Rain on the River: Selected Poems and Short Prose
By Jim Dodge
4/5
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About this ebook
While Jim Dodge is internationally known for his fiction, his first and abiding passion is poetry. After eighteen years of publishing anonymously and only reading to local crowds in the Pacific Northwest, he began to issue occasional limited-edition letterpress chapbooks, as well as occasional broadsides and, since 1987, a Winter Solstice poem or story, most given as gifts to friends.
Rain on the River contains his work collected here for the first time, as well as three dozen previously unpublished poems. Dodge’s verse and short prose offer the same pleasures as his fiction—a splendid ear for language, great emotional range and subtlety, a sharp eye for the illuminating detail, and a sensibility that encompasses outright hilarity, savage wit, and tender marvel, all made eminently accessible through writing of uncompromising clarity and grace. “Jim’s words are his gift to the world. His life is his art; his words are merely tokens of appreciation. Reading the poems and short prose . . . makes me happy to be alive. . . . Mine’s a happiness born from the revelation that ‘money and food and poetry [are] ways to live, not reasons,” as Jim puts it” (Sacramento News & Review).
Jim Dodge
Jim Dodge earned a master of science in aeronautical engineering. After retiring from the U.S. Navy as captain, he taught adult Sunday school classes at his local church. He also led small group Bible studies and served as the host of The Truth Project. He produced the The Christmas Star DVD in 2014 and has facilitated a prophecy Bible study at his church since 2013. He lives with his wife, Kathy, on their ranch in the Gold Country of Northern California. They have three grown children and eight grandchildren.
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Reviews for Rain on the River
6 ratings1 review
- Rating: 5 out of 5 stars5/5Once and awhile if you’re lucky, you might have the privilege of running into someone who seems like they have it all figured out; someone who by virtue of example shows you another way of looking at the world and your place in it. If you are very lucky (and that person isn’t driven by ego or fanaticism) and you mentioned that you might be tempted to follow his or her example—that person would look at you like you were crazy then maybe laugh and try to talk you out of it. That person might even explain to you why you shouldn’t write in second person narrative.For me that person was Jim Dodge. I had the extreme pleasure of taking a creative writing class with him at Humboldt State back in the early ’90s, and in retrospect, I should have dropped all my other classes and just hung out with him all day. Oh well, live and learn—which is also the message of much of Dodge’s output: any one of his three novels or the flurry of chapbooks and loose poems that follow in his literary wake will teach you that.Rain on the River collects Dodge’s short-form musings from the late ’80s through when it was published in 2002, and during which time, Dodge married his long-time companion and became a father. Many of the later poems deal with the incredible sense of wonder he seemed to be dialed into at that point in his life.Dodge’s poetry combines the wonder of some of Richard Brautigan’s more innocent works and the natural familiarity of Gary Snyder, a fellow traveler who Dodge attributes with changing the direction of his life. Dodge, an HSU fisheries major at the time, soon went multi-disciplinarian after reading Snyder’s Hay for the Horses. Dodge’s mixture of Zen awareness and working class perception mirrors Snyder’s own sensibilities. In Fishing Devil’s Hole at the Peak of Spring, Dodge relates an archetypical steep downhill battle through briar and bramble (and occasional unexpected flower-strewn meadow) to reach a secret fishing hole, only to lose his fish and end up ass-over-tit in the freezing water to which he exclaims:Yes. Yes by everything holy, yes!Even better.He writes at his most beatific in a bone-deep closing triptych/manifesto, Holy Shit.I believe every atom of creationis indelibly printed with divinity.I believe in the warm peachrolled in the palm of my hand.I believe God plays saxophoneand the Holy Ghost loves to dance.
Book preview
Rain on the River - Jim Dodge
Rain on the River
Also by Jim Dodge
Fup
Not Fade Away
Stone Junction
Rain ON THE River
Jim Dodge
Selected Poems and Short Prose
Copyright © 2002 by Jim Dodge
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.
Published simultaneously in Canada
Printed in the United States of America
FIRST EDITION
Library of Congress Cataloging-in-Publication Data
Dodge, Jim.
Rain on the River: selected poems and short prose/
Jim Dodge, p. cm.
