New Year's Eve
By J G Murray
2/5
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- Rating: 2 out of 5 stars2/5Boring. Not much of a thriller. Can’t believe I stuck with it until the end.
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New Year's Eve - J G Murray
www.corvus-books.co.uk
Chapter One
New Year’s Eve
‘Are you ready?’
Every part of me says no. Of course I’m not ready.
There’s no way I could be.
Ethan sees my expression and laughs. It is part mockery, part sympathy.
‘This is a party we’re going to, right?’ he teases. ‘By the look on your face, you’d think we were headed to a funeral.’
I shake my head, not in the mood to respond. We’re in the hall, preparing to leave. Our New Year’s Eve best on. I’ve managed to convince Ethan to put on a shirt and blazer he normally uses for work, and I’m in a black dress with sequins that I’ve never worn before. Ethan has even bought a bottle of what we guessed was good-quality Prosecco. Bizarrely, he’s placed it by the front door: it sits there like a pet waiting to be let out.
We still don’t quite know what to do with such luxuries – they don’t belong in our world yet, much as we want them to.
Ethan slips my coat off the hanger and offers it to me. I don’t take it.
‘I’m still not sure about this, Ethan,’ I tell him.
He exhales in a way that is just enough to hint at his irritation. ‘Hayley, this was your idea. When I think about how many times you’ve talked about the neighbours, how you wish we got on with them …’
I get it. I’ve been pacing around the flat for hours, unable to make a decision. I’ve even changed out of my outfit, deciding to abandon the evening altogether, only to put it back on again minutes later. I know how infuriating it must be: for him, none of this is a big deal. It’s just a party. We’re popping down to the flat downstairs for a drink, then heading out to meet our actual friends in town.
But then he doesn’t know. He hasn’t put his ear to the walls of this building and heard the blood pumping through its veins. He hasn’t met the cold looks of Flat B; the flashes of resentment from Flat A. Nobody stares at him from their window in Flat F whenever he goes outside. No one has hurt him the way they have hurt me.
Ethan steps forward. He towers over me; he is tall, sinewy. There is a leanness to him, from his buzz cut to his wiry limbs: although he eats and drinks whatever he wants, his body never gains an ounce of fat. He runs a thumb along my cheek and holds my chin like I’m an infant. His face looms close, his dark eyes finding mine. I catch the scent of his deodorant.
‘Let’s just take a deep breath and do it,’ he murmurs. ‘The sooner we go, the sooner it will be over. And then we can get out of here and have an actual good time.’
I don’t answer; just trail a finger down his arm, thinking it over.
He continues, very quietly now. Intimate. ‘Or not. We can blow it off. I don’t care. But it’s decision time.’
I glance up at that face, so close and familiar. At those eyes.
I take the coat out of his hand and begin to put it on. ‘No, you’re right,’ I say. ‘Let’s get it over with.’
He looks at me for a moment, as if deciphering whether I really mean it.
‘All right then.’ He nods. His eyes flicker; a glimmer of regret. As if maybe he wanted me to call the whole thing off.
But now it’s settled. Without another word, we go through the rituals: we gather our coats, check our phones, wallets and keys. Ethan grabs the bottle of Prosecco; he holds it awkwardly by its neck, like he’s going to wield it as some sort of weapon. I think of telling him that he’s probably shaking it too much by holding it that way, but hold my tongue. I can hardly claim to be an expert.
We are both doing our best to avoid tension and disagreement. I have, after all, just come back from staying at my father’s house after we agreed to spend some time apart. We are acting as if everything is normal, that this is a night like any other. I wonder when that will stop, and when we will have the conversation that determines our future.
With our coats and shoes on, we look at each other one last time. Ethan gives a little shrug. I’m not quite sure what it means, but I know that I don’t like it. Until we talk things over properly, every gesture and word is loaded with subtext.
He shuffles out of the front door and holds it open behind him, inviting me to leave. I take a final look at our flat; the hall is a stretch of comfort and familiarity, underlined with our coats, shoes and bags. I still think of it as new, even though we’ve lived here for the best part of a year. But that doesn’t stop it from being ours; a little pocket of us in the alien world of our apartment block.
