Better Than Starbucks February 2021
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The Interview — Jeffrey Alfier by Tobi Alfier and Five Poems by Jeffrey Alfier.
Featured Poems: out to kill rabbits by Jack Henry, Bitter Honey by Steven Willett, Dig by Allison Thung, The lost garden by Susan Sklan, Archetypical Desiccation by R. Gerry Fabian, The Inhabitants of Paradise by Janet McCann, and An Abstraction on the Tangible, With Trees by Carol Casey.
Sonnet Contest Top Ten: Barbara Loots, Armen Davoudian, Catherine Chandler, Kit Rohrbach, Enriqueta Carrington, Ciarán Parkes, Mark J. Mitchell, Richard Wakefield, Mercedes Webb-Pullman, and Max Gutmann.
Free Verse: Glen Armstrong, John Dorsey, Howard Gershkowitz, Diane Webster, Larry Pike, Greg Huteson, Catfish McDaris, Sue Fagalde Lick, Sudhanshu Chopra, Alan Cohen, Michael Ceraolo, and Ash Slade.
Haiku with Kevin McLaughlin: Douglas J. Lanzo, Jessica Wheeler, Mathew Wenham, Manoj Sharma, Armando Quiros, Stefanie Winton, Sarah Calvello, Kenneth Lynn Anderson, Dennis Maulsby, Carrie Ann Thunnell, Denise Shelton, Carlton Holte, R.K. Singh, Bill Dee Johnston, Sandy Brian Hager, Goran Gatalica, and Rachel Zempel.
Formal Poetry with Vera Ignatowitsch: Richard Wakefield, Robert Donohue, Tad Tuleja, Max Gutmann, Marly Youmans, Neil Kennedy, Bruce McGuffin, Judy Koren, Kiersta Recktenwald, Robin Helweg-Larsen, Richard Lorr, Russell G. Winick, Drew Nathaniel Keane, and Mary Kipps.
Poetry Translations with Susan McLean: Yun Wang translating Li Bai, Jerome Betts translating Anonymous, and A. R. Bekenstein translating Paul Éluard.
Poetry for Children with Robert Schechter: Nina Parmenter, Lorna Davis, Diana Murray, M. Rory Daws, and Kate Williams.
International Poetry: Kalyani Bindu, Ziaul Moid Khan, Shifali Gulati, Kushal Poddar, and Fizza Abbas.
African Poetry: Soonest Nathaniel, Banqobile Virginia Dakamela, Nnadi Samuel, Ndaba Sibanda, and
Lind Grant-Oyeye.
Poetry Unplugged: Bruna Gushurst, Gale Acuff, Scott C. Kaestner, J. Tarwood, and Gavin Bourke.
Experimental, Prose, & Form Poetry: Sydney Hazen, Paul Ilechko, Gene Twaronite, and Rich Ives.
Fiction: Houses of Straw by Benjamin Davis
Flash Fiction: Domestic Duplicity by Victoria Lynn Smith
Creative Non-Fiction: The Desert Air by Pamela Cottam
From The Mind: A Sort of Poetic Manifesto by Tom Merrill
Cover: Page from a Priest’s Book by Betty White
Photograph by Andre Beneteau
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Better Than Starbucks February 2021 - Better Than Starbucks
I
Copyright
Better Than Starbucks
February 2021 Vol VI No I
Copyright © by Better Than Starbucks. All rights reserved.
This book or any portion thereof may not be reproduced
or used in any manner whatsoever without the express
written permission of the publisher except for the use
of brief quotations in a book review or scholarly journal.
Contributing authors retain copyright to their works.
First Edition: ISBN 978-1-716-25987-6
Editor-in-Chief Vera Ignatowitsch
Founder & Publisher Anthony Watkins
Advisory Editor Tom Merrill
Section Editors:
Kevin McLaughlin (Haiku)
Susan McLean (Poetry Translations)
Robert Schechter (Poetry for Children)
Copy Editors:
Elaine Wilburt, Christy Burbidge
Cover Image:
Page from a Priest’s Book by Betty White
Photograph by Andre Beneteau
Background pattern Description automatically generatedTable of Contents
Seven Featured Poems
out to kill rabbits by Jack Henry
Bitter Honey by Steven Willett
Dig by Allison Thung
The lost garden by Susan Sklan
Archetypical Desiccation by R. Gerry Fabian
The Inhabitants of Paradise by Janet McCann
An Abstraction on the Tangible, With Trees by Carol Casey
Sonnet Contest 2020 Winners and Honorable Mentions
First Place
Second Place
Third Place
Honorable Mentions
The Interview February 2021
Jeffrey Alfier by Tobi Alfier
Five Poems by Jeffrey Alfier
Free Verse Poetry
Haiku with Kevin McLaughlin
Formal Poetry with Vera Ignatowitsch
Poetry Translations with Susan McLean
Poetry for Children with Robert Schechter
International Poetry
African Poetry
Poetry Unplugged
Experimental, Prose, & Form Poetry
Fiction
Houses of Straw by Benjamin Davis
Flash Fiction
Domestic Duplicity by Victoria Lynn Smith
Better Than Fiction!
