Casablanca (SparkNotes Film Guide)
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Casablanca (SparkNotes Film Guide) - SparkNotes
Casablanca
© 2003, 2007 by Spark Publishing
This Spark Publishing edition 2014 by SparkNotes LLC, an Affiliate of Barnes & Noble
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (including electronic, mechanical, photocopying, recording, or otherwise) without prior written permission from the publisher.
Sparknotes is a registered trademark of SparkNotes LLC
Spark Publishing
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ISBN-13: 978-1-4114-7375-1
Please submit changes or report errors to www.sparknotes.com/.
10 9 8 7 6 5 4 3 2 1
Contents
Context
Plot Summary
Character List
Analysis of Major Characters
Themes, Motifs, & Symbols
Casablanca: A Classic Hollywood Film with an Un-Classic Ending
Acting
Soundtrack
Political Allegory
Important Quotations Explained
Key Facts
Review & Resources
Context
The director of Casablanca, Michael Curtiz, was born in Budapest, Hungary, in the late
1800
s. He began making films there in
1912
, but left Hungary in
1919
because of political unrest. After leaving Hungary, he became a prolific filmmaker in Europe, primarily in Austria, and in
1926
the head of Warner Brothers’ Burbank, California studio, Jack Warner, asked him to come to Hollywood. Over the course of his career, Curtiz made almost one hundred films for Warner Brothers, including musicals, detective stories, and horror films. Curtiz never mastered the English language, though, and his cast and crew, disgruntled by Curtiz's stubbornness and mean streak, often made fun of his linguistic mistakes, calling them Curtizisms.
Casablanca was released in
1942
, and it was an immediate success, despite Warner Brothers' fears that it would fail. The film was nominated for eight Oscars and won three, including Best Director for Curtiz. Despite the award, Curtiz never really received credit for the film's remarkable achievements. Critics viewed Curtiz as a skilled technician, but they had little praise for his artistic sensibilities. Curtiz's other films never garnered much recognition, and even the success of Casablanca was not enough to elevate his reputation. Most of Casablanca's numerous fans wouldn't be able to identify its director by name.
Casablanca has become a legend in large part because of its two leading actors, Humphrey Bogart and Ingrid Bergman, who play Rick Blaine and Ilsa Lund, respectively. Bogart's and Bergman's portrayals of Rick and Ilsa's tortured reunion and separations are as stunning now as they were in
1942
. Yet both Bogart and Bergman proved to be difficult participants in Casablanca. Bogart acted in four other movies in
1942
, and Casablanca was far from his favorite. Bergman took the part of Ilsa only because she was initially denied a role she really wanted, the female lead in Hemingway's For Whom the Bell Tolls. When she was eventually chosen for that film, she stopped thinking about Casablanca, prompting the envious Paul Heinreid, who plays Victor Laszlo, to denigrate her as a careerist tiger.
Other parts of the making of Casablanca are also sobering and pedestrian. The movie was filmed in a period of less than three rushed months, the actors didn't like each other or the director, and the screenwriters reworked the script on the fly. The film was one of many that Warner Brothers made during the summer of
1942
, and it was hardly the most expensive or the one they anticipated to become a major hit. In short, the film was just another Hollywood studio production, a chaotic collaboration whose various parts might or might not come together successfully.
Of course, its parts did come together successfully—magnificently—but a few happy accidents are also responsible for the film's tremendous popularity and classic status. For example, composer Max Steiner created an original song to replace As Time Goes By,
a song he hated, but the scenes were