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The Write Path 2020
The Write Path 2020
The Write Path 2020
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The Write Path 2020

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The Write Path 2020 contains all of the winning entries from the 2020 National Association of Writers and Groups members-only competitions, along with all of the judges' comments. The 2020 anthology includes contributions from Michael Parris, Lesley James, David Potter, Vivien Leanne Saunders, Christine L Lowes, Tansy Hepton, Carol Mogano, Raman John Cook, Alison Ringrose, Masami Hirata-Smith, Carol Hurley, Emma Finlayson-Palmer, Lynda Turner, Vivien Brown, Susan Clark, Natasha Derczynski, Elizabeth Woodgate, Emma Melville, Denise McSheehy, Alison Allen, Barbara Hickson and Shirley Cook.

LanguageEnglish
Release dateNov 18, 2020
ISBN9781393349051
The Write Path 2020

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    The Write Path 2020 - NAWG Publishing

    The Write Path 2020

    The Write Path 2020

    Our 2020 Anthology of Award-Winning Writing

    The National Association of Writers and Groups

    NAWG Publications

    Published by NAWG Publications

    Anthology compiled, designed, typeset and proofread by NAWG Committee Members Simon Whaley, Marilyn Pemberton and Elizabeth Ashcroft for NAWG Publications.


    Cover photograph: The path beside Rydal Water, Cumbria.

    © Simon Whaley.

    The Write Path 2020

    The Best Creative Writing from

    The National Association of Writers and Groups.


    Including the Open Short Story and Poetry competitions,

    the 2020 Virtual Festival Flash Poetry and Flash Fiction competitions,

    and 100 x 100 competition.


    © 2020 National Association of Writers and Groups


    Print ISBN: 978-1-9161320-8-5

    Join Us!

    If you’d like to know more about the National Association of Writers and Groups (NAWG) then visit:

    www.nawg.co.uk

    We welcome members on an individual basis or as a group, and offer support, advice, writing competitions, LINK (our bi-monthly newsletter) and regular email newsletters, along with workshops and tutorials, weekend retreats and our annual festival.

    Contents

    2020 NAWG Members’ Competitions Shortlist Results

    NAWG OPEN COMPETITION WINNERS

    Foreword

    Open Poetry

    Night Time Barrage

    Formal Poem: Villanelle

    When A Lorry Threw Its Load

    Short Story (With A Given Object): A Silver Propelling Pencil

    Home Is Where The Hurt Is

    Historical Fiction

    UMBRA

    Ghost Story

    The Godsend

    Science Fiction

    Dear Traveller

    Comedy

    Speaking The Lingo

    Story or Poem by a Child

    Boy Or Beast

    Travel Article

    Tea in Kyoto

    Memoir

    One Hundred Helium Balloons

    Ten-Minute Play Or Monologue

    Ruby Red

    Group Anthology 2020

    2020 Festival 100-word Flash Fiction

    Conversation

    Flash Fiction Runners Up

    2020 Festival Flash Poetry

    Moonbeam

    Flash Poetry Runners Up

    100 x 100 Competition

    100 x 100 Winning Entry - Our Cycle

    NAWG Open Short Story Competition

    Devil’s Food

    Worth Dying For

    Intimacy

    NAWG Open Poetry Competition

    The Confession

    The Killing Time

    A Night Out With The Girls

    A Message From The Chairman

    2020 NAWG Members’ Competitions Shortlist Results

    The full list of shortlisted entries for each category are as follows:


    OPEN POETRY (Judge: Daisy Watkin)

    Night Time Barrage - Michael Parris

    Last Christmas - Michael Brent Kelly

    Not Here - Not Now - Jo Roberts

    My Red Sea - Diane Wilson


    Highly Commended:

    A Small Boy Rebukes A Tyrant - Christopher Stephen Middleton

    The Tapestry Child - Elizabeth Draper


    FORMAL POEM, VILLANELLE (Judge: Sue Clark)

    When a Lorry Threw Its Load - Lesley James

    Not Meant To Be - Ed Blundell

    Killing Villanelle - Robert Thomas Crockett

    Pete's Sunflower - Fiona Dudley

    SHORT STORY WITH GIVEN OBJECT (Judge: Tim Wilson)

    Home Is Where The Hurt Is - David Potter

    Crosswords - Lynda Turner

    Relatives You Inherit - Friends You Choose - Jo Roberts

    We'll Meet Again - Carole Ann Smith


    HISTORICAL FICTION (Judge: Tim Wilson)