I switch off the light, and the hallway disappears into gloom.
In all the apartment blocks we’ve lived in before, the stairs and entrance were just extensions of the street. They were dirty places, filled with dust, takeaway leaflets and letters addressed to past residents. No one took ownership of such areas; they were merely passageways into our homes.
Palace Gardens is different.
The walls are spotless white; the stairs carpeted and soft, so much so that you can go up and down in ghostly silence. The banisters gleam, the wood dusted and polished regularly. I don’t know who cleans the stairs, nor when they do it. It’s all part of the clockwork mechanics of a building I still can’t pretend to understand.
As we head down the stairs, I glance at the mark on the wall. I made it when scraping a guitar case against it on the day we moved in, and I can’t help but look at it every time I pass by. It’s a smear of grey against white, like a forensic thumbprint. Every time I see it, I want to cast a furtive glance up and down the stairs, as if someone is ready to launch out of their flat and accuse me of blemishing the property.
Ethan doesn’t pay any attention to the mark. He doesn’t tend to notice such things.
At the bottom of the steps is the entrance hall. There is a wooden pigeonhole assigned to each flat; another first for us when we moved in. Opposite is an oval mirror circled by a copper-coloured frame in the shape of a knotted rope.
I cast a quick glance at myself as I leave: beneath my thick coat, the sequins of my dress gleam. I wonder if it will be too eye-catching for the neighbours; they always seem to be impossibly well put together, elegant but simple.
Ethan doesn’t wait for me. He hunches a little, getting ready for the cold outside, and charges out of the front door. Freezing air floods into the hall; my skin tingles with winter. I glance one last time at the sight of my face framed in copper knots, then head into the chill.
There’s always a strange energy at the beginning of New Year’s Eve. The world is poised, holding its breath. It’s the only evening of the year when you know that everyone is awake, readying themselves. The restlessness can be felt in the air. A gust of wind surges across the road once we emerge from the building, rattling the bushes. The trees that line our street stretch this way and that, grasping and fumbling at each other like drunken lovers. Their leafless arms fracture a night sky coloured deep purple, as close to black as it gets in London.
With our heads hunched into our coats, Ethan and I make our way around the gravel drive, heading to the side entrance of the ground-floor flat. The cold quickens our pace, the ground crunching underfoot as we pass a row of gleaming cars. Inconveniently large for city living, the vehicles are a demonstration of wealth that belittles our own financial status. Since moving here, I’ve made it a habit to scoff at the petrol-guzzling vehicles whenever I can. Ethan never joins in with me.
We circle round the building, and an automatic light sears on, turning the gravel to gold at our feet as we approach the door to Flat A. The fact that it has a separate entrance is a sign of the property’s importance and superiority.
I don’t have time to gather myself before Ethan steps forward and rings the doorbell. There’s light beyond a layer of frosted glass, and I can hear voices inside. Soon we will be among them. The neighbours.
My throat tightens a little.
Ethan and I step back from the door, the way you do when you don’t really know the person about to open it. He takes my hand, gives it a squeeze, but it is perfunctory. He doesn’t want to be holding hands when the door opens. Affection, for him, is only demonstrated in private.
I wish he’d hold me a few seconds longer.
It’s only a short moment before the frosted glass darkens with the shape of someone behind it. The lock clicks, and the door opens.
Silhouetted by the light inside, a figure gazes out at us.
I can already feel my insides protesting in discomfort. It’s George, the owner of Flat A. He is the richest man in Palace Gardens; with the ground floor flat spilling onto the gardens under our balconies, his property is inarguably the most valuable and extravagant.
He nods at us. It is less a greeting and more an acknowledgement of our presence. He is a short, stocky man who has lost all his hair. As if to make up for it, his limbs bulge with personal-trainer bulk. His outfit of a shirt, waistcoat and chinos is, as always, well judged. He is just the right side of flamboyant, the image of someone I tend to think of as fashionable, but only because his looks communicate wealth and good living.
Last time we met, he shouted at me. Threatened me. Hurt me.
The tension between us is still there. I can see it in his features. A smile that looks more like a grimace. Eyes open slightly too wide, belying pent-up excitement. An eagerness for something to begin.