The Desert Air by Pamela Cottam
From The Mind of Tom Merrill
Contributors to this issue
Seven Featured Poems
out to kill rabbits
the first day we dressed out
in P.E., in high school, a senior
boy punched me in the face,
called me a queer, and a chorus
of other boys howled in derision.
a rabbit sits atop a grassy
knoll, eats grass and watches
for danger.
at 16 i had yet to accept
my awkwardness,
long legs and gangly arms;
acne, sadness, and general
ineptitude.
a rabbit hides during daylight, in
thick bushes or down holes
in the earth, fearful of predators
and potential death.
throughout 10th grade everyone
picked on me, put me in a corner,
bullied me into complete sorrow.
yet i learned to run, to shout them down,
to fight without remorse,
to keep secrets
locked down tight.
coyotes and wolves and kids
with rocks stalk the rabbit, but
if the rabbit is smart, they
stay safe. they must always
be smarter than those that wish
them harm.
by senior year i reached full
height, full strength. mind
quick and nimble and more clever
than bullies. i outgrew the noise
of high school, but not before
breaking bones and crushing souls.
a rabbit cornered can be a fearsome thing
and they will fight for survival when
running away is no longer an option.
just after winter break my senior year
i found myself in front of the damning
gaze of a vice-principal, his face red,
voice rough from yelling. i had become
the bully.
a rabbit’s life is short due to so many
predators. life in the wild is
always a struggle.
upon graduation i left high school,
never looked back. i still break bones
of predators,
out to kill rabbits.
Jack Henry is a writer/editor based in California. Recently he has been published in Ariel Chart, Rusty Truck, Scarlet Leaf Review, Horror Sleaze Trash, alien buddha press, and elsewhere. His next collection, driving w/crazy, will be released by Punk Hostage Press. Visit jackhenry.wordpress.com.
Bitter Honey
Bodies fill graves, graves grow honeycomb, earth rests
lightly on its sodden cells, time swells
bones broken to pollen, death’s redolence, leaving
nothing behind but bitter honey.
Only the dead know how to taste bitter honey,
the taste that restores their strangled cries.
For a moment the cries are melodious with loss,
then silence wrings their voices again.
Dig deeper. Beneath the graves lie even more
ancient bodies hardening into rock.
Time layers the sediments, strata crack, bend
and rupture under memory’s fire.
Millennia on millennia of erosion
expose petrified amnesia.
Wind, sun and moon now pass serenely over
indecipherable fossils waiting
for bodies to grow into armies, fill graves
and join their amnesty of memory.
Steven Willett is a retired Classics professor specializing in ancient Greek and English versification. Much of his work has been in poetic translation in many languages.
Dig
When they handed him the changol and told
him to dig, he dug. Hard and deep like his life
depended on it. They said to dig for sustenance
of ten, but he dug for sins and sorrow of one.
Beyond the tarp, rain beat down on ground
like drums he used to play as a child—
insistently, aggressively—overflow bleeding
into his sheltered patch, turning soil to mud.
He had stood too long in the same spot and so
began to sink, borrowed boots engulfed in
red and brown as earth reclaimed him. They
promised he could wash off in their stream.
Atonement is fat that feeds seeds of good a
self-proclaimed sinner sows. Forgiveness is
the fruit it bears. Do good not for good, but to
be good. He picked chilis, beans, and basil.
Allison Thung is a writer from Singapore. She writes for the same reason she knits — to make sense of what would otherwise just be loose threads of thought and yarn. Allison has poetry published in Eunoia Review. Her website is www.allisonthung.com.
The lost garden
She carried the garden inside her
so she could take it with her across borders.
The lemon tree settled and its roots
grew down one leg.
Lemons, she thought, are always useful.
A Norfolk pine kept her standing straight.
The bamboo she kept in a pot,
so it would not take over everything.
Her mother’s lavender clasped her heart
and urged it to keep beating.
Passion fruit vines grew out with her hair.
In the midst of her grief,
blue and red parrots flew out of her suitcase.
Susan Sklan is a social worker and published