics (WEC): Vol. 7, No. 2 (September 2017)
By K.V. Dominic and Mahasweta Devi
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About this ebook
Writers Editors Critics (WEC) An International Biannual Refereed Journal of English Language and Literature
Volume 7, Number 2 (September 2017)
ISSN: 2231-198X
RESEARCH ARTICLES
Sharan Speaks: Colours of Resistance and Emancipation on the White Paper - Jaydeep Sarangi
Kahlil Gibran's The Prophet: An Appraisal of Life Skills - S. Kumaran
Analyzing Intertextuality in Paulo Coelho's Manuscript Found in Accra - Joji John Panicker
Multicultural Ideologies in the Select Poems of K. V. Dominic: A Rendition of Poetic Insight - Parthajit Ghosh
Confrontation of Democracy and Religion-Centred Politics Intriguing Khushwant Singh's India in The End of India - Sreedevi R and Raichel M. Sylus
Pangs of Lacerated Psyche--An Analysis of Ramesh K. Srivastava's My Father's Bad Boy: An Autobiography - Smita Das
Poetry and its impact on status quo: The case of poems by Ethiopian students in the 1960s - Tesfaye Dagnew Gebrehiwot
Tracing Spirituality in a Feminist Context in Khushwant Singh's I Shall Not Hear the Nightingale - Kanchan Mehta
A Study of the Radicalism of Daniel Defoe in the Novel Robinson Crusoe - Iman Abdullah Al Mahdi
A Socio-Psychological Analysis of Anita Desai's Baumgartner's Bombay - Atul Rasika Moudgil
Conflicts between the Conscious and Unconscious mind in Shashi Deshpande's Strangers to Ourselves - M. Durga Devi
Bio-Diversity and Deep Commitment: A Deep-Ecological Study of Bengali Dalit Poetry - Sibasis Jana
A Canadian Asset: Mavis Gallant Celebrated For Her Style and Technique - M. Revathi
REVIEW ARTICLES
T. V. Reddy's Insightful Survey of Indo-English Poetry - Manas Bakshi
Effusion of Emotions in Manas Bakshi's Parnassus of Revival - S. Barathi
An Economic Perspective of K V Dominic's Short Story "Who is Responsible?" - Mousumi Ghosh
Seeing Beyond Seeing: Ecstatic Epiphanies, Uncanny Realizations and Ultimate Transformation in Alexander Raju's And Still Plays The Abyssinian Damsel on her Dulcimer - Kavitha Gopalakrishnan
Jacinta: A Pioneer Tribal Poet in Hindi -Fr. Varghese Paul, SJ
BOOK REVIEWS
O. P. Arora's Heartbeats of Silence: A Collection of Poems - Anisha Ghosh (Paul)
Natalia Molebatsi and Tiziana Pers, Elephant Woman Song - Jaydeep Sarangi
Jaydeep Sarangi's To Whom I Return Each Day - Patricia Prime
SHORT STORIES
A Memorable Present - Ramesh K. Srivastava
Vanity Fair - T. V. Reddy
A Hartal Safari in God's Own Country - K. V. Dominic
A Change for the Better - Chandramoni Narayanaswamy
As You Sow - Manas Bakshi
In the Light of Anamika's Thought - Sabita Chakrabarti
Another dawn ... another day... 164 - Molly Joseph
POEMS
How to Tear away the Self - D. C. Chambial
Sitas and Savitris - D. C. Chambial
The Chameleon - O. P. Arora
I Walked through the Forest - O. P. Arora
When I Was Thirteen - O. P. Arora
Taking it from Nature - Manas Bakshi
Caution - Manas Bakshi
In Search of New Hues - Ketaki Datta
No Bullets for No Cause - Ketaki Datta
Peace Bombed to Doom - Ketaki Datta
Poetry - Rajiv Khandelwal
Miser - Rajiv Khandelwal
Standing Alone - Rajiv Khandelwal
A Hymn - Ramesh Chandra Mukhopadhyaya
Life Touches - Molly Joseph
The Cart - Rita De
A Seat - Rita De
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Writers Editors Critics (WEC) - K.V. Dominic
Analyzing Intertextuality in Paulo Coelho’s Manuscript Found in Accra
Joji John Panicker
Abstract: Paulo Coelho’s novel Manuscript Found in Accra deals with the handwritten scripts known as Apocryphal Gospels that are related to Christianity but were excluded from Holy Bible, the meaning and value of these scripts in Christian life and reasons behind the exclusion. Intertextuality can be defined as one text having reference or direct or indirect connection with a single or multiple numbers of texts. This paper attempts to explore the meaning and value of old manuscripts related to Christianity that is not included in Holy Bible and were undiscovered for centuries, and to gain every day wisdom and joy by analysing the intertextual elements in Manuscript Found in Accra. An intertextual reading of Manuscript Found in Accra can lead one to interpret his work as a part of postmodern literary