‘Finally,’ he breathes. ‘You’re here.’
When we are led inside, it is all smiles and handshakes.
George takes the bottle of Prosecco out of Ethan’s hands. ‘I’ll put it in the fridge,’ he says, as if that suffices as thanks. Then we are in the main kitchen and living room, surrounded by our neighbours, flutes fizzing with champagne in our hands.
Ethan hasn’t met many of the people in Palace Gardens; he goes around shaking hands and introducing himself. He’s always known how to work a room, to make his presence felt. But he has rarely been in company such as this. I wonder whether his boisterousness will work its charm here as it does everywhere else.
I follow him round the party. I’m more familiar with the neighbours and know all of them by name. There’s Teresa and Joshua from Flat B; the neighbour I call Staring Harold from the floor above us; and, of course, Beatrice from down the hall. She is the only one who doesn’t conform to what I like to think of as the Palace Gardens type: wealthy, proud and suspicious.
In the driveway, in the hall, the neighbours tend to be quiet and judgemental. Now, though, it seems they have all decided to adopt different personas. Gathered around an island counter in a spacious kitchen on New Year’s Eve, you’d never suspect the secrets they’re hiding. You’d never know there are people in this room who hate and loathe me, so much so that they would banish me from the building if they could. Here, everyone seems perfectly decent; they laugh at each other’s jokes and enquire about each other’s families.
Two-faced, the lot of them.
I feel the first sting of resentment, as though a false note has been played inside me. It is always this way with the neighbours in Palace Gardens. I oscillate between contempt and fear, unable to decide whether I am beneath them or better than them – or both.
In total, there are seven of us at the party. We don’t even begin to fill the room, which seems to expand with every glance. Last time I was here was a blur; now I have time to take in my surroundings.
The kitchen gives onto the living room: it is sparse, with every object set in its correct place. The television is large, but everything else is tasteful. There is none of the usual London-flat cramming; in fact, the lack of clutter is downright disarming, giving the place the air of a showroom. It is a completely alien world from our own home, just a short walk away. The room is bordered by French doors giving onto the stretch of grass outside, the lawn gleaming yellow from the lights within. It is hard to believe it is the same garden I can see from our balcony upstairs.
A photo on the mantelpiece catches my eye. It is one of the few personal touches in the flat, and it stands out as a result. At first I don’t recognise George in the picture. He has his arm around the shoulder of another man, and I’m taken aback by the clear display of affection. He has only ever treated me with scowling resentment, and even to the other neighbours he has always seemed civil rather than affectionate. The features of the smiling, warm-hearted man in the photograph feels like they belong to a different person.
It is clear that the two men are related: they have the same pattern of balding hair, the same strong brow, the same beard shading their jaw. But apart from the broad strokes, they look completely different: the brother, the famous Curtis I’ve heard about, has pale skin and sunken eyes. A worried look is buried under his smile, contrasting with the composure and authority of his brother.
‘You’re just in time,’ Staring Harold says, bringing me out of my reverie. I would recognise the thick-cream softness of his voice anywhere. He is both the elder statesman of Palace Gardens, and its embodiment; he, more than anyone, is able to mask his cold judgements with pleasantries and good manners.
Everyone murmurs in agreement. They always do when Harold has spoken.
‘Oh yeah?’ I reply. I don’t know what else to say; I feel like I haven’t uttered a word since I’ve walked in, and am still adjusting to the presence of my neighbours.
‘In time for what?’ asks Ethan, looking around, sipping at his champagne. He is trying to sound enthusiastic, but his question comes across as blunt. I wonder whether the importance of etiquette is holding him back. Everyone else has their drink delicately poised between their fingers; he holds his champagne like a mug of tea.
‘In time for the game,’ Beatrice says, looking at me with a forced smile. She is the one in the group I know best, and the only neighbour with whom I have a rapport. The smile is, I imagine, supposed to be encouraging. I have not seen her made up before; she is wearing a loose orange dress and a mismatching shawl, and lipstick that only reminds me how thin her lips are. Her hair, curly at the best of times, is a mangle of brown, scribbled unevenly into the air. It’s like she wanted to wear something special but was distracted while she got ready.