    Umbra - Vivien Leanne Saunders

    Seeds of Life - Alison Ringrose

    And Then There Was Light - Penny Ellis


    GHOST STORY (Judge: Steve Bowkett)

    The Godsend - Christine L Lowes

    Goodbye - Christine Williams

    The Cold Callers - Tim Taylor

    A Winter's Tale - John Thompson


    SCIENCE FICTION (Judge: Leonora Rustamova)

    Dear Traveller - Tansy Hepton

    The Trouble with Clones - Nick Brigham

    Final Over - Lynda Turner

    COMEDY (Judge: George Simmers)

    Speaking the Lingo - Carol Mogano

    The Curious Case of the Curious Case - Robert Rayner

    ‘Make ’Em Laugh’ - John Welford

    Daylight Robbery - Richard Layton


    STORY OR POEM BY CHILDREN (Judge: Steve Bowkett)

    Boy or Beast - Raman John Cook

    Fox Performance - Ava Saffron Garrett

    Flowerbud Valley And The Search For The Enchanted Love Charm - Daisy Anais Heggie


    TRAVEL ARTICLE (Judge: Simon Whaley)

    Tea in Kyoto - Alison Ringrose

    An Autistic Guide to Cornwall - Masami Hirata-Smith

    Walking on the Rio Formosa on the Eastern Algarve - Margaret Morey

    Berlin on Two Budgets - John Welford


    MEMOIR (Judge: Simon Whaley)

    One Hundred Helium Balloons - Masami Hirata-Smith

    Sunny Days - Peter Pool

    Mine - Michael Parris

    Boots and Boxes - Alison Ringrose

    A Very Curious Incident - Carol Hurley


    10-MINUTE PLAY OR MONOLOGUE (Judge: Marvin Close)

    Ruby Red - Vivien Leanne Saunders

    Wishful Thinkng Or Not - Lynda Turner

    Remember - Diane Wilson


    ANTHOLOGY (Judges: Hastings Writers’ Group)

    The Story Box - Bold Writers

    Rampant Follies - Leeds Writers and Poets

    Imagining Age - Hinckley Scribblers

    The Coffee Stop Collection - The Paperback Writers with The Dark Writers

    NAWG OPEN COMPETITION WINNERS

    SHORT STORY

    Winner: Devil’s Food by Elizabeth Woodgate

    Second: Worth Dying For by Emma Melville

    Third: Intimacy by Denise McSheehy

    POETRY

    Winner: The Confession by Alison Allen

    Second: The Killing Time by Barbara Hickson

    Third: A Night Out With The Girls by Shirley Cook

    Foreword

    From the Competition Administrator:


    First, I would like to thank the judges of all the classes for their excellent work. I’d also like to congratulate all the winners and the shortlisted writers and thank all the entrants for taking part.

    The Figures

    Not counting the Group Anthology, for which there were nine entries, the total number of entries was 310 from 110 writers. By class, the entries submitted electronically (e) and on paper (p) were:

    Children’s - 5 (e) - 3 (p) = 8

    Comedy - 15 (e) - 11 (p) = 26

    Formal Poem (Villanelle) - 15 (e) - 21 (p) = 36

    Ghost Story - 18 (e) - 16 (p) = 33

    Historical Fiction - 14 (e) - 11 (p) = 25

    Memoir - 17 (e) - 18 (p) = 35

    Open Poem - 30 (e) - 24 (p) = 54

    Play/Monologue - 7 (e) - 8 (p) = 15

    Science Fiction - 16 (e) - 9 (p) = 25

    Short Story (Given Object) - 20 (e) - 17 (p) = 37

    Travel - 7 (e) - 9 (p) = 16

    Totals - 164 (e) - 146 (p) = 310


    I suggested to judges that they should shortlist a number corresponding to about 10% of the entry for each class with a minimum number of three. Ultimately 41 individual pieces were shortlisted plus 4 of the anthologies. Eight writers were shortlisted in more than one class, including two shortlisted in three. We had one double winner.


    Penny Ellis

    NAWG Competition Administrator

    Open Poetry

    The Daisy Watkins Trophy

    Judge: Daisy Watkin

    Winner: Michael Parris

    Judge's Notes

    There were 54 entries to the competition and I’d like to thank everyone for entering.

    I was looking for poetry which is a quality of the words. Short lines, meter, rhyme, assonance, metaphor and all the other appurtenances open to the poet must be subservient to the poetry of the words. Unfortunately in what we refer to as Modern Poetry, this is often lacking.

    Another important feature of poetry is flow. If there are interruptions to the flow of words and meaning then it jars more strongly in poetry than in prose.

    All these things engender

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