A Medley Of Murder Mystery Plays

By Lee Mueller

3 comedy murder mystery plays by Lee Mueller. A collection of the earliest play scripts and some of his most popular works that have been produced nationally and internationally. This medley of mystery includes "Murder Me Always" a comedy about a bad murder mystery production that suddenly takes a turn for the real. A real murder happens during the play. "Talk About A Murder" is a comedy about a live talk show where one of the guests turns up dead. And the award-winning "Death Of A Doornail" which is a not so traditional drawing-room mystery.

• Language: English
• Publisher: Lee Mueller
• Release date: Sep 6, 2019
• ISBN: 9780463558379

Lee Mueller

Lee Anians-Mueller was born in St. Louis, Missouri. For thirty years he has been involved in the performing arts, from acting to directing, and most notably as a playwright.Starting on stage as an actor in High School, through college, and onto Community theatre. Lee even made it to the silver screen as a sewer dweller in Escape From New YorkLee spent many years in the trenches of the St. Louis Comedy club circuit in comedy sketch/improv groups: The Way Off-Broadway Players The Bottom Line, and Wit's End; - as a performer and writer. It wasn't long before the world of acting in plays and writing comedy sketches merged and he began writing plays for fun.His first one-act play, In Between Days; was selected to be produced during a national writers conference at local Missouri College. His second one-act, The Favor was chosen as a finalist in a short play competition by Pamoja Players in St. Louis.For the past 15 years, Lee has specialized in comedy murder mystery plays that have been produced all over the world. In 2007 his play Murder Me Alway spent a month on the stage of the Laugh Factory in New York - so technically Lee likes to say one of his scripts played Off-Broadway.His play Death Of A Doornail won Best Original Comedy" at the 27th Annual Arty Awards in Fairfield California.His 12-minute short play The Thing That Happened was featured at SKits in Dramanon Hyderabad, India, and won Best Original Play.

Book preview

Introduction

First of all, thank you for your interest in my plays. Here you will find 3 of my earliest murder mystery plays which were originally written for a local theatre group.

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"Murder Me Always was my first stab at a murder mystery play. I had written some sketches for a Comedy/Improv group and a few one act plays before trying my hand at Murder Mystery. I had been an actor in several Murder Mystery plays including The Mouse Trap" by Agatha Christie and had grown up reading The Hardy Boys mysteries, so it can be said I had a bit of background in the genre. Murder Me Always was mainly a tongue-in-cheek take on my years in community theatre and some of the murder mystery plays I had participated in.

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"Talk About A Murder was originally titled Some Show, essentially because at the time of writing it, I couldn't come up with a good title and referred to it as; some show about a murder. Some Show as a title stuck with me and I also imagined that many people going to see the play really didn't know the name and would tell friends, Oh we're going to see... some show. It wasn't until a handful of years later that I realized fans of murder mystery theatre loved plays with murder or death" in the title – hence the name change. At the time of writing the play, it seemed everyone in the entertainment industry had their very own talk show. I took that idea and ran with it.

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"Death Of A Doornail" was another of my tongue-in-cheek attempts at poking fun at the whole genre of murder mystery itself. At the time my mother was big fan of the author M.C. Beaton. Beaton had a series of books with the titles such as Death Of A Snob, Death Of A Cad , so with a nod to Beaton, I wrote Death Of A Doornail. Beside using the classic drawing room characters and the tired old drawing room plot, you know, where the eccentric millionaire gathers together family and friends at his estate for the weekend – I wanted to playfully turn the whole thing on it's head by bursting through the fourth wall. Inviting the audience into the process with a slight wink wink nudge nudge.

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A special note on some of the text : with each play I experimented with the character text – that is having the characters name appear in bold text, regular text and later on as underlined. I decided to leave it as it appeared in the original versions to let each play stand on it own with its own characteristic.

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I hope you enjoy the plays!

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Lee Mueller

[e-mail]

Part One

The First

Chapter 1

Murder Me Always

Lee Mueller

©1995 ©2010 (revised)

Characters

Characters

Director - is the director of the fake* play

Wanda Hawthorne - the Femme Fatale character of the fake play

Fritz Fontaine- a pompous actor who must have his way.

Henry- older actor a bumbling forgetful type.

