The Libation-Bearers
By Aeschylus
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About this ebook
Aeschylus (c. 525/524 – c. 456/455 BC) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics' knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Before this, characters interacted only with the chorus.
Aeschylus
Aeschylus (c.525-455 B.C) was an ancient Greek playwright and solider. Scholars’ knowledge of the tragedy genre begins with Aeschylus’ work, and because of this, he is dubbed the “father of tragedy”. Aeschylus claimed his inspiration to become a writer stemmed from a dream he had in which the god Dionysus encouraged him to write a play. While it is estimated that he wrote just under one hundred plays, only seven of Aeschylus’ work was able to be recovered.
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The Libation-Bearers - Aeschylus
DRAMATIS PERSONÆ
Dramatis Personae
Orestes, son of Agamenon and Clytemnestra
Chorus of Slave Women
Electra, sister of Orestes
A Nurse
Clytemnestra
Aegisthus
An Attendant
THE LIBATION-POURERS
Scene: By the tomb of Agamemnon near the palace in Argos. Orestes and Pylades enter, dressed as travellers. Orestes carries two locks of hair in his hand.
Orestes:
Lord of the shades and patron of the realm
That erst my father swayed, list now my prayer,
Hermes, and save me with thine aiding arm,
Me who from banishment returning stand
On this my country; lo, my foot is set
On this grave-mound, and herald-like, as thou,
Once and again, I bid my father hear.
And these twin locks, from mine head shorn, I bring,
And one to Inachus the river-god,
My young life's nurturer, I dedicate,
And one in sign of mourning unfulfilled
I lay, though late, on this my father's grave.
For O my father, not beside thy corse
Stood I to wail thy death, nor was my hand
Stretched out to bear thee forth to burial.
What sight is yonder? what this woman-throng
Hitherward coming, by their sable garb
Made manifest as mourners? What hath chanced?
Doth some new sorrow hap within the home?
Or rightly may I deem that they draw near
Bearing libations, such as soothe the ire
Of dead men angered, to my father's grave?
Nay, such they are indeed; for I descry
Electra mine own sister pacing hither,
In moody grief conspicuous. Grant, O Zeus,
Grant me my father's murder to avenge-
Be thou my willing champion!
Pylades,
Pass we aside, till rightly I discern
Wherefore these women throng in suppliance.
Pylades and Orestes withdraw; the chorus enters bearing vessels for libation; Electra follows them; they pace slowly towards the tomb of Agamemnon.
Chorus of Slave Women:
strophe 1, singing
Forth from the royal halls by high command
I bear libations for the dead.
Rings on my smitten breast my smiting hand,
And all my cheek is rent and red,
Fresh-furrowed by my nails, and all my soul
This many a day doth feed on cries of dole.
And trailing tatters of my vest,
In looped and windowed raggedness forlorn,
Hang rent around my breast,
Even as I, by blows of Fate most stern
Saddened and torn.
antistrophe 1
Oracular thro' visions, ghastly clear,
Bearing a blast of wrath from realms below,
And stiffening each rising hair with dread,
Came out of dream-land Fear,
And, loud and awful, bade
The shriek ring out at midnight's witching hour,
And brooded, stern with woe,
Above the inner house, the woman's bower
And seers inspired did read the dream on oath,
Chanting aloud In realms below
The dead are wroth;
Against their slayers yet their ire doth glow.
strophe 2
Therefore to bear this gift of graceless worth-
O Earth, my nursing mother!-
The woman god-accurs'd doth send me forth
Lest one crime bring another.
Ill is the very word to speak, for none
Can ransom or atone
For blood once