What Makes That Black?
By Luana
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What Makes That Black? - Luana
Luana
Copyright © 2016 Luana Luana.
Cover Design by Von Langoyan
Cover photo: Ashley Mayeux, Courtesy of Complexions Contemporary Ballet.
Photo by Rachel Neville
All rights reserved. No part of this book may be reproduced, stored, or transmitted by any means—whether auditory, graphic, mechanical, or electronic—without written permission of both publisher and author, except in the case of brief excerpts used in critical articles and reviews. Unauthorized reproduction of any part of this work is illegal and is punishable by law.
ISBN: 978-1-4834-5479-5 (sc)
ISBN: 978-1-4834-5480-1 (e)
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
Lulu Publishing Services rev. date: 10/03/2016
Special Thanks to Jessica Nelson, Dawna Markova, Alonzo King,
Brenda Dixon Gottschild, Michael Butler, and Patricia Heinicke Jr.
Contents
Introduction
How This Book Came to Be
The African-American Aesthetic Conceptualized
African-American Aesthetic
The List
Admiration of the Black / Brown Body
Aesthetic of The Cool
Angularity • Akimbo
Art Intelligence • Transformative Functionalism • Ngombo
Balanced Asymmetry
Blood Memories
Blues – Pain into Art
Break
Call and Response
Candid and Direct
Celebrating Virtuosity
Competitive Camaraderie • Cutting • Ciphering circles
Complementary Pairs
Compound Synchronized Body Movements
Correct Entrance and Exit
Creative Adjustment • Willingness for Change
Creative Synthesis • Fusion Techniques
Cross Rhythms
Efficacious Technique
Embracing the Conflict
Entertainment and Enlightenment as Concurrent Objectives
Ephebism and Vitality
Establishing and Stretching the Perimeter • Abstraction
Festive Stylization & Adornment • Fly
Fluid Time-Perception
Griotic/Folkloric/Autobiographical Expression
Hantu • Time-Space Synesthesia
High Density
Humor
Imitation • Representing • Mimesis
Immediacy of Access
Improvisation
Individual Stylization • Profiling
Innovate the Tradition • Novelty
Instrument Switching
Invisible Conductor
Jamming
Jooking • Juke
Kinetic Vocabulary • Embodiment • Athleticism
Kujichagulia • Self-Referential
Limbic Resonance
Liminal Space
Loud!
Low Sense of Gravity
Mask • Masking • Counterfeit
Ngoma
Nommo • Significance of Names and Naming
Ntu
Object Gesturing
Oral Tradition
Paradoxical Thinking • Simultaneous Inclusion • Divergent Thinking
Percussive
Polycentrism
Polyrhythm • Polymeter
Protest Thought
Quoting • Sampling • Ciphering
Radical Juxtaposition
Repetition and Riffing
Rhythm
Rocking
Spiritual Themes
Straight Line and Ring Formations
Style Juxtaposition
Suspended Beats • Leaving Space
Symbolic Expression
Syncopation
Timbrel Variation
Torso Articulations and Isolations
Trickster
Verbal/Visual Play • Signifying
Virtuosic Speed
Honorary Tenets
Internet Examples of The List
Naming the Sacred Circle
List of Photographs
Notes
Footnotes
Introduction
This book presents The List.
It is a visual catalog of the African-American Aesthetic tenets. Identifying and recognizing an aesthetic is important; it is similar to a language. One can use, for example, French or Italian or Hindustani, and have complete command of vocabulary and the grammar. However there are other aspects of language– use of nuance, elegance in the structuring of ideas, or the sublime use of wit– which requires years of living in the country before one is considered literate. The consciousness with which one uses the language, the how, is exceedingly imperative. An Aesthetic is no different.
Before we proceed to the African-American Aesthetic tenets, and the magnificent artistry of photojournalists who stand witness to the aesthetic, I want to suggest a definition. It is the definition I used to identify the tenets during field and academic research: The African-American Aesthetic is a mainstream of questioning and a culling of answers from a specific sensibility, from a specific compositional approach, which has enriched not only the African-American aesthetic but also the American aesthetic. It is simultaneously a structure, a history, a function, a psychology, and a force of creation; it resides deeper than the skin
of a particular dance, musical composition, or performer. It is a type of intelligence, an energy signature that is ancient, historical, contemporary, and immediate.
We all can name some of the African-American structural aesthetic elements—Syncopation, Improvisation, Call and Response, Polyrhythm, Innovation as an Agenda—but there are many, many more structures, and they travel so deep into the cultural intelligence that they become functions, a psychology and a history of paradigms, the how.
Once familiar with African-American expressive tradition we can (1) see it as a tradition with a long pedigree, (2) critique