Chinatown Ghosts: The Poems and Photographs of Jim Wong-Chu
By Jim Wong-Chu
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About this ebook
--Before this, however, he was best known as the author of Chinatown Ghosts in 1986, the first Chinese Canadian poetry book ever published. He never published another book of his own (in addition to Ricepaper, he edited acclaimed Asian Canadian anthologies such as Many Mouthed Birds and Swallowing Clouds). As a tribute to Jim, we are publishing this new edition of Chinatown Ghosts (which has been out of print for 25 years) which includes his never-before-published photographs of Vancouver’s Chinatown taken during the 1970s and 80s. The photos document the once-vibrant area that has now given way to condos and trendy shops – an homage to Chinatowns across North America that no longer exist.
--The book also includes tributes to Jim from many of his literary colleagues, including Paul Yee, SKY Lee, Fred Wah, Rita Wong, Terry Watada, and Catherine Hernandez.
--The poems (which have been used in many school and university classrooms) are touchstones on the Chinese American experience, from those who worked on the railways to instances of heartbreaking racism to moments of quiet fortitude.
--A tribute to Jim appeared in Canada’s national newspaper The Globe and Mail in July 2017: https://www.theglobeandmail.com/arts/books-and-media/jim-wong-chu-was-a-tireless-promoter-of-asian-canadian-writing/article35840509/
--The market for this book will be Asian American and those interested in Asian American literature and/or history, as well as those interested in poetry and photography in general.
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Chinatown Ghosts - Jim Wong-Chu
A Chinatown Ghost: In Loving Memory of Jim Wong-Chu
I remember the long drives home after our meetings.
Jim liked choreographing the main points, teaching me how to read between the lines, meticulously setting the stage for his next big idea for the Asian Canadian Writers’ Workshop. One time, just as he was about to drop me off, he told me to shut the door and continued talking, and half an hour later, with the engine still running, he changed the way I thought about writing.
Canada is a very unique place because you can do whatever you want, but you just have to do it yourself,
Jim was apt to say. "No one else is going to do it for you." So that’s what Jim Wong-Chu did. When he got tired of photography, he picked up the pen and became a poet, and later, when knew he could do more by helping others, he dropped his pen to become an editor, and then director of a festival that he founded to celebrate Asian Canadian writing.
Jim has been called a pioneer numerous times, even described in BC Bookworld as the Moses of Asian Canadian literature,
but Jim’s displaced youth meant that he never completed his formal education. He never hid this fact. It only fuelled his curiosity for learning. He was tireless, often sleeping only a few hours and rising at four a.m. to type an email to finish off a thought and get ready for another project he was working on.
Jim’s success was his determination: he liked having the last word, to script the narrative his way. His persistence in consistency meant writers—both known and unknown, nobodies and somebodies—knew him simply as the person to go to for advice about writing. He never turned away anyone who had a story to tell, regardless of how unready it might have been.
Jim lived a simple life that breathed Asian Canadian literature. I’m not better than anyone else, I’ve just done it for a long time,
he once told me, and because of this longevity in the literary world, he probably came across, talked to, and read the manuscripts of a whole generation of Asian Canadian writers. His archives at the University of British Columbia tell the story.
Jim led the Asian Canadian Writers’ Workshop from the beginning, before it even had a name. He loved his life outside of work, probably working harder than anyone who gets paid at their own job. You can never give me enough for what I do,
Jim quipped once, and it was true: he never got paid a penny for the hours he put into his beloved ACWW, Ricepaper Magazine, and LiterASIAN