Trixie- the assistant director who is in reality a policewoman.

Muffy- a spoiled rich girl

Blake- the male version of Muffy in some aspects but a little more devious and shady.

Detective Joe Mamet-  a detective who has read too many 1940’s detective novels

Drew Graham- got into acting because he couldn’t find a rock band to let him join.

Dolores-  somewhat of the typical plain Jane -librarian type.

Cab Driver- typical cab driver.

*fake play meaning The play the actors are trying to Present

"Murder Me Always" was originally produced in 1995 by Affton CenterStage at the Oakland House in Affton, Missouri. Directed by Bob Baker

Act I

Murder Me Always

Director enters stage followed by Wanda and Trixie

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DIRECTOR:  (continuing from argument started off stage) ...I don't care! All these people are here and they've paid good money!

WANDA:  Most of the actors are here too! I'm ready!

TRIXIE:  But should we start without him?

DIRECTOR:  Look! This play must go on tonight! Do you understand? I'm not arguing anymore! Wanda, go tell everyone to get ready.  Trixie,  see if you can track down our missing link! Call him, text him, skype him, friend him on Facebook, whatever you have to do!

     (Trixie exits)

WANDA:  (as she exits) Fritz isn't going to be happy!

DIRECTOR:  (rising in intensity) Well tell Fritz to put on a shiny happy face and get it in gear. I'm the director! What I say, is what goes! Let's get this show on the road people! If anyone has a problem with it... well... then they'll have a problem with it! I'm not here to pamper a bunch, sensitive artists! This ain't no party! This ain't no disco! I'm not fooling around! If anyone wants to question my judgment, well you can just ...(turns to audience, dramatic change in tone -to a sugary sweet delivery ) Hi! How are you? Good! I'd like to welcome you to -----'s production of Murder Me Always. We will start the play as soon as a small.. issue gets solved. (looks off stage occasionally)  Yes, well, let me take this opportunity to explain a few things.  Some of you may have seen Murder Mysteries and know how they work.

      (FRITZ appears in the wings Stage Right trying to get director's attention)

DIRECTOR:  And some may not so let me just take a second while we’re waiting and explain a few things.

     (Fritz clears throat)

DIRECTOR:  (seeing him) Oh look! It's Mr. Fontaine, one of the actors! Say! Maybe he would like to come out here and explain it to you. What do you say, Fritz? Would you like to help your Director out of a slight jam?

FRITZ:  No, actually, I wanted to..

DIRECTOR: GET OUT HERE FONTAINE AND HELP THE DIRECTOR!!

FRITZ:  Yea, well..O.K. (moves out of wings and crosses to the Director)

DIRECTOR:  Ladies and gentlemen, Mr. Fontaine will explain it all for you. (threateningly to Fritz) Make it snappy Monkey boy cause we're startin' this puppy whether you like it or not! (director quickly exits)

FRITZ:  (nervous laugh) Well, very good. Excellent. Yes, where were we? Ah! For those of you who are new to this genre, i.e. Murder Mysteries,  allow me to explain. Instead of thinking of yourselves as an audience, imagine instead, you are all guests at a dinner party. You were all invited here this evening by the wealthy banker, Mr. Swanwallow. I will be playing the part or dramatis personae of Mr. Swanwallow this evening.

(Wanda enters Stage right, trying to get Fritz's attention.)

FRITZ:  Now, I’ll also ask you to imagine that I have invited all of you here to celebrate the lovely Birthday of our dear guest of honor, the delightful Widow Vanderventer. You dear audience shall portray the guests!

(Wanda clears her throat loudly)

FRITZ:  However, not all of the guests in attendance this evening were invited! In fact, some may have other agendas.  They may be quite erroneous and dare I say, suspicious! Yes, and of course...

     (Wanda clears throat again.)

FRITZ:  (noticing her) Oh! Wanda! Uh..I mean, Miss Sinlace! Is everything all right? Has our late friend made it to our soiree?

WANDA:  No, he hasn’t made it and I doubt he’s sorry.

FRITZ: Sorry? Oh no, I said soiree..you know. party.

WANDA: Party? Oh! You mean the play! I get it. You’re trying to be all in character!

FRITZ: Yes, Miss Sinlace, what was your first clue?

