The Lay of Aotrou and Itroun

By J.R.R. Tolkien and Verlyn Flieger

Unavailable for more than 70 years, this early but important work is published for the first time with Tolkien’s ‘Corrigan’ poems and other supporting material, including a prefatory note by Christopher Tolkien.

Set ‘In Britain’s land beyond the seas’ during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the ‘Aotrou’ and ‘Itroun’ of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life.

Coming from the darker side of J.R.R. Tolkien’s imagination, The Lay of Aotrou and Itroun, together with the two shorter ‘Corrigan’ poems that lead up to it and which are also included, was the outcome of a comparatively short but intense period in Tolkien's life when he was deeply engaged with Celtic, and particularly Breton, myth and legend.

Originally written in 1930 and long out of print, this early but seminal work is an important addition to the non-Middle-earth portion of his canon and should be set alongside Tolkien’s other retellings of myth and legend, The Legend of Sigurd and Gudrún, The Fall of Arthur and The Story of Kullervo. Like these works, it belongs to a small but important corpus of his ventures into ‘real-world’ mythologies, each of which in its own way would be a formative influence on his own legendarium.

• Language: English
• Publisher: HarperCollins UK
• Release date: Nov 3, 2016
• ISBN: 9780008202149

J.R.R. Tolkien

J.R.R. Tolkien (1892–1973) was a distinguished academic, though he is best known for writing The Hobbit, The Lord of the Rings, and The Silmarillion, plus other stories and essays. His books have been translated into over sixty languages and have sold many millions of copies worldwide.

Reviews for The Lay of Aotrou and Itroun

[Rey Carlo Sajulan · Rating: 4 out of 5 stars]

A good read for Tolkien fans who wish to go deeper into his work, not just LOTR, but also into his studies in myths and legends.

[andy_dimartino · Rating: 3 out of 5 stars]

Some interesting poems from the Master of Middle-Earth. Something he knocked at about the same time that he wrote The Lay of Leithien.

[darthdeverell · Rating: 5 out of 5 stars]

In The Lay of Aotrou and Itroun, editor Dr. Verlyn Flieger presents J.R.R. Tolkien’s various translations of a fairytale from Brittany concerning the tragedy of a lord and lady of Breton. The lord, Aotrou, seeks the help of a witch in he and Itroun’s quest to have children. Once Itroun has her children, the witch reveals herself to be the Corrigan and demands Aotrou’s love as payment. He rebuffs her advances, breaking his promise but preserving his faithfulness to his wife, though it costs him his life. Itroun dies shortly thereafter of a broken heart. Christopher Tolkien writes that his father published the first version of the story in The Welsh Review, vol. IV, no. 4 (December 1945) [pg. xi]. According to Dr. Flieger, “All the poems in this volume are the products of a comparatively short but intense period in Tolkien’s life when he was deeply engaged with Celtic languages and mythologies” (pg. xvi). This volume collects The Lay of Aotrou and Itroun that first appeared in The Welsh Review, two Corrigan poems, a fair copy manuscript of a more complex version of Aotrou and Itroun, and comparisons of select verses in English, Breton, and French. Each section has its own introduction and commentary with the complete volume offering an invaluable work for Tolkien scholars, those studying Celtic languages, and those interested in mythology.

[waltzmn · Rating: 4 out of 5 stars]

