Better Than Starbucks March 2020
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Better Than Starbucks March 2020 - Better Than Starbucks
II
Copyright
Copyright © by Better Than Starbucks. All rights reserved.
This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review or scholarly journal.
Contributing authors retain copyright to their works.
First Printing: ISBN 978-1-67817-738-6
Editor in Chief Vera Ignatowitsch
Founder & Publisher Anthony Watkins
Section Editors:
Suzanne Robinson (Free Verse)
Kevin McLaughlin (Haiku)
Susan McLean (Poetry Translations)
Robert Schechter (Poetry for Children)
Copy Editors:
Elaine Wilburt, Christy Burbidge
Cover Image:
Orchard Bordered by Cypresses, 1888
by Vincent Van Gogh (1853–1890)
Table of Contents
Five Featured Poems
Formal Poetry by Gail White
Free Verse by Puma Perl
Haiku by Hadi Panahi
African Poetry by Ndaba Sibanda
Experimental Poetry by Jeanne Shannon
Bullet-proof Backpack by Nikki Grimes
The Interview March 2020
James D. Casey IV by Anthony Watkins
Five Poems by James D. Casey IV
Free Verse Poetry with Suzanne Robinson
Haiku with Kevin McLaughlin
Formal Poetry with Vera Ignatowitsch
Free Verse Poetry with Vera Ignatowitsch
Poetry Translations with Susan McLean
Poetry for Children with Robert Schechter
International Poetry
African Poetry
Poetry Unplugged
Experimental & Form Poetry
Fiction
The Pietà of Saint Blaise by Kevin P. Keating
More Fiction
Roman Candle by David Dobbler
Flash Fiction
Final Season by Judith Kelly Quaempts
Better Than Fiction!
This Is Your Captain Speaking by Fred D. White
From The Mind of Anthony Watkins
Contributors to this Issue
Five Featured Poems
Editor’s Choice
Formal Poetry
The Last Speaker of Akkala Sami
(Marja Sergina, the last known speaker of Akkala Sami, spoken in villages on Russia’s Kola Peninsula, died on December 26, 2003.)
I didn’t mean to let it slip away,
but when there were no reindeer to be fed
or children to be called, the words began
to fade. It was too easy just to speak
my second language. For a while I used
Akkala Sami in my prayers. I thought
it must exist because God wanted it,
so he would like to hear it. Now I know
that God can do without a lot of things:
Kola, the reindeer, all my people, me —
and when I’m gone the words will all be gone,
unless the sounds are somewhere, like the light
of long-dead stars. But now I think the words
will die with my own voice, and that ends that.
The last one who will hear it is my cat.
Gail White is the resident poet and cat lady of Breaux Bridge, Louisiana. Her books Asperity Street and Catechism are available on Amazon. She is a contributing editor to Light Poetry Magazine (lightpoetrymagazine.com).
Publisher’s Choice
Free Verse
The Way the Lights Hit Bodega Alley
Summer light hits metal gate in Bodega Alley
The vets play cards and the women drink beer
Old-school hip-hop blasts from speakers in the park
Kids run through the sprinklers, screaming
as cold-water hits burnt skin
The closest they will get to an ocean this summer
When they’re old enough to ride alone
They’ll F train to the next to the last stop
Get off at the parachute jump
If the steel doesn’t get them first
The elderly push by in walkers
Heads leaning left
Touching shoulders
I walk with Diva the Wonder Dog
Talk to her out loud, sometimes,
forgetting if I talked to anyone else
today or yesterday or last week
Oh, yes, there was a phone call
Somebody wanted something
Forgot what it might have been
We search for the Ding Dong truck again
But there is only the icie cart man
whose flavors all taste the same
Lemon, no different from rainbow or coconut
We circle back through Bodega Alley
A short woman, barely reaching my waist
Stops me, asks if I speak Russian
She needs to find the supermarket
I don’t need language to point in the right direction
I don’t need the summer light to see
the bullets and knives that built
the chairs in Bodega Alley
The Ding Dong truck is gone for the day
Vanilla and chocolate taste the same.
Puma Perl is an award-winning poet, writer, and journalist, with five solo collections in print. The most recent is Birthdays Before and After (Beyond Baroque Books, 2019). She performs regularly with her band, Puma Perl and Friends.
Editor’s Choice
Haiku
Three Haiku
Hadi Panahi is a PhD student from Tehran, Iran. Hadi is in harmony with his environment and shows the depth of a cow’s gaze.
The barn,
the humid air,
and the gaze of the cow
Throwing a few stones,
our hands hurting,
calm is the sea
A Summer noon,
the male lion yawning
in a zoo cage
(This haiku’s first two lines set up the third with great dramatic effect. —K. McLaughlin)
Hadi Panahi
Publisher’s Choice
African Poetry
Whirling in the Open in Bulawayo
Outdoors in one worthy season
Barbequed meat and all — served
Babies crying, smoke one reason
But their feasting moms unnerved
Beautiful happy souls hooked on meat
Roasted to perfection, what a delicacy
Without Afro-music the party is incomplete
Bulawayo, a fabulous food haunt and fantasy
Ndaba Sibanda’s poems have been widely anthologised. He is the author of The Gushungo Way, Sleeping Rivers, Love O’clock, The Dead Must Be Sobbing, Football of Fools, Cutting-edge Cache: Unsympathetic Untruth, Of the Saliva and the Tongue, and Poetry Pharmacy.
Publisher’s Choice
Experimental Poetry
Escape to Taos
Come and write
Where magpies chatter in the trees
and blind bees gather in the orange-glory flowers
in Taos
New Mexico
where houses fly away toward Cassiopeia and Orion
One-bedroom
(airs and voices in the summer woods
residual and enduring
guest house
illusion of moving water)
wireless
the blue floor of evening hovering.
Internet
Bell sounds and the cool
transparent notes of Ming Shu flowers.
fireplace
Nothing of permanence quite remains:
fire flicker, tremble of flame
large portal
everything in transition.
Why do we suddenly remember?
grassy grounds
The age of memoir requires a memoir journal,
with apple trees flower beds sycamores
droll stories cutting through the world
like knives through butter.
First published in At the Horizon Line.
Jeanne Shannon grew up in Virginia and now lives in Albuquerque, New Mexico, where she writes poetry, memoir pieces,