About Harry Towns
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Screenwriter Harry Towns, a bicoastal playboy with a broken marriage and a child he rarely sees, has been reveling in the freewheeling atmosphere of the early 1970s. But when cracks start to appear in his perfectly constructed life, he has no option but to pick up the scattered pieces of his past and begin anew.
From a New York Times–bestselling author and veteran Hollywood screenwriter, About Harry Towns is both a portrait of a particular era and a timeless look at the wrong turns that make up a life—featuring “ a character unique, haunting, and completely memorable” (The Washington Post Book World).
“Brilliant.” —The New York Times Book Review
Bruce Jay Friedman
Bruce Jay Friedman lives in New York City. A novelist, short story writer, playwright, memoirist, and screenwriter, he is the author of nineteen books, including Stern (1962), A Mother’s Kisses (1964), The Lonely Guy’s Book of Life (1978), and Lucky Bruce: A Literary Memoir (2011). His best-known works of stage and screen include the off-Broadway hit Steambath (1970) and the screenplays for Stir Crazy (1980) and Splash (1984), the latter of which received an Academy Award nomination. As editor of the anthology Black Humor (1965), Friedman helped popularize the distinctive literary style of that name in the United States and is widely regarded as one of its finest practitioners. According to the New York Times, his prose is “a pure pleasure machine.”
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About Harry Towns - Bruce Jay Friedman
BOOKS BY
Bruce Jay Friedman
NOVELS
Stern
A Mother's Kisses
The Dick
About Harry Towns
Tokyo Woes
The Current Climate
A Father's Kisses
STORIES
Far from the City of Class
Black Angels
Let's Hear It for a Beautiful Guy
The Collected Short Fiction of Bruce Jay Friedman
PLAYS
Scuba Duba
Steam Bath
Have You Spoken to Any Jews Lately?
NONFICTION
The Lonely Guy's Book of Life
The Slightly Older Guy
Even the Rhinos Were Nymphos
About Harry TownsCopyright © 1969, 1970, 1971, 1972, 1973, 1974 by Bruce Jay Friedman
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.
Portions of this book appeared in a slightly different form in Playboy, Esquire, and Harper's.
Published simultaneously in Canada
Printed in the United States of America
Library of Congress Cataloging-in-Publication Data
Friedman, Bruce Jay, 1930–
About Harry Towns: a novel/Bruce Jay Friedman.
ISBN 9780802197450
I. Title.
PS3556.R5A64 1989 88-19358 813′.54—dc19
Grove Press
841 Broadway
New York, NY 10003
00 01 02 03 10 9 8 7 6 5 4 3 2 1
For George Krupp
and Robert Gottlieb
About Harry TownsAbout Harry TownsAt the time Apollo 11 took off for the moon, Harry Towns was in a reclining chair beside the pool at a Beverly Hills hotel, taking advantage of the first stretch of absolutely perfect weather he had run into in Los Angeles. On his previous trips, whenever it rained or was generally dismal, someone would say, I don't understand. It's never done this before, this time of year.
When something went wrong in Los Angeles, people tended to say it was the first time in memory it had ever happened that way. Things didn't go wrong that often. And there was certainly nothing to quibble about on this trip. A poolside philosopher, sitting next to Towns, said the swimming area at the hotel was probably the only enclave in the world in which people were totally oblivious of that trip to the moon. That's because they probably haven't figured out a way to make money on it,
the fellow said. Towns was thinking about the moon landing, but in the cool, constant L. A. sun, he could not honestly say it was pressing heavily on his mind. He was winding up his West Coast trip, milking the last juice out of it, and had it worked out so that he would stay slightly involved in the flight while in California and then see the actual landing on the moon when he was back in New York. His son was away at summer camp and had asked Towns to round up at least twenty copies of the New York Times edition that reported the landing. Can you imagine what copies of the Wright brothers newspaper would be worth today?
