Alastor
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Peacock suggested the name Alastor, which comes from Roman mythology. Peacock has defined Alastor as "evil genius".
In Alastor the speaker ostensibly recounts the life of a Poet who zealously pursues the most obscure part of nature in search of "strange truths in undiscovered lands", journeying to the Caucasus Mountains ("the ethereal cliffs of Caucasus"), Persia, "Arabie", Cashmire, and "the wild Carmanian waste". The Poet rejects an "Arab maiden" in his search for an idealised embodiment of a woman. As the Poet wanders one night, he dreams of a "veiled maid". This veiled vision brings with her an intimation of the supernatural world that lies beyond nature. This dream vision serves as a mediator between the natural and supernatural domains by being both spirit and an element of human love. As the Poet attempts to unite with the spirit, night's blackness swallows the vision and severs his dreamy link to the supernatural.
Percy Bysshe Shelley
Percy Bysshe Shelley (1792-1822) was an English Romantic poet. Born into a prominent political family, Shelley enjoyed a quiet and happy childhood in West Sussex, developing a passion for nature and literature at a young age. He struggled in school, however, and was known by his colleagues at Eton College and University College, Oxford as an outsider and eccentric who spent more time acquainting himself with radical politics and the occult than with the requirements of academia. During his time at Oxford, he began his literary career in earnest, publishing Original Poetry by Victor and Cazire (1810) and St. Irvine; or, The Rosicrucian: A Romance (1811) In 1811, he married Harriet Westbrook, with whom he lived an itinerant lifestyle while pursuing affairs with other women. Through the poet Robert Southey, he fell under the influence of political philosopher William Godwin, whose daughter Mary soon fell in love with the precocious young poet. In the summer of 1814, Shelley eloped to France with Mary and her stepsister Claire Claremont, travelling to Holland, Germany, and Switzerland before returning to England in the fall. Desperately broke, Shelley struggled to provide for Mary through several pregnancies while balancing his financial obligations to Godwin, Harriet, and his own father. In 1816, Percy and Mary accepted an invitation to join Claremont and Lord Byron in Europe, spending a summer in Switzerland at a house on Lake Geneva. In 1818, following several years of unhappy life in England, the Shelleys—now married—moved to Italy, where Percy worked on The Masque of Anarchy (1819), Prometheus Unbound (1820), and Adonais (1821), now considered some of his most important works. In July of 1822, Shelley set sail on the Don Juan and was lost in a storm only hours later. His death at the age of 29 was met with despair and contempt throughout England and Europe, and he is now considered a leading poet and radical thinker of the Romantic era.
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Alastor - Percy Bysshe Shelley
Introductory Note
Nondum amabam, et amare amabam,
quærebam quid amarem, amans amare.
Confess. St. August.
Alastor was published nearly three years after the issue of Queen Mab, in 1816, in a thin volume with a few other poems. It is strongly opposed to the earlier poem, and begins that series of ideal portraits, — in the main, incarnations of Shelley’s own aspiring and melancholy spirit, — which contain his personal charm and shadow forth his own history of isolation in the world; they are interpretations of the hero rather than pronunciamentos of the cause, and are free from the entanglements of political and social reform and religious strife. The poetical antecedents of Alastor are Wordsworth and Coleridge. The deepening of the poet’s self-consciousness is evident in every line, and the growth of his genius in grace and strength, in the element of expression, is so marked as to give a different cadence to his verse. He composed the poem in the autumn of 1815, when he was twenty-three years old and after the earlier misfortunes of his life had befallen him. Mrs. Shelley’s account of the poem is the best, and nothing has since been added to it:
‘Alastor is written in a very different tone from Queen Mab. In the latter, Shelley poured out all the cherished speculations of his youth — all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny of his fellow-creatures, gave birth. Alastor, on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardor of Shelley’s hopes, though he still thought them well-grounded, and that to advance their fulfilment was the noblest task man could achieve.
‘This is neither the time nor place to speak of the misfortunes that checkered his life. It will be sufficient to say, that in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical