Italian Harpsichord-Building in the 16th and 17th Centuries
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Italian Harpsichord-Building in the 16th and 17th Centuries - John D. Shortridge
John D. Shortridge
Italian Harpsichord-Building in the 16th and 17th Centuries
Published by Good Press, 2019
goodpress@okpublishing.info
EAN 4057664566515
Table of Contents
The Typical Italian Polygonal Virginal
The Typical Italian Harpsichord
String Lengths and Pitch Standards
The Typical Italian Polygonal Virginal
Table of Contents
To give a clear idea of the construction of the Italian polygonal virginal, a detailed description of one particular example is presented here. This virginal is included in the Hugo Worch collection at the U.S. National Museum. The maker's name is not known, but the instrument is believed to have been built around 1600.
As is true of the great majority of Italian virginals and harpsichords of the 16th and 17th centuries, the instrument proper is removable from its outer case. The outer case (fig. 2), of sturdier construction than the virginal which it was designed to protect, is made of wood about ½" thick and is decorated with paintings of female figures and garlands. The original legs are missing.
Our main interest is in the virginal proper (fig. 3), the construction of which is comparable in some ways to that of the violin. The very thin sides of the virginal are held together at the corners by blocks, and the soundboard is supported by a lining.
The cross section drawing