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The Russian Ballet
The Russian Ballet
The Russian Ballet
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The Russian Ballet

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"The Russian Ballet" by Ellen Terry. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
LanguageEnglish
PublisherGood Press
Release dateMay 19, 2021
ISBN4057664635273
The Russian Ballet

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    Book preview

    The Russian Ballet - Ellen Terry

    Ellen Terry

    The Russian Ballet

    Published by Good Press, 2022

    goodpress@okpublishing.info

    EAN 4057664635273

    Table of Contents

    THE RUSSIAN BALLET

    Introductory

    Dancing In General

    Religious Dancing

    The Russian Revival

    Male Dancers

    Sur les Pointes

    How Far a Native Ballet?

    Personality—and Nijinsky

    Nijinsky's Distinction

    Nijinsky Always a Dancer

    The Dance Poems

    Les Sylphides

    Le Carnaval

    The Corps de Ballet

    Le Spectre de la Rose

    A Paradox

    Tamar

    Prince Igor

    Pavillon d' Armide

    Narcisse

    0018m

    Original


    THE RUSSIAN BALLET

    Table of Contents


    Introductory

    Table of Contents

    THE Russian ballet, at least that section of it which M. de Diaghiliev, patron and grand seigneur rather than agent, has taken all over Europe during the last few years, and more recently to America, is now more than a darling of its own nation, a naturally ballet-loving nation. It has become an international possession. In England the Russian dancers have perhaps been acclaimed with more whole-hearted fervor than elsewhere, because before their coming the land was barren. In France and Italy they had ballets of their own. They have a standard by which they can measure the visitors from St. Petersburg. But English audiences, like children presented with a new toy, first shyly wondered at the novelty of the agile strangers, and then fell into transports of enthusiasm.

    Uncritical enthusiasm toward art and artists is an amiable attitude of the English once they have been gained over. And this enthusiasm has a way of persisting. The English public may be slow, said a musician who had taken a long time

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