he had asked. Towns thought his son was very enterprising and made a sacred pledge to round up the papers, although secretly he decided ten was plenty for the kid. Meanwhile, he was busy loving California. He had made some short probing trips to the Coast before, barely taking time to get unpacked, but this had been a one-month visit and it was as though some of the seeds he had scattered earlier had come into flower. People fell in love with California by the carload, but he wondered if anyone had experienced quite the love affair he was having with the state. Did anyone love the orange juice as much as he did? It knocked him on his ear every time he had a fresh glass of it in the morning. The same went for the lettuce. Whoever heard of lettuce that had so much bite and spank and crunch to it? He loved the salad oils and so far he had not come across a wine that didn't taste marvelous. He began to guzzle it like water and that was another thing: he never got drunk in Los Angeles no matter how much he had to drink. It was like being in a super-rarified health simulator that didn't let you get drunk. In the way of many New Yorkers, he had spoken a bit too fondly of New York restaurants on the plane to L. A. and, by implication, had been a bit disdainful of restaurants anywhere else. The fellow next to him, who had been quite jovial up to that point, suddenly dropped his voice, and in a surprisingly ominous, almost cruel tone, asked, Which restaurants did you go to in Los Angeles?
I believe I've offended you,
Towns said.
I believe you have,
said the fellow. Then, in the style of a trial attorney with a witness on the hook, he asked Towns if he had been to such-and-such a place and such-and-such a place, rattling off a dozen winners and not waiting for Towns to say he hadn't heard of this one or hadn't gotten around to that other one. The once-friendly fellow then gave Towns the world's thinnest smile and went to sleep. In Los Angeles, Towns tried a few of the fellow's suggestions and had to admit they were first-rate, although they tended to go in as heavily for ceremony as they did for food. A waitress would come over, curtsy, and say, I am Mary Jo Smith, your waitress for tonight, and here is your special chilled fork for the Brazília Festival Salad.
If anyone had tried that on him in New York, he or one of his friends would have done twenty minutes on it, probably right in front of the offending Mary Jo Smith. And they would have been wrong. Except that you could not admit that you liked elaborate curtsied ceremonies in New York. It seemed perfectly all right in Los Angeles.
More than the restaurants and movie theaters and homes, it was the getting to them that he really enjoyed. He loved getting dressed in the cool shady early evening and then stopping in the middle since all you ever had to be was half-dressed in L. A. It was not very typical of his life, but he had once taken a journey that had brought him to ancient walled-up cities in Central Asia. It was probably the only quick trip anyone had ever taken to that part of the world. He had been scouting a movie location and was in and out in five days. He would not have wanted the job of convincing anyone of this, but that high, dizzy, pulsing sensation he experienced each time he approached the Strip was every bit as profound as what he felt upon first seeing the outlines of Samarkand. Always he was astonished by the cleanness of the light along the Strip, the slow, clean tumble of beautiful blond children, the outrageous brilliance of the high posters advertising Lake Tahoe entertainment trios but looking more like huge films shown in the sky. How did they get those pictures so large and startling and clear….
He was aware, of course, that much of it had to do with him and not California. He was fond of saying, When I get to the West Coast, there's absolutely no hassle.
He used such expressions in California. He said sullen people were downers,
an unfortunate experience was a bad trip,
and even caught himself describing a lively woman as a dynamite chick
He did not talk that way in New York. There was always someone who would make a face. In New York, the pressure was on to come up with new ones. You could get away with a slightly tired expression if you were careful to put it in italics. Or if it was really old, you were safe in bringing it back. Now those were the rules, take it or leave it.
In California, Harry Towns had no debts, no broken marriage, no glum and heartbroken feelings of work undone. Let him pass a day in New York without accomplishing
something and he would feel his stomach slowly being drawn out of him. In California, there were always going to be other days. There was always plenty of time. He would feel the drumbeat of excitement the moment he got on the plane and headed for the West Coast. Forty-five minutes on a plane to anyplace else was a lifetime for Harry Towns. But the five-hour run to Los Angeles was a luxury.
He was a stranger in L. A., and he intended to keep it that way. There was no one looking over his shoulder, no one taking notes. He would not arrive in Los Angeles so much as roll into town
in the style of mysterious Western heroes slowly loping into strange Montana outposts. He preferred keeping relationships (not a favorite word —but they hadn't come up with a better one) casual, transient, and when he got to L. A. there was no one he raced to the phone to call. His one close friend was a chemist who had never gotten married and was arrested, socially, at the college level; he loved to reminisce about beautiful sorority girls they had both known as Lambda Chi's at Purdue. Most were named Jo Ann or Sally Anne or Annie Lou, names in that family. This fellow had been in a mild, almost imperceptible depression from the moment Towns met him—and it was catching—so Harry Towns had dinner with him only once a trip. It was no fun being with someone who was always a little low.
