Little Bird Stories, Volume 10
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Proceeds from anthology sales go towards the Pelee Island Bird Observatory and the Prince Edward Point Bird Observatory to help protect the real little birds out there.
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Little Bird Stories, Volume 10 - Invisible Publishing
Little Bird Stories
Volume Ten
Selected by Sheena Kamal
invisible-ebookInvisible Publishing
Halifax & Picton
Table of Contents
Cover
Title Page
Table of Contents
Copyright Information
About the Contest
Preface
Words Fail
What Fits In the Palm of Your Hand
Little Birds
Author Biographies
Landmarks
Cover
Introduction copyright © Sarah Selecky, 2021
Preface copyright © Sheena Kamal, 2021
Individual contributions copyright © the authors
All rights reserved. No part of this publication may be reproduced or transmitted in any form, by any method, without the prior written consent of the publisher, except by a reviewer, who may use brief excerpts in a review, or in the case of photocopying in Canada, a license from Access Copyright.
These are works of fiction. Names, characters, business, events and incidents are the products of the author’s imagination. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
Cataloguing data available from Library and Archives Canada
Cover design by Megan Fildes
Invisible Publishing
Halifax and Picton
invisiblepublishing.com
We acknowledge the support of the Canada Council for the Arts, the Ontario Arts Council, and the Government of Canada.
About the Contest
We almost missed our own 10th anniversary this year.
We run this contest annually in the early spring. Just before our 2020 contest was announced, the world shut down.
You remember what that time was like. We were all in shock. I called Leigh Nash of Invisible Publishing and told her that we were pausing the Little Bird contest.
We numbly traded these words: Let’s wait and see what will happen.
Writers, more than most people, are familiar with this phrase. Not knowing is at the heart of reading and writing. This is what we do, as storytellers.
We don’t really know what our story is, until we write it. We write to see where it will go, to see what it wants to teach us.
Writers try to tantalize readers with uncertainty. In our craft, this is called dramatic tension,
and we put a lot of effort into it. We want to make our readers turn pages, to find out what happens.
But none of us want a story to break out in our real life.
Let’s wait and see what will happen.
Much has been written on how this year has brought us very close to three laws of human existence: change is constant, we’re all interconnected, life is out of our control.
For anyone who reads this collection, these concepts become embodied experiences. These three stories