Heavy Metal Heat

By Candice Christian

Alicia, draws the short straw, and stands in line to get tickets for her and her friends for an Ozzfest Concert. While in line she and an exotic female head banger hit it off in more ways than one. They just finish their erotically charged introduction when each reaches the ticket window and get their tickets.

The night of the concert, the three girls let the hypnotic beat of the music get them aroused to a boiling point and under a convenient blanket, some of their pent up passion is relieved. This continues during most of the concert. They take turns, giving and receiving favors from each other, until, one of the girl’s screams of wild abandon, causes all three to be escorted from the stands by a security officer.

Adrenalin flowing from the driving beat of the music and their raging libido's, they subdue the security officer, and use her to get backstage passes and a hidden spot under the actual stage, so they can continue the total experience of the Heavy Metal bash, and provide some relief to their raging hormones.

• Language: English
• Publisher: Tenth Muse
• Release date: Sep 3, 2019
• ISBN: 9780463332504

Candice Christian

Candice was born in Paris KY on 9 January 1988. Her parents, George Bertrand Christian, an attorney who once aspired to be an actor, and Frances Hollowell insisted that Candice and her sister Simone, be sent to a Catholic school. Candice was deeply religious as a child, at one point thought of becoming a nun.

Book preview

Heavy Metal Heat

Candice Christian

Copyright 2019 Candice Christian

Published by Candice Christian at Smashwords

Smashwords Edition License Notes

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Acknowledgments

Levy Paul, Phoebe Esprit

Prologue

To Set the record straight, and to take a preemptive strike against those who will claim that 'females don't like' heavy metal music. I have inserted a comment, actually a portion of an essay from 'Quora', by Rob Dwyer, a contributor to that site.

...Classic heavy metal music is most often fueled by feelings of anger, aggression, alienation, as well as discontent with the status quo, government or human condition. There is also a more motivational and almost athletic dimension to this music that increases our adrenaline and dopamine levels. Early critics and writers used adjectives like testosterone fueled which would definitely be sexist if it were describing our current metal scene. While males have traditionally been more prone to engaging with their darker, more aggressive nature, women obviously possess these same feelings and urges.

In terms of fandom, hair metal bands like Motley Crue, Poison, Ratt, Dokken, Bon Jovi and Whitesnake always seemed to draw sizable numbers of female attendees that certainly ended any arguments about a gender divide, unless you were talking about a few less male fans. Speed metal acts like Metallica, Megadeth and Slayer initially drew less women to their shows, but I've noticed a slow, but gradual shift as more women braved their way into mosh pits.

It has been a gradual process for women to liberate themselves from the expectations and constraints placed upon them by their societal or familial constructs. They've