The Three Hills, and Other Poems
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Charles Baudelaire
Richard Howard was one of the most prolific and respected twentieth-century literary critics and translators. He won a Pulitzer Prize, a PEN Translation Prize, a National Book Award (for Les Fleurs Du Mal (The Flowers of Evil)), a Literary Award from the Academy of Arts and Letters, a MacArthur Fellowship, the title of Chevalier from France’s L’Ordre National du Merite, and the position of Poet Laureate of New York. Richard Howard was one of the most prolific and respected twentieth-century literary critics and translators. He won a Pulitzer Prize, a PEN Translation Prize, a National Book Award (for Les Fleurs Du Mal (The Flowers of Evil)), a Literary Award from the Academy of Arts and Letters, a MacArthur Fellowship, the title of Chevalier from France’s L’Ordre National du Merite, and the position of Poet Laureate of New York. Charles Baudelaire was a French poet whose work explored taboo areas of sensuality and sexuality. His highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud, and Stéphane Mallarmé, among many others. He is credited with coining the term “modernity” (modernité) to designate the fleeting, ephemeral experience of life in an urban metropolis (such as mid-19th century Paris), and the responsibility of artistic expression to capture that experience.
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The Three Hills, and Other Poems - Charles Baudelaire
Charles Baudelaire, John Collings Sir Squire
The Three Hills, and Other Poems
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066206635
Table of Contents
Cover
Titlepage
BY
J.C. SQUIRE
BY
Table of Contents
J.C. SQUIRE
Table of Contents
LONDON: HOWARD LATIMER LTD.
GREAT QUEEN STREET, KINGSWAY
MCMXIII
TO
FRANCIS BURROWS
CONTENTS
ANTINOMIES ON A RAILWAY STATION
THE THREE HILLS
A CHANT
ARTEMIS ALTERA
STARLIGHT
FLORIAN'S SONG
DIALOGUE
CREPUSCULAR
AT NIGHT
FOR MUSIC
THE ROOF
TREETOPS
IN THE PARK
SONG
TOWN
A MEMORIAL
FRIENDSHIP'S GARLAND—I
—II
—III
LINES ON THE EARTHLY PARADISE
ECHOES
THE FUGITIVE
IN THE ORCHARD
IN A CHAIR
A DAY
THE MIND OF MAN
A REASONABLE PROTESTATION
EPILOGUE
TWELVE TRANSLATIONS FROM CHARLES BAUDELAIRE
TOUT ENTIÈRE
THE ALCHEMY OF GRIEF
SPLEEN
A VOYAGE TO CYTHERA
THE CRACKED BELL
THE OFFENDED MOON
TO THEODORE BANVILLE, 1984
MUSIC
THE CATS
THE SADNESS OF THE MOON
MOESTA ET ERRABUNDA
THE OWLS
Many of the above poems have appeared in the British Review,
the Eye-Witness,
the New Witness,
the Oxford and Cambridge Review,
the New Statesman,
and the New Age,
to the Editors of which thanks are due for permission to reprint. Three of the short poems and most of the translations are extracted from an earlier volume.
ANTINOMIES ON A RAILWAY STATION
As I stand waiting in the rain
For the foggy hoot of the London train,
Gazing at silent wall and lamp
And post and rail and platform damp,
What is this power that comes to my sight
That I see a night without the night,
That I see them clear, yet look them through,
The silvery things and the darkly blue,
That the solid wall seems soft as death,
A wavering and unanchored wraith,
And rails that shine and stones that stream
Unsubstantial as a dream?
What sudden door has opened so,
What hand has passed, that I should know
This moving vision not of trance
That melts the globe of circumstance,
This sight that marks not least or most
And makes a stone a passing ghost?
Is it that a year ago
I stood upon this self-same spot;
Is it that since a year ago
The place and I have altered not;
Is it that I half forgot,
A year ago, and all despised
For a space the things that I had prized:
The race of life, the glittering show?
Is it that now a year has passed
Of vain pursuit of glittering things,
Of fruitless searching, shouting, running,
And greedy lies and candour cunning,
Here as I stand the year above
Sudden the heats and the strivings fail
And fall away, a fluctuant veil,
And the fixed familiar stones restore
The old appearance-buried core,
The moveless and essential me,
The eternal personality
Alone enduring first and last?
No, this I have known in other ways,
In other places, other days.
Not only here, on this one peak,
Do fixity and