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The Wear of My Face
The Wear of My Face
The Wear of My Face
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The Wear of My Face

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The sun is our closest star just average a middle-aged dwarf past its prime but still a few billion years to go and fierce is its heat It's domains: interior surface atmospheres inner corona outer corona Did someone say Corona? The Wear of My Face is an assemblage of passing lives and landscapes, fractured worlds and realities. There is splintered text and image, memory and dream, newscast and conversation. Women wicker first light, old men make things that glow, poets are standing stones, frontlines merge with tourist lines. Lizz Murphy weaves these elements into the strangeness of suburbia, the intensity of waiting rooms, bush stillness, and hopes for a leap of faith as at times she leaves a poem as fragmented as a hectic day or a bombed street. What may sometimes seem like misdemeanours of the mind, to Lizz they are simply the distractions and disturbances of daily life somewhere. There is a rehomed greyhound, a breezy scientist, ancient malleefowl, beige union reps and people in all their conundrums. You might travel on a seagull's wing or wing through the aerosphere.
LanguageEnglish
Release dateSep 1, 2021
ISBN9781925950359
The Wear of My Face

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    The Wear of My Face - Lizz Murphy

    Front Cover of Wear of My Face

    Lizz Murphy is an Irish-Australian poet who writes mainly while on the road between Binalong NSW and Canberra ACT, a habit which began while commuting by bus aeons ago. Now she commutes from Binalong to Canberra part-time by car still keeping her eye out for poems. She writes in a variety of styles from prose poetry to micro poetry, sometimes incorporating found text and image.

    Lizz has had 14 books published. The Wear of My Face is her ninth poetry title. She is widely published in anthologies and journals in Australia and overseas. She is a former Canberra Times Poetry Editor and has worked in regional arts development, and as a publicist in arts and publishing. She was once a regional newspaper editor and once upon a time long before that, a shop assistant. Lizz Murphy lives and writes on unceded Ngunnawal Country and blogs occasionally at A Poet’s Slant.

    lizzmurphypoet.blogspot.com

    Other works by Lizz Murphy

    Poetry

    Shebird (2016)

    Portrait: 54 Poems (2013)

    Six Hundred Dollars (2010)

    Walk the Wildly (2009/2017)

    Stop Your Cryin (2007)

    Two Lips Went Shopping (2000)

    Pearls and Bullets (1997)

    Do Fish Get Seasick: A Collection of Damn Bus Poems (1994)

    Anthologies

    The Pearly Griffin: The Story of the Old Griffin Centre

    (Co-editor with Sarah St Vincent Welch, 2007)

    Everyone Needs Cleaners, Eh! (1997)

    Eat the Ocean (1997)

    Wee Girls: Women Writing from an Irish Perspective (1996/2000)

    She’s a Train and She’s Dangerous: Women Alone in the 1990s (1994)

    Book Title of Wear of My Face

    First published by Spinifex Press, 2021

    Spinifex Press Pty Ltd

    PO Box 5270, North Geelong, VIC 3215, Australia

    PO Box 105, Mission Beach, QLD 4852, Australia

    women@spinifexpress.com.au

    www.spinifexpress.com.au

    Copyright © Lizz Murphy, 2021

    The moral right of the author has been asserted.

    All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without prior written permission of both the copyright owner and the above publisher of the book.

    Copying for educational purposes

    Information in this book may be reproduced in whole or part for study or training purposes, subject to acknowledgement of the source and providing no commercial usage or sale of material occurs. Where copies of part or whole of the book are made under part VB of the Copyright Act, the law requires that prescribed procedures be followed. For information contact the Copyright Agency Limited.

    Edited by Susan Hawthorne and Pauline Hopkins

    Cover design by Deb Snibson

    Photograph by Camilla Duffy

    Typesetting by Helen Christie, Blue Wren Books

    Typeset in Albertina

    Printed by McPherson’s Printing Group

    ISBN: 9781925950342 (paperback)

    ISBN: 9781925950359 (ebook)

    For my family —

    I would like to give you the stars

    contents

    the architecture of pear

    a woman’s work

    some things are orange

    stray birds 1–10

    the wear of my face

    you can be cruel to a bee

    girl in a park

    how’s the weather in binalong

    neighbours

    strangelands

    what is he making in there

    preambles

    another day

    exodus

    ‘war zone tours’

    knots

    please leave the door open

    bat

    greyhounds make great pets

    we tried to tell him

    red

    shock jocks

    his

    zombies

    cross my hand

    like

    i suffer not the work of fern

    this is what we do

    lines

    all i could see

    right of way

    bag

    (more ducks)

    happy days

    felt

    dark space

    scintillate

    forecast

    unlike a black cat

    catchcry

    takings

    threats

    locks

    cracks

    prey

    penalty

    rips

    brown goshawk

    mourning

    conundrums

    the refuge of art

    points

    signals

    first things first

    wheelbarrow

    hedge

    who’s been eating the moon

    back to basics

    old spice

    lost property

    who will bury the pensioners

    the power of prayer

    what does it take to make white

    bleached

    prayer: quick & dirty

    arrivals

    bees

    diapause

    summer

    ‘you don’t pay for any fancy overheads’

    protests

    nobody’s child

    kids half price

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