Parts of the Main
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About this ebook
"Jane Williams’s Parts of the Main is her chemistry, abuzz in a murmuration of organic electrons that at once forms memory, then problems of translation – not solely of words, but in comprehending our modernity. These shape-shifting poems are an assignation of author to grace – with it, with her, we travel to Euro
Jane Williams
Jane Williams has been writing and publishing poetry for adults for over twenty-five years. This is her first collection of poems for children. And wannabes. She lives in Hobart.
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Parts of the Main - Jane Williams
Parts of the Main
Jane Williams
Ginninderra PressParts of the Main
ISBN 978 1 76041 386 6
Copyright © text Jane Williams 2017
Cover image by Emily Kelly
All rights reserved. No part of this ebook may be reproduced, distributed or transmitted in any form or by any means without the prior written permission of the copyright holder. Requests for permission should be sent to the publisher at the address below.
First published 2017 by
Ginninderra Press
PO Box 3461 Port Adelaide 5015 Australia
www.ginninderrapress.com.au
for Ralph
Contents
Bells and Whistles
Parts of the Main
Guarding the Bridge
Acknowledgements
Bells and Whistles
Still/life
After a drawing by a pregnant woman on Christmas Island, who asked if her baby could be adopted by an Australian family
It could be the same butcher paper I once drew on; bold out of proportion larger than life mostly happy-to-be-here Crayola child drawings. But it’s not, is it? It’s detention issue paper. And you are not a child. You are with child. And you cannot be happy to be where you cannot be more than this; incarcerated self-portrait with foetus. Pencilled in grey. You draw yourselves into a birdcage. Angle your long hair at a sway. How much time do you spend rocking to sleep? Does your joyless face dream-smile? The umbilical cord reaches up, connecting to your valentine heart. Your unborn baby’s speech bubble begs for misspelt help because, like love, help is one of those words we should recognise before we translate, interpret, process. At the bottom of the page the outline of Australia. A cut-out blank. The ignoble space and silence of it. Where your feet disappear. Correction, you have no feet. You have drawn yourself without feet. So we must ask the questions – What happens now? What happens next?
Everything about us
Everything about us makes us strangers here. Out-of-place tourists waking into another Ramadan day. Into a culture we are privy to but not part of. A neighbourhood free from souvenirs, from brochures and itineraries. The taxi driver asks, Why? The memory-making of everyday living elsewhere is a blueprint for home. The call to prayer echoes across tiled rooftops, dipping and rising through alleys and stairwells. Our hosts invite us to celebrate Eid al-Fitr: the sugar feast, the sweet festival. But this morning and for seven days more their first meal of the day must be eaten before sunrise, sate them until sunset. We buy street food from vendors who smile at us curiously. Our cameras become dangerous pets questioning intent; tourists bring back photos, travellers bring back stories. But labels are blankets we hide under, revealing selective truths by torchlight. Empty beer bottles replicate like drones on the laminate bench top, then stop. We moderate. Abstain. Our bodies thank us. A new ethos sidles up to the old one, we let parts of it in – no more or less than we need. Children signal our unbelonging in hand-cupped whispers. The mosque’s blue domed minaret, zigzagged with gold is striking as lightning in a cloudless sky. Motorbikes and pedestrians move in practised, haphazard synchronicity, suggesting accidents happen anyway, anywhere. Hijabs form part of the landscape – their colours and patterns individual as dreams. A woman and child cross the road slowly, a small sway over their journey’s end. As she bends to his level, the traffic adjusts itself around them. She