Poems 1918-21, Including Three Portraits and Four Cantos
By Ezra Pound
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Ezra Pound
Ezra Pound (1885–1972) is one of the most influential, and controversial, poets of the twentieth century. His poetry remains vital, challenging, contentious, unassimilable.
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Poems 1918-21, Including Three Portraits and Four Cantos - Ezra Pound
Ezra Pound
Poems 1918-21, Including Three Portraits and Four Cantos
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4057664648990
Table of Contents
HOMAGE TO SEXTUS PROPERTIUS
I
II
III
IV DIFFERENCE OF OPINION WITH LYGDAMUS
V
VI
VII
VIII
IX
X
XI
I
XII
LANGUE D’OC
I
II
III
IV
V
MOEURS CONTEMPORAINES
I
II
III
IV
V
VI
VII
VIII
HUGH SELWYN MAUBERLEY
ODE POUR L’ELECTION DE SON SEPULCHRE
I
II
III
IV
V
YEUX GLAUQUES
SIENA MI FE’; DISFEÇEMI MAREMMA
BRENNBAUM
MR NIXON
X
XI
XII
ENVOI (1919)
1920 (MAUBERLEY)
I
II
THE AGE DEMANDED
IV
MEDALLION
CANTOS
THE FOURTH CANTO
THE FIFTH CANTO
THE SIXTH CANTO
THE SEVENTH CANTO
HOMAGE TO SEXTUS PROPERTIUS
Table of Contents
I
Table of Contents
SHADES of Callimachus, Coan ghosts of Philetas
It is in your grove I would walk,
I who come first from the clear font
Bringing the Grecian orgies into Italy,
and the dance into Italy.
Who hath taught you so subtle a measure,
in what hall have you heard it;
What foot beat out your time-bar, what water has mellowed your whistles?
Out-weariers of Apollo will, as we know, continue their Martian generalities.
We have kept our erasers in order,
A new-fangled chariot follows the flower-hung horses;
A young Muse with young loves clustered about her
ascends with me into the aether, ...
And there is no high-road to the Muses.
Annalists will continue to record Roman reputations,
Celebrities from the Trans-Caucasus will belaud Roman celebrities
And expound the distentions of Empire,
But for something to read in normal circumstances?
For a few pages brought down from the forked hill unsullied?
I ask a wreath which will not crush my head.
And there is no hurry about it;
I shall have, doubtless, a boom after my funeral,
Seeing that long standing increases all things regardless of quality.
And who would have known the towers
pulled down by a deal-wood horse;
Or of Achilles withstaying waters by Simois
Or of Hector spattering wheel-rims,
Or of Polydmantus, by Scamander, or Helenus and Deiphoibos?
Their door-yards would scarcely know them, or Paris.
Small talk O Ilion, and O Troad
twice taken by Oetian gods,
If Homer had not stated your case!
And I also among the later nephews of this city
shall have my dog’s day
With no stone upon my contemptible sepulchre,
My vote coming from the temple of Phoebus in Lycia, at Patara,
And in the mean time my songs will travel,
And the devirginated young ladies will enjoy them
when they have got over the strangeness,
For Orpheus tamed the wild beasts—
and held up the Threician river;
And Citharaon shook up the rocks by Thebes and danced them into a bulwark at his pleasure,
And you, O Polyphemus? Did harsh Galatea almost
Turn to your dripping horses, because of a tune, under Aetna?
We must look into the matter.
Bacchus and Apollo in favour of it,
There will be a crowd of young women doing homage to my palaver,
Though my house is not propped up by Taenarian columns from Laconia
(associated with Neptune and Cerberus),
Though it is not stretched upon gilded beams;
My orchards do not lie level and wide
as the forests of Phaecia,
the luxurious and Ionian,
Nor are my caverns stuffed stiff with a Marcian vintage,
(My cellar does not date from Numa Pompilius,
Nor bristle with wine jars)
Yet the companions of the Muses
will keep their collective nose in my books,
And weary with historical data, they