Maybe she was in a rush because of Zander, I think. I glance around for her child; he is not here. Who on earth is babysitting him?
‘A game?’ Ethan says. He gestures in my direction. ‘This one’s good at games. She’ll love it.’
The focus shifts to me. What games do I like? a few of them ask in a chorus. As if they care. With the Palace Gardens lot, any subject of conversation deemed safe and uncontroversial is immediately pounced upon and milked for all it’s worth.
Ones that I play with people I like and trust, I think to myself. It’s true: I enjoy playing board games. I’ve played some with Zander, Beatrice’s son. In fact, our entire relationship is founded on playing Mouse Trap, Guess Who? and Uno.
But playing a game here, in this environment? With people I barely know, and who dislike me?
I can’t think of anything worse.
Before I can respond, George reappears from somewhere with strips of paper and pens. He does not seem to realise that he is interrupting a conversation. He is manic; a host who is just a little overeager, unable to let the party breathe.
After passing everything out, he takes a breath, and looks over at Staring Harold, who nods as if giving him permission to continue.
‘This is a New Year’s game to see how well we know each other here in Palace Gardens,’ George declares. ‘It’s time to see who knows the community best.’ He throws a look in my direction. ‘This might be a little difficult for you. You’ll have to guess, I suppose.’
Was that thinly veiled criticism? I wonder. Or – even worse – is this game designed to make Ethan and me feel excluded? I wouldn’t put it past George. In fact I wouldn’t put it past anyone in this room, apart from Beatrice.
Ethan and I exchange a glance. Whatever the reason for the game, it will be embarrassing for us. Embarrassing because we won’t be any good at it, and because of what it will force us to reveal about ourselves.
I am starting to lose my nervousness; it is slowly being replaced by anger, gnawing away at my good will.
‘Hayley, I’m relying on you for this one,’ Ethan says, picking up his drink for a too-large glug of champagne.
‘Don’t worry,’ says Beatrice to me. ‘It’s just a bit of fun.’
Her voice trembles a little. Is she upset? I wonder. Her eyes seem bloodshot, and she is on edge. Is it because she’s apart from Zander? Or is she overly concerned about me? It’s hard to tell: she always seems to be on the verge of a nervous breakdown, no matter what the situation.
I put on a neutral face and nod back at her.
With everyone supplied with paper and pen, George, oblivious once more to the conversation, announces the rules.
‘It’s called the resolution game,’ he announces. ‘Everyone writes down their New Year’s resolution on a piece of paper and puts it in a hat. Whoever manages to guess who wrote which resolution wins a point, and the person with the most points wins the game.’
There’s a murmur of anticipation.
‘I haven’t decided on my resolution yet,’ says Teresa in mock protest. She is all calmness and warmth, and even though she is heavily pregnant, she still has that yoga-perfected posture and skin as unblemished as a Palace Gardens wall. Of course you haven’t, I think. It’s hard when you’re so bloody perfect.
‘I don’t need one. I’m flawless as I am!’ grins her husband, Joshua. He is pleased with himself at the joke. The others laugh as if they’ve never heard it before, and another current of hate runs through me. Satisfied at the reaction of the room, he grins. How can a man be so utterly pleased with his own mediocrity? I wonder. I force myself to forget about it, to gulp down the anger like a pill. I’m here to make friends, I tell myself.
To make things better.
‘Right,’ says George, when the laughter has died down. He grins. Again, it looks pained, like he has swallowed something foul. ‘Write down your resolutions,’ he orders.
He is rushing the game. Trying to get it over with. I am momentarily distracted, wondering why he is so eager for us to play at all.
Everyone settles down to write and the conversation dies. The music, the kind of lifeless background jazz I can’t bear, fills the room with its inadequacy. I tap the paper with my pen, unable to think of anything. I must have had dozens of ideas over the past few months, but I can’t remember any of them.
Apart from the very one I can’t say, of course.
Unearth the secret of Palace Gardens.
I look over at Ethan, who shrugs. I know he hasn’t thought of a resolution. He doesn’t agree with them. Ethan only self-reflects in jumps and starts, at moments of crisis and change or not at all. He will write something banal, I think. Like Get back to playing football. He’ll put down anything to get this over with: I can imagine that he’s just as uncomfortable as I am, in his own way.