Harry Towns had a sprinkling of other friends in L. A., a bartender here, a waitress there, some people in the film colony. One in particular would gather a small group of guests and show them spanking new rough cuts of feature-length films after first distributing old-fashioned candy bars that were a foot long. That was fine once in a while. But what Harry Towns loved most to do was set out in the evening with no date and no particular destination, relying on the peculiar sense of recklessness that possessed him in California. In New York, he might be struck by the beauty of a salesgirl, flirt with her a bit, and then settle for a week's worth of tormented dreams. In Los Angeles, if a girl fell into an intriguing posture, more often than not he would simply scoop her up and whisk her away for the night. Or at least take a good shot at it. In most situations, he did not have the faintest idea of what he was going to do. It made him feel dangerous, and this turned him into exciting company for himself. He felt like a loaded gun. In the event his nightly quests for adventure ended up a bit wilted, he had a few fallback positions. The nostalgic chemist was one. There was a slightly over-the-hill TV ingenue who would generally take him in. She was double-jointed and knew erotic postures which she would fall into the moment he opened the door. He also knew one late-night club where he could count on a few familiar faces.
Harry Towns was aware, too, of a special tribe of long-legged golden women who roamed the area, evading him, dancing slightly beyond his reach. Some called them vacant, mindless, not worth the trouble. Dingalings. Subject them to close inspection and you would see the flaws. A dark-haired dancer he knew saw him staring at a pack of them and said, They're not worthy of you.
But how he yearned for them. On previous trips, his adventures had been with cashiers, hustlers, leftover women on the frayed corners of L. A. life. But he had always felt an awareness of that golden tribe, eyes aloof, carriage regal, long hair trickling down delicious tan shoulders. On this trip, it had somewhat come together for him. Early on, he found an angry one. Angry when he met her, angry in bed, skulking off in a furor after a night of angered, begrudging love. She told him that, yellow hair, perfect legs, and all, she had been badly manhandled by an actor with a marred career. Perhaps what really irritated her was that Harry Towns had trapped her, straggling beyond the golden caravan. In any case, she was an official card-carrying member of the tribe. He had made contact. Soon after, he found another, standing high and golden on a stationery store ladder. Dusting boxes. A girl like you dusting?
he said, not the most spectacular remark. But she went for it. All things were possible in Los Angeles. Actually,
she said, Tve been looking for something with more bite to it." He took her back to the hotel and at one point made her get out of bed and stand on a ladder, stationery-store style. Was he some kind of ladder freak? Even if he was, it was all right with her. Watching her that way, he fought for his breath. He had one of those extraordinary sun girls up on a ladder, tan legs straining, just for him. L. A. was some town.
It had been that kind of trip—fat, rich, lazy, most of the treasures of Beverly Hills one room-service call away. Now, at poolside on a late Friday afternoon, Towns felt the first stirrings of regret at having to leave Los Angeles. His work was completed. If he stayed any longer, he would have to pay his own bills. Not an attractive prospect for Harry Towns. All dollars aside, it struck him that part of the magical fun of Los Angeles was having someone else pay your way. They knew exactly how to pay you, too. The right style. After he had arrived on this trip, he had told his producer he was a little short.
That afternoon, he found twenty one-hundred-dollar bills in his hotel mailbox; they were so crisp and new he could shave with them. For all he knew, he may even have been losing a few thousand on the deal. That didn't seem important. Having those razor-sharp bills in his pocket—and getting them so fast—made everything seem fine.
Harry Towns had to visit his son at summer camp within the next week, so he would be leaving in any case. He had promised to store up anecdotes about film stars for the youngster. So far Towns had only run into stars of Forties movies who weren't going to mean anything to the boy. He reminded himself to go that night to places where the stars hung out and try to see some for the boy so he could report on what they were up to.
The crowning touch to this trip had been a lovely divorcee who had appeared at the pool the day before. He did a quick fantasy thumbnail sketch on her—as he always did on people who interested him. He made her out to be the wife of a doctor, a marvelous dinner-party giver, very strong on fund raising for charities; the doctor was indeed to be congratulated because she kept herself in marvelous trim, working hard at it since she had to be getting on in her thirties. A private thing about