A Study Guide for Reginald Rose's "12 Angry Men (Film entry)"
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A Study Guide for Reginald Rose's "12 Angry Men (Film entry)" - Gale
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12 Angry Men (film entry)
Reginald Rose
1957
Introduction
Sidney Lumet's 1957 film 12 Angry Men has stood as the standard bearer for Hollywood courtroom drama for over fifty years. The story concerns twelve jurors from various walks of life deliberating about the fate of a young man accused of murdering his father. They enter the jury room convinced that the defendant is guilty, but one lone holdout persuades them to reconsider the facts that have been presented, and minute by minute, through argument and discussion, the meaning of the phrase beyond a reasonable doubt
makes each man give careful consideration to what he knows. While other films rely on action and special effects to keep audiences interested, 12 Angry Men does the same with strong basic dramatic tools: one room, a dozen skillful actors, a masterful script, and precise directing.
The film was written by Reginald Rose, who wrote the first version specifically for television. After a critically acclaimed live broadcast in 1954, Henry Fonda, the film's star, bought the rights, and he and Rose recruited Lumet, who had directed several of Rose's scripts on television, making it the first feature film in the director's long and distinguished career, which ultimately spanned half a century. In the 1960s, Rose wrote several stage versions of the story. Over the years, it was adapted to fit alternate circumstances, for a female cast (Twelve Angry Women) and for a mixed-gender cast (Twelve Angry Jurors), and it has been performed in hundreds of theater productions. The last version Rose wrote was for the play's Broadway debut in 2004, fifty years after its initial live broadcast.
Plot Summary
The film begins with an outside scene. It is a common technique to add outdoor footage to a filmed version of a stage play, opening the film up beyond the limits of live theater.
To the sound of street traffic, the camera pans up the pillars in front of the New York Supreme Court building in Manhattan to show a portion of the motto inscribed above the door: The true administration of justice is the firmest pillar of good government.
A brief scene in the hall of the court building then shows several people: a man with a briefcase, then a nervous man, and then a jaunty man leaving a phone booth and uniting with a happy family. None of these people are relevant to the story to come.
In courtroom 228, the judge gives the jury its final instructions before its members go into deliberation after a six-day trial. He explains the parameters of the case: one man is dead and another man's life is in the balance, since a death penalty is mandatory in the case of a guilty verdict. The judge also explains the principle of reasonable doubt,
which will play an important role in the discussions to come. Two alternate jurors are excused, and the jurors retire to the jury room. The credits roll as they enter it.
They open the windows, since it is expected to