Long Day's Journey into Night by Eugene O'Neill (Book Analysis): Detailed Summary, Analysis and Reading Guide
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This engaging summary presents an analysis of Long Day’s Journey into Night by Eugene O’Neill, a tragic drama centred on the Tyrone family: James, the patriarch full of regrets over his career choices; Mary, a drug addict who regrets her choice to marry James; and their sons Jamie and Edmund, the latter being a semi-autobiographical portrait of the playwright himself. When Edmund is diagnosed with tuberculosis, the family’s bonds begin to fracture and crumble as they are each consumed by regrets, denial and addictions of one kind or another. Eugene O’Neill is considered one of the most influential dramatists of the 20th century, and Long Day’s Journey into Night is one of his best-known plays. It draws heavily on his own family life as a young man, and was not published until after his death.
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Long Day's Journey into Night by Eugene O'Neill (Book Analysis) - Bright Summaries
AMERICAN PLAYWRIGHT
Born in New York City in 1888.
Died in Boston, Massachusetts in 1953.
Notable works:
The Hairy Ape (1922), play
Mourning Becomes Electra (1931), play cycle
The Iceman Cometh (1940, first performed 1946), play
Eugene O’Neill, Nobel Laureate in Literature (1936) and four-time winner of the Pulitzer Prize for Drama (in 1920, 1922, 1928, and 1957), can be considered the forefather of modern American drama. Brought up by troubled Irish-immigrant parents, both of whom suffered from substance abuse, O’Neill’s course to playwriting was indirect, having dropped out of Princeton University and suffered from depression and alcoholism during years working at sea. After spending a year in a sanatorium in 1912 due to tuberculosis, O’Neill embarked on a career that lasted 30 years and produced some of the most recognisable titles in American drama.
Despite suffering from ill health all his life, and indeed only having many of his most famous works published after his early death at the age of 65, Eugene O’Neill is credited with having introduced to American theatre the dramatic realism that marked the now-canonical works of Anton Chekhov (Russian playwright and short story writer, 1860-1904), Henrik Ibsen (Norwegian playwright and poet, 1828-1906), and August Strindberg (Swedish playwright and novelist, 1849-1912) in the late 19th century. O’Neill redefined the genre of tragedy by incorporating American vernacular in his dialogue and focusing on dissolute and outcast characters, which laid the groundwork for 20th century American behemoths like Arthur Miller (American playwright, 1915-2005) and Tennessee Williams (American playwright, 1911-1983) to emerge. O’Neill’s is a distinctly modern body of work that depicts the despair and disillusionment of characters whose attempts to create better lives for themselves are constantly thwarted by their bleak social reality. Ever relevant, Eugene O’Neill’s plays continue to be some of the most oft-produced across the United States and Europe.
A SEMI-AUTOBIOGRAPHICAL FAMILY TRAGEDY
Genre: play (tragedy)
Reference edition: O’Neill, E. (1973) Long Day’s Journey into Night. New Haven: Yale University Press.
1stedition: 1956
Themes: family trauma, substance abuse, agency, disillusionment and the pains of reality
Published posthumously by O’Neill’s widow, Carlotta, who received the manuscript of the play as an anniversary gift, Long Day’s