The Seven Seas: “He travels the fastest who travels alone”
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Rudyard Kipling: A great Victorian, a great writer of Empire, a great man.
Rudyard Kipling was one of the most popular writers of prose and poetry in the late 19th and 20th Century and awarded the Noble Prize for Literature in 1907.
Born in Bombay on 30th December 1865, as was the custom in those days, he and his sister were sent back to England when he was 5. The ill-treatment and cruelty by the couple who they boarded with in Portsmouth, Kipling himself suggested, contributed to the onset of his literary life. This was further enhanced by his return to India at age 16 to work on a local paper, as not only did this result in him writing constantly but also made him explore issues of identity and national allegiance which pervade much of his work.
Whilst he is best remembered for his classic children’s stories and his popular poem ‘If…’ he is also regarded as a major innovator in the art of the short story.
Rudyard Kipling
Rudyard Kipling (1865-1936) was an English author and poet who began writing in India and shortly found his work celebrated in England. An extravagantly popular, but critically polarizing, figure even in his own lifetime, the author wrote several books for adults and children that have become classics, Kim, The Jungle Book, Just So Stories, Captains Courageous and others. Although taken to task by some critics for his frequently imperialistic stance, the author’s best work rises above his era’s politics. Kipling refused offers of both knighthood and the position of Poet Laureate, but was the first English author to receive the Nobel prize.
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The Seven Seas - Rudyard Kipling
The Seven Seas by Rudyard Kipling
Rudyard Kipling: A great Victorian, a great writer of Empire, a great man.
Rudyard Kipling was one of the most popular writers of prose and poetry in the late 19th and 20th Century and awarded the Noble Prize for Literature in 1907.
Born in Bombay on 30th December 1865, as was the custom in those days, he and his sister were sent back to England when he was 5. The ill-treatment and cruelty by the couple who they boarded with in Portsmouth, Kipling himself suggested, contributed to the onset of his literary life. This was further enhanced by his return to India at age 16 to work on a local paper, as not only did this result in him writing constantly but also made him explore issues of identity and national allegiance which pervade much of his work.
Whilst he is best remembered for his classic children’s stories and his popular poem ‘If…’ he is also regarded as a major innovator in the art of the short story.
Index of Contents
DEDICATION TO THE CITY OF BOMBAY
A SONG OF THE ENGLISH
THE FIRST CHANTEY
THE LAST CHANTEY
THE MERCHANTMEN
McANDREWS' HYMN
THE MIRACLES
THE NATIVE-BORN
THE KING
THE RHYME OF THE THREE SEALERS
THE DERELICT
THE SONG OF THE BANJO
THE LINER SHE'S A LADY
MULHOLLAND'S CONTRACT
ANCHOR SONG
THE SEA-WIFE
HYMN BEFORE ACTION
TO THE TRUE ROMANCE
THE FLOWERS
THE LAST RHYME OF TRUE THOMAS
THE STORY OF UNG]
THE THREE-DECKER
AN AMERICAN
THE MARY GLOSTER
SESTINA OF THE TRAMP-ROYAL
RUDYARD KIPLING – A SHORT BIOGRAPHY
RUDYARD KIPLING – A CONCISE BIBLIOGRAPHY
DEDICATION
To The City Of Bombay
The Cities are full of pride,
Challenging each to each—
This from her mountain-side,
That from her burthened beach.
They count their ships full tale—
Their corn and oil and wine,
Derrick and loom and bale,
And rampart's gun-flecked line;
City by city they hail:
Hast aught to match with mine?
And the men that breed from them
They traffic up and down,
But cling to their cities' hem
As a child to the mother's gown.
When they talk with the stranger bands,
Dazed and newly alone;
When they walk in the stranger lands,
By roaring streets unknown;
Blessing her where she stands
For strength above their own.
(On high to hold her fame
That stands all fame beyond,
By oath to back the same,
Most faithful-foolish-fond;
Making her mere-breathed name
Their bond upon their bond.)
So thank I God my birth
Fell not in isles aside—
Waste headlands of the earth,
Or warring tribes untried—
But that she lent me worth
And gave me right to pride.
Surely in toil or fray
Under an alien sky,
Comfort it is to say:
Of no mean city am I.
(Neither by service nor fee
Come I to mine estate—
Mother of Cities to me,
For I was born in her gate,
Between the palms and the sea,
Where the world-end steamers wait.)
Now for this debt I owe,
And for her far-borne cheer
Must I make haste and go
With tribute to her pier.
And she shall touch and remit
After the use of kings
(Orderly, ancient, fit)
My deep-sea plunderings,
And purchase in all lands.
And this we do for a sign
Her power is over mine,
And mine I hold at her hands.
A SONG OF THE ENGLISH
Fair is our lot—O goodly is our heritage!
(Humble ye, my people, and be fearful in your mirth!)
For the Lord our God Most High
He hath made the deep as dry,
He hath smote for us a pathway to the ends of all the Earth!
Yea, though we sinned—and our rulers went from righteousness—
Deep in all dishonour though we stained our garments' hem.
Oh be ye not dismayed,
Though we stumbled and we strayed,
We were led by evil counsellors—the Lord shall deal with them.
Hold ye the Faith—the Faith our Fathers sealèd us;
Whoring not with visions—overwise and overstale.
Except ye pay the Lord
Single heart and single sword,
Of your children in their bondage shall He ask them treble-tale.
Keep ye the Law—be swift in all obedience.
Clear the land of evil, drive the road and bridge the ford.
Make ye sure to each his own
That he reap what he hath sown;
By the peace among Our peoples let men know we serve the Lord.
Hear now a song—a song of broken interludes—
A song of little cunning; of a singer nothing worth.
Through the naked words and mean
May ye see the truth between
As the singer knew and touched it in the ends of all the Earth!
The Coastwise Lights
Our brows are wreathed with spindrift and the weed is on our knees;
Our loins are battered 'neath us by the swinging, smoking seas.
From reef and rock and skerry—over headland, ness and voe—
The Coastwise Lights of England watch the ships of England go!
Through the endless summer evenings, on the lineless, level floors;
Through the yelling Channel tempest when the syren hoots and roars—
By day the dipping house-flag and by night the rocket's trail—
As the sheep that graze behind us so we know them where they hail.
We bridge across the dark, and bid the helmsman have a care,
The flash that wheeling inland wakes his sleeping wife to prayer;
From our vexed eyries, head to gale, we bind in burning chains
The lover from the sea-rim drawn—his love in English lanes.
We greet the clippers wing-and-wing that race the Southern wool;
We warn the crawling cargo-tanks of Bremen, Leith and Hull;
To each and all our equal lamp at peril of the sea—
The white wall-sided warships or the whalers of Dundee!
Come up, come in from Eastward, from the guard-ports of the Morn!
Beat up, beat in from Southerly, O gipsies of the Horn!
Swift shuttles of an Empire's loom that weave us main to main,
The Coastwise Lights of England give you welcome back again!
Go, get you gone up-Channel with the sea-crust on your plates;
Go, get you into London with the burden of your freights!
Haste, for they talk of Empire there, and say, if any seek,
The Lights of England sent you and by silence shall ye speak.
The Song of the Dead
Hear now the Song of the Dead—in the North by the torn berg-edges—
They that look still to the Pole, asleep by their hide-stripped sledges.
Song of the Dead in the South—in the sun by their skeleton horses,
Where the warrigal whimpers and bays through the dust of the sere river-courses.
Song of the Dead in the East—in the heat-rotted jungle hollows,
Where the dog-ape barks