Two are better than one only if the lesser item does not detract from the better."The Lay of Aotrou and Itroun" was published in a minor journal early in J. R. R. Tolkien's career, and then left to wither. This was truly sad, because "Aotrou" is a work in the style of the Breton Lay -- a kind of romance associated with Brittany, but still a medieval romance, and The Lord of the Rings is a medieval romance on a grand scale. "Aotrou" is, in a very real sense, practice for The Lord of the Rings.The Breton Lays were not in Breton; rather, they were matters of Brittany; the best and most famous are the French works of Marie de France. But the form came into English, and they gave us two of the three best English romances, "Sir Orfeo" (another piece Tolkien worked on, note) and Chaucer's "The Franklin's Tale" (from which Tolkien adopted a tag as his motto). The Breton Lays are vital to understanding Tolkien, and "Aotrou" is his one original work in the field.It is a noble addition to a small genre; most scholars count only eight Breton Lays in Middle English. It is also a fascinating addition -- because Breton Lays usually end well, and "Aoutrou" hardly does that -- Aoutrou and Itroun both end up dead, and their castle abandoned. And yet, there is a (limited) eucatastrophe: Aotrou, by rejecting to Corrigan, can save his soul if not his life.. I truly think "Aoutrou" an excellent piece of work. So, for the poem, give four and a half stars. And the inclusion of the "Corrigan Poems" is a nice addition.But, as another reviewer noted, a lot of the book is filler to turn a short poem into something publishable. That's not great, but what is depressing is how much Verlyn Flieger fails to add.Almost all the additional notes are based on Breton folktales. That files under "all well and good, but this is Tolkien." Tolkien sometimes retells tales (as when he translated "Beowulf" and modernized "Sir Gawain and the Green Knight" and "Sir Orfeo") -- but usually he adapts. There is more to "Aotrou," and to the Corrigan poems, than is found in Taylor's Ballads and Songs of Brittany. The bibliography shows how little work Flieger did. She cites Katherine Briggs's The Vanishing People, but not the much more important Dictionary of British Folk-Tales or even Briggs's lesser work on fairies. She doesn't cite Francis James Child's The English and Scottish Popular Ballads, which are vital sources for fairy-ballads we know Tolkien used -- "Tomas Rymer" (Child #37), "Tam Lin" (Child #39); also "The Queen of Elfan's Nourice" (Child #40) and "King Orfeo" (Child #19) and "Willie's Lady" (Child #6) -- the first Corrigan poem looks to me almost like a composite of "The Queen of Elfan's Nourice" and "Willie's Lady" (although he used a terminal bob that is more like the romances than the ballads; an analysis of the form of the poems, compared to medieval works, would have been useful). And as for calling fairies "fair folk" when they are ugly -- wouldn't you want to butter up powerful people who weren't very attractive?Tolkien knew all of this; he was a great folklorist as well as a great linguist. To understand him, you have to know the folklore -- all the folklore, not just the immediate source. In this case, not just the Breton-language sources, but the Breton Lays (at minimum, Marie de France plus, in English, "The Franklin's Tale" and "Sir Orfeo" and "Sir Launfal" and "Emaré"; the others aren't as good and can perhaps be skipped), and the supernatural ballads (especially the Scots ballads), and the Grimm collection, and (Tolkien being Tolkien) the Kalevala. Since what Flieger produced as commentary is what I could produce with half my library tied behind my back, that part gets two and a half stars, giving an average rating for the book of three and a half.The bottom line: The Tolkien part of this book is great. But it's sad to pay $20 for 18 pages of "Aoutrou" and then have to do one's own research on the rest....

[meandmybooks-1 · Rating: 4 out of 5 stars]

Another “from the depths of Tolkien's file cabinet” piece, offered up to tempt fans by Christopher Tolkien and, this time, the Tolkien scholar Verlyn Flieger. This one is, indeed, slight, but still, as an “appetizer” while I wait for the publication of Beren and Luthien next year, it did not disappoint. Lots of editorial filler here, as usual, but the title poem has that distant, high sounding, archaic thing going that Tolkien fans find so satisfying. The rhythm and the language are unmistakeable, and the romance of noble (if flawed) lovers tragically doomed would be nicely suited for a bard to declaim to an audience of lords and ladies in front of a roaring fire, with dogs rummaging for scraps in the rushes and distracted pages slopping wine about. See what Tolkien does to me? Sigh. Still, it's a fine story, and the other two poems included, “The Corrigan” and “The Corrigan II,” really do, as intended, show us how Tolkien adapted pieces of ballad, folklore, and myth to suit his ideas. The first two parts of the book, up to page 55, are worth reading. The second half of the book is pretty much bald-faced filler. We get the poems again, in various drafts, and comments on really minor changes. I suppose fifty-five pages just seemed to short to publish as a “book,” but it would have been more honest. I enjoyed this, and the value added by the Corrigan poems and Flieger's commentary was enough to make me glad that I didn't just read the PDF of The Lay of Aotrou & Itroun which is available, free, online.