ISBN 0-8021-3896-9
1. Northwest, Pacific-Literary collections. I. Title.
PS3554.O335 R35 2002
2001058483
813’.54-cc21
Grove Press
841 Broadway
New York, NY 10003
02 03 04 05 10 9 8 7 6 5 4 3 2 1
for
Victoria Stockley Dodge
covivant for over thirty years, the last seven as wife;
nerve of my soul, love of my life
Contents
Notes and Acknowledgments
Selected Poems and Short Prose
Learning to Talk
The Cookie Jar
Things Thought Through
On Balance
Decomposition
Psycho Ecology
Life of the Spirit
Aweigh
Tao-to-Tao
To Be
Practice, Practice, Practice
Wisdom and Happiness
Red Sails
Squall & Commotion
Slow Learner
Bathing Joe
Mahogany China
The First Cut Is the Deepest
Waiting for Houdini to Come Up
The Countessa
Venison Stew
Winter Song
On Humor: On Mating Donkeys and Onions
Watering the Garden on the Hottest Day of the Summer
Palms to the Moon
A Firmer Grasp of the Obvious
The Work of Art
Steelhead Fishing, Smith River, January
The Third Bank of the River
Green Side Up
One Thing After Another
Unnatural Selections: A Meditation upon Witnessing a Bullfrog Fucking a Rock
Fishing Devil’s Hole at the Peak of Spring
Getting After It
How to Catch the Biggest Fish
Hard Work
There It Is
Knowing When to Stop
Vacation Expenses
Basic Precepts and Avuncular Advice for Young Men
Killing
Death and Dying
New Poems and Short Prose
The Banker
The Real Last Words of Billy the Kid
The Moving Part of Motion
How About
Necessary Angels
Prayer Bones
Magic and Beauty
Day Moon
Karma Bird
The Tunnel
Hagerty Wrecks Another Company Truck
Obsession
Love Find
Flux
Thanks for the Dance
The Stone
Woman in a Room Full of Rubber Numbers
Reason to Live
Scratch
Salvage
An Epithalamium for Victoria
Falling into Place
Play-By-Play
Job Application
The Mouth of the River
The Prior and Subsequent Heavens
Old Growth
Three Ways to Get the Carrot on the Stick
Eurydice Ascending
The Drought of ’76
True Account of the Saucer People
About Time
Smithereens
Jack o’Hearts Shopping Mortmart
Holy Shit
Notes and Acknowledgments
With few exceptions, the selected work in this volume appeared in limited edition letterpress broadsides, cards, and chapbooks published by Jerry Reddan’s Tangram Press in Berkeley, California, who also designed this volume. I’ve worked almost exclusively with Jerry for two decades, always with a sense of privilege, delight, and gratitude.
The first group of poems in this book, from Learning to Talk
through Bathing Joe,
constitutes annual Winter Solstice cards mailed to friends and colleagues, and also includes a few broadsides and occasional verse.
The poems from Mahogany China
through A Firmer Grasp of the Obvious
are selected from Palms to the Moon, a loose group of love poems published in 1987 in an edition limited to 100 copies and given away to friends and fellow practitioners.
Bait & Ice, a small gathering of poems on fishing, philosophy, and nature, was released in 1991 in an edition of 175, and includes the poems from The Work of Art
through Fishing Devil’s Hole at the Peak of Spring.
The final chapbook from which work for this volume was drawn (Getting After It
through Death and Dying
) is Piss-Fir Willie Poems, a suite of persona poems offered as an homage to the vernacular of Pacific northcoast working people, particularly loggers, restoration workers, commercial fishers, ranchers, and those, like my father, in the building trades. I tried to capture the idiom-the diction, cadence, phrasing-as well as that combination of aesthetics, attitude, and turn-of-mind that constitutes cultural style. To my sense of it, I was successful enough that I can’t honestly claim the poems as my own. Whatever virtues of language, wit, or wisdom the reader might find, praise should accrue to the speakers from whom I borrowed; any liabilities, alas, are likely mine. Piss-Fir Willie Poems was published by Tangram in 1998 in an edition of 200 copies.
Before 1980, I also published two other chapbooks-da Vaca in a Vanishing Geography and (with Robert Funt) Sollla Sollew-but because these Mad River