The Lifers
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The Lifers - Michael Steven
Acknowledgements
BACK IN THE DAY
The soupy fug of Sean Macgregor’s lounge ripples across
the memory matrix: five boys are couch-locked at midday
after smoking too many bucket bongs while his parents
holiday at the annual Rotary Convention, just out of Taupo.
It is the summer of Sonic Youth and Dinosaur Jr.,
the first heavy Dutch indica strains. It is the summer
of acid tabs imprinted with green and red dragons,
Sonic the Hedgehog, Bart Simpson’s larrikin yellow face.
Pixels on a television screen reassemble into Merv Hughes
standing there in the outfield at Eden Park, twirling
his panhandle moustache like a hit man on Lygon Street.
His next catch puts the lights out on the last test of the season.
It is the summer of Dancing Beer, of overflowing ashtrays,
of grease-sodden pizza boxes. A face from the future,
glaring back through the calico wallpaper, calls for someone—
anyone—to hurry up and turn the goddamn tape over.
THE 8:50 FREIGHTER FROM PICTON
Tower: 1996
A fine rain glazes the dark buildings
on Federal and Wellesley Streets.
It’s 6:15am, a Thursday morning.
Six storeys underground in
the newly opened casino carpark,
the building site broom hand
sits in his black Falcon XR6 ute,
bagging up grams with the tip
of an ivory-handled hunting knife
from a sandwich bag of white crystal.
Six storeys beneath the wet
intersecting concrete footpaths,
the silent glass storefronts and
doorways, beneath the first high-
heeled and brogued footsteps
of office workers and commuters
sleepily stepping off the buses
arriving from the outer suburbs,
beneath the street sweeper’s spinning
brushes polishing kerbs and gutters,
the site broom hand and speed dealer
sits in his black Falcon XR6 ute,
racking up finger-thick lines
on a CD cover, to kick-start the day.
He has memorised every name
on his tick list. He hoovers the lines,
his pupils dilate. Ventricles
thump in the bone house of his chest.
All over his ulcerated gums
he rubs the remnant powder—
drains a warm can of DB Bitter
to rinse away the drug’s caustic drip.
Six storeys beneath the neon halls
of gaming tables, roulette wheels
and Keno screens, epileptic corridors
of beeping and flashing poker machines,
vanloads of tradesmen arrive:
carpenters, concreters, carpet layers,
painters, plumbers and electricians.
Those who work to stay high
and stay high to keep working queue
beside the black Falcon XR6 ute,
passing their handfuls of crumpled money
through the open tinted window,
passed back packets of white crystal,
before hauling aprons, extension ladders,
lengths of pipe, drums of cable,
compressors and steel toolboxes
into the service lift that will carry them
to the altitude of their day’s labour,
to the communication and observation
decks of the incomplete tower,
the tower they are being hurried to finish
by barons and boardroom gangsters:
the tower plunging now through soft
rain and cloud, high