‘Okay, fold your papers twice and put them in the hat,’ declares George. It feels like we’ve barely had any time at all: I haven’t written a thing.
I scribble down Take better care of balcony and put it into the hat George is passing round. Of course, it’s an expensive-looking fedora; even a silly game such as this is a chance to boast. To me, it’s like something only a TV character would wear.
Everyone else throws their paper in and looks around with anticipation. Putting my pen down, I am more than happy to have my glass back in my hand. I take a large swig; I’ve already knocked back most of my flute.
The first one to take a paper out is Beatrice. There is a moment or two of silence as she unfolds the slip, turns it the right way up and holds it at a distance; she is long-sighted, and normally wears glasses. I notice that her hands are shaking a little. Why is she so nervous? Again I think of how odd it is that Zander isn’t here.
‘Learn to scuba dive,’ she reads out finally. She pulls a puzzled expression and looks around, inspecting people’s reactions like a schoolteacher. It is forced; a pantomime. She is struggling to mask her emotions, just as I am.
Comments go back and forth as the guests start to discuss who might have written the resolution, and Ethan and I are asked for our opinion. We answer, truthfully, that we have no idea. Ethan has gone silent; he tends to either dominate a conversation or not speak at all.
‘I think it must be Joshua,’ Beatrice decides, giving the paper to him. ‘Is this after you went to the Seychelles in the summer? You said it gave you a taste for it, didn’t you?’
‘Guilty!’ he chuckles.
A short conversation follows as everyone coos admiringly over Teresa and Joshua’s holiday travels.
‘Don’t even bloody know where the Seychelles are,’ says Ethan. ‘Near Worthing, aren’t they?’ The joke falls flat; the Palace Gardens residents smile politely and then return to discussing the holiday.
As Joshua’s resolution has been picked, he is selected to make the next guess. He takes out a paper, unfolds it and reads out: ‘Take better care of balcony.’
There’s a weight in my stomach; I glance furtively around the room. Silence. They are stumped, trying to ascribe the words to each other. The resolution doesn’t fit. It’s not the Seychelles. It’s not scuba diving. It is, quite simply, not Palace Gardens enough.
‘I know,’ George says, that grimace smile painted all over him. ‘I think it must be Hayley.’
‘Oh. Why?’ asks Beatrice.
‘When I’m in the garden, I have a view of everyone’s balcony. And there is one that stands out. It’s a bit … unkempt, shall we say.’
I grit my teeth. Yes, there are a bunch of dirty flowerpots with dead plants on our balcony. Filled with energy when I first moved in, I tried to make it look pleasant. But, not having had any experience with gardens or flowers, I quickly lost my enthusiasm and stopped bothering.
The words sting. Everything George has said so far just reiterates what he thinks of us: that we are outsiders, unworthy of Palace Gardens. I’d hoped that the invitation to this party was a clue that he’d forgiven me. Now I can see that it was the opposite: an opportunity to humiliate me and see how I’d react.
I throw another glance at Ethan; he is stony-faced. Perhaps he doesn’t register how rude this is. I will have to talk it through with him later and make him understand. It’s all right for him; he’s never going to be accused of not taking care of the flowers. Not in the backwards bubble of Palace Gardens.
But perhaps I won’t have to: I can detect a glimmer of anger in him, in the clenching of his jaw. He might not know about flowerpots, but he can detect the hostility in George’s tone.
Emboldened, I look George in the face, and smile like it’s a retaliation. ‘Guilty,’ I say, parroting Joshua earlier. This eases the situation; people appreciate the repetition, as if a fun new tradition has been established. Joshua in particular seems pleased that his phrase has been reprised. He holds his gut as he laughs.
I keep my gaze fixed on George.
‘One point to me, then,’ says George. ‘And now it’s your turn to read out a resolution, Hayley.’
He walks up to me and offers the hat. Our eyes are still fixed on one another, as though we are in a one-upmanship competition. As though we are playing a different game altogether.
There is something wrong here, with both Beatrice and George. I can sense it. There is a