Collected Poems (Barnes & Noble Edition)
By Edgar Allan Poe and Kevin Hayes
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About this ebook
Edgar Allan Poe
Edgar Allan Poe (1809-1849) was an American author of short stories, poetry, and literary criticism and theory. Titled "The Master of the Macabre" he is famous for his tales of mystery and horror. He was one of the earliest masters of the short story and is widely credited as the creator of detective fiction.
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Reviews for Collected Poems (Barnes & Noble Edition)
11 ratings1 review
- Rating: 4 out of 5 stars4/5Here we have a collection of poems from one of the masters, Edgar Allan Poe. There were some poems of his I had never read before, but am now a huge fan of, such as "Al Aaraaf."Along with the poems, there are two essays written by Mr. Poe, one on the Rationale of Verse, and another on the Poetic Principle. "Verse" was a bit tough to get through, but worth the read; while "The Poetic Principle" was a very good read and something I will be coming back to in the future.All in all, a sound collection.
Book preview
Collected Poems (Barnes & Noble Edition) - Edgar Allan Poe
INTRODUCTION
TO READ THE POETRY OF EDGAR ALLAN POE IS TO ENTER THE mind of a genius, a dreamer, a madman, a lover. Readers often associate Poe with the macabre, but his verse captures many different moods. Sometimes he expresses despair at the loss of a loved one. Other times he voices the uncertainty of a man teetering on the brink of sanity. Elsewhere he is an idealist seeking the realm of pure imagination. Throughout his poetry, he lifts readers from the everyday world to place them in a dream-like state, a wonderful realm where the rules of normal behavior no longer apply.
Poe’s life, by contrast, was filled with disappointment, frustration, poverty, and sadness. The son of actors David and Elizabeth Arnold Poe, Edgar was born in Boston on January 19, 1809. Before he turned three, his father had abandoned the family, and his mother had died from tuberculosis. Her plight became known to Richmond theater-goers, including John and Frances Allan, who took Edgar in, educating him to be a gentleman. After Poe’s first year at the University of Virginia, Allan pulled him from school and put him in the counting house of Ellis and Allan, his mercantile firm. For an aspiring poet, few positions could be more onerous. The two quarreled bitterly. In 1827, Poe left Richmond for Boston, returning to his place of birth to remake himself into a poet. Over the next few years, he published his first collection of verse, joined the army, quit the army, moved to Baltimore, published his second collection of verse, dreamed of military glory, entered West Point, left West Point, and published a third collection of verse. Throughout this time, Poe and Allan continued quarreling. Allan died in 1834 a wealthy man but left Poe nothing. To eke out a living, Poe largely abandoned poetry for prose, moving back and forth from Richmond to New York to Philadelphia serving in various editorial capacities. In Richmond on May 16, 1836, he wed his teenaged cousin Virginia Clemm, whose death from tuberculosis eleven years later left Poe distraught. He returned to poetry toward the end of his life, when he created some of his finest lyrics before dying from mysterious, alcohol-related causes in Baltimore at the age of forty.
Tamerlane and Other Poems (1827), Poe’s first collection of verse, reveals several literary influences. His debt to the influential English Romantic poet, Lord Byron, is most important, but Poe’s early verse was also influenced by the eighteenth-century British playwright Nicholas Rowe, whose Tamerlane Poe knew, and an obscure nineteenth-century Baltimore poet, Garrett Barry. The title character of Tamerlane,
the most substantial poem in the collection, bears little resemblance to the real-life Tamerlane, the fourteenth-century ruler of Samarkand. Offering his personal story to a Catholic priest, Poe’s Tamerlane relates how he recognized his own genius for leadership, fell in love, and then left his lover to pursue conquest, intending to return home eventually to make her his queen. After conquering much of the world, he returned only to find her dead. Sadly, he realized that the price he had paid for his empire was a broken heart.
In his subsequent verse, Poe would renounce Byron to develop his own unique style. He published Al Aaraaf, Tamerlane, and Minor Poems (1829) in Baltimore while awaiting his appointment to the U.S. Military Academy at West Point. This collection contains revised versions of many poems from the earlier one and some new poems as well. In Al Aaraaf,
the book’s most significant poem, Poe imagined an ideal world inhabited by angels and enlightened human souls who mediate between heaven and the rest of the universe, conveying an awareness of beauty to the others and thus bringing them closer to God. In terms of both imagery and ideas, Al Aaraaf
is Poe’s most difficult poem. William Wirt, best known for his life of Patrick Henry, was one of Baltimore’s most well-respected men of letters. Seeking Wirt’s opinion, Poe sent him a manuscript copy of Al Aaraaf.
Wirt recognized its originality but otherwise could make no sense of it. It will, I know, please modern readers,
he told Poe. I should doubt whether the poem will take with old-fashioned readers like myself.
Though Al Aaraaf
is not entirely successful, its conception of an ideal world where an aesthetic philosophy triumphs over all other base concerns is magnificent.
Admitted to West Point in 1830, Poe wrote much verse there. His satirical lines about the instructors endeared him to his fellow cadets. When he proposed a published collection of verse, they eagerly subscribed, but when the volume appeared, the cadets felt cheated. Poems (1831) contained none of the satirical verses that had so endeared them to Poe. By the time Poems appeared, however, Poe had left West Point. Dissatisfied with his life there, he quit attending classes, quit going to drill, quit doing pretty much everything the army ordered him to do. He was brought up on charges, court-martialed, and dismissed.
Poems opens with Letter to Mr—,
in which Poe first laid out his aesthetic theory. A seminal document in the critical history of American verse, Poe’s preface to Poems is also known as the Letter to B—.
It is typically reprinted in collections of his critical essays and is not included in this collection of poetry. Traditionally, literature was supposed to delight and instruct; Poe dared to deny poetry’s instructive purpose. Poetry has,