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Sea of Sepharad
Sea of Sepharad
Sea of Sepharad
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Sea of Sepharad

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"Mois benarroch is the best sephardi writer in Israel."

Haaretz

 

Published in Spanish in 2003, Sea of Sepharad explores the relations between the descendants of the expelled Sephardi community with the world of Judaism, Morocco and Israel.

 

 

Steps

My steps continue walking in Seville

go up and down on Levies Street

looking for my burned wife

in front of the church

while I was returning from Granada.

My steps keep on gouging the streets

day and night and they never stop they never part

of streets in which only my steps exist.

My steps procede marking Seville

its limits and its borders

its sky and its river

its tongue and its words

and when I laugh out loud

it's because I'm crazy

crazy from the past, crazy

of thoughts, crazy

of love.

 

 

 

 

Crutches

I leave you sailors of La Mancha

In black seas, I leave you and I go

don't throw me life jackets I know very well

to walk over these waters

I don't need your help

Neither for future mortgages

the waves are enough for me to ride

the odor of the oranges drive me to my land

and I am freer than all the freedom that you can imagine

stronger than all the help you try to give me

so that I walk on crutches

to later say that I don't know how to swim

not even to walk over the asphalt

on the wet grass of the morning

That's it, finally, I'm leaving

                               let it be clear

            I will not return.

Ever.

 

LanguageEnglish
Release dateJun 23, 2021
ISBN9798201302641
Sea of Sepharad
Author

Mois Benarroch

"MOIS BENARROCH es el mejor escritor sefardí mediterráneo de Israel." Haaretz, Prof. Habiba Pdaya.

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    Book preview

    Sea of Sepharad - Mois Benarroch

    Steps

    MY STEPS STILL WALK through Seville

    Up and down Levies street

    Searching for my wife, burned

    In front of the church

    As I was returning from Granada.

    My steps still tread over the streets

    Day and night, they never part

    From the pavements in which only my steps exist.

    My steps still brand Seville,

    Its limits and frontiers

    Its sky and river

    Its tongue and words.

    And, when I fall into a torrent of laughter

    It is because I am mad

    Crazed by the past, demented

    From thoughts, deranged

    From love.

    For whom do we write poems

    No, no, no I tell you .

    We don’t write

    For the living,

    We write for the dead

    And for those yet to be born.

    For the dead: to give

    Meaning to their lives,

    Their sufferings,

    Their shudders,

    Their deaths.

    For those yet to be born: so that

    They know that somewhere,

    In a past of madness,

    Some poem

    Knew that they were all

    Slaves,

    Himself included.

    Poem written kneeling down

    THESE LANDS WHICH WERE ours,

    Do not employ the labours of our children.

    Some rely on pipe dreams,

    Others on free love.

    These lands which were ours

    Do not give us grandchildren, instead they give us

    Smoked peanuts

    And other times that were once ours.

    The ones who least understand us,

    Are yesterday’s revolutionaries

    Who say that we must suffer,

    So that their tenets can be preserved.

    Tomorrow will be another day, tomorrow

    Another port will be flooded

    With waters of waves of fire,

    With words, ancient like the sea.

    Crutches

    I LEAVE YOU SAILORS of La Mancha,

    In black seas, I abandon you and depart.

    Do not cast towards me any lifeline, I know all-too-well

    How to walk these waters,

    I need neither your aid

    Nor future mortgages.

    The waves are enough to help me walk.

    The fragrance of oranges guides me to my land

    And I am freer than any freedom you might conceive,

    Stronger than all the help you try to offer me

    So that I walk with crutches

    And then you can say I do not know how to swim

    Or even walk on pavement

    Or over the damp grass of early morning.

    That’s it, at last I leave

    let me be clear

    I shan’t come back.

    Never.

    Pain

    PAIN COMES TO KNEEL down,

    But it is the soul that cries out

    For the dead

    And those who are to die.

    The friends, sons, wives,

    Lives lost, wasted.

    On the wind, ships devoid of wings

    Lives lost forever.

    Sons not born, grandsons not coddled

    Entire worlds, Abels unknown,

    Possibilities that cannot unfold.

    The pain comes to the head,

    But it is the world that cries out

    Through our bodies,

    Weary of so many useless lives.

    Remembrance

    If poetry is remembrance ,

    What are memories?

    Where are your eyes

    Brother,

    Which I remember

    So brown?

    Where is the view

    Of our faults

    Our idiocy

    Preconceived notions

    And useless deaths?

    I write against oblivion

    Mostly

    To not forget

    What I remember.

    Broken bottles

    Iwas born where the Mediterranean

    Reaches for the Ocean,

    Desperately

    Trying to escape,

    Carrying with it an expired message.

    I was born wondering:

    Then, where does the ocean come from?

    The first Benarroch of Tétouan

    THEY SAY THAT THE FIRST Benarroch of Tétouan came from Fez

    With his brother,

    Who died on the way.

    And he carried him on his back until they arrived,

    So that he would be buried as a Jew should.

    And I carry my own brother on my back

    Though he died at the end of the journey,

    I carry my brother

    Like one cherishes an old bottle of wine.

    I have a long tale to tell

    And it isn’t mine,

    It’s the one of my dead

    Who look at me as though they were pine trees.

    The shore of the other

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