WANDA: Whatever Fritz or Swanwallow or whoever you are at this minute. Anyway, he sent a text that he should be here at the.. swar-ay...thing soon.

FRITZ:  Splendid! Very Good!

WANDA: And the director… of the..swar-ay, wanted me to tell you to "wrap it up", cause we're going to start on time. And she’s not swar-ee.

FRITZ:  Yes, very cute. But actually, I think we should wait, Miss Sinlace until everyone has arrived.

WANDA: That's cool but, you're not the director.

FRITZ:  No, but I should have been! Tell you what, I shall go and confer with the director while you entertain our dinner guests!

WANDA: Me? No! Really, Swans you're doing a super awesome job here and..

FRITZ:  Please, by all means! Ladies and gentlemen may I present the very lovely and talented, Miss Wanda Hawthorne! (pulls her to center) Let's give her a hand! (encourage applause) Wanda will be portraying the role of Sally Sinlace this evening. Wanda, I mean... Sally, would you be so kind as to explain to our guests, how the mystery will work this evening? Thank you. Excuse me. (exits quickly)   

WANDA:  (starts after him) Wait! Fritz!! (reluctantly comes back to center)  Hi! How's it going? Good, good. Let's see...

     (Offstage we can hear Fritz shouting - fades down)

WANDA:  So, how this mystery works... well, tonight somebody will get killed and.. you figure it out. That's pretty much the deal. Kinda like an episode.. you know.. of CSI. Well, not CSI, because they cut people up and junk. Tonight will be like some other show, where they don't cut people up.  Anyway, at the end of the play or dinner or whatever, you'll vote and write down the name of the person you think committed the murder. Is everybody cool with that?

HENRY: (entering as if play has started) Night has fallen upon the day! The larks sing from the brown branches of the mighty oaks which stand tall upon these grounds outside!

WANDA: Henry!! Henry wait! Not yet!

HENRY:  What a delightful evening to..Uh..what are you doing here? (digs for script) What scene is this?!

WANDA: We're not in any scene Henry! We haven't started!

HENRY: But I heard my cue! I thought I was supposed to enter after the uh..thing happens...

WANDA:  The thing didn't happen! The party hasn't started!

HENRY:  Party? What party?

WANDA:  The sorry party! You know! The thing we're doing?

    (Fritz's offstage shouting can be heard again. Immediately he enters followed by the director. The two conversations should happen at same time. Fritz talking to Director and Henry with Wanda.)

HENRY: I thought there was a performance tonight!

FRITZ: Now you see! He’s started and we’re ready!

WANDA: There is Henry! But we haven't started!

DIRECTOR: I didn't tell him to start!

HENRY: I thought I was supposed to start!

FRITZ: Who told him to start the blasted thing? Who wanted to start before everyone was ready?

WANDA: Just go back and wait until we’re ready!!

DIRECTOR: Are you accusing me of sending

the stupid fool out here?

HENRY: I was ready! I don't think you should tell me when to start and when to wait! You’re not the director!

FRITZ: Did I say you did?!

DIRECTOR: You didn't have to! You implied it!

WANDA: I'm not telling you what to do! I'm telling you the show hasn’t started yet!

FRITZ: Implied?! Ha! If you knew what you were doing, we wouldn’t be in this mess!

HENRY: Don't raise your tone! I've done over 200 plays! I think I know when to start and when not to start!

DIRECTOR: Now I don't know what I'm doing huh? Listen, you untalented two-bit actor!

WANDA: But nobody Else is Ready to START Old man!

FRITZ: Untalented?! You couldn't direct your way out of a paper bag!

HENRY: That's it! I don't need to stand here and take this!! (exits)

DIRECTOR: That's it! I don't need to stand here and take this!! (exits)

WANDA: Well fine!! (exits

FRITZ: Well fine!! (suddenly realizing audience) Oh! Terribly sorry! This was not part of the.. performance as in the script, you see, it was just a little..uh..you know..an improvised exercise.. to..

DREW: (enters quickly) Dude! I'm sorry I'm late! (looks at crowd) Oh snap! Have we started?

FRITZ: No! We haven't Started!!

DREW:  Sweet! Check it out, I had to grab a cab and I'm a little short of fundage, (Cab driver/Host