Keats's Odes (SparkNotes Literature Guide)
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Keats's Odes (SparkNotes Literature Guide) - SparkNotes
Context
In his short life, John Keats wrote some of the most beautiful and enduring poems in the English language. Among his greatest achievements is his sequence of six lyric odes, written between March and September 1819—astonishingly, when Keats was only twenty-four years old. Keats’s poetic achievement is made all the more miraculous by the age at which it ended: He died barely a year after finishing the ode To Autumn,
in February 1821.
Keats was born in 1795 to a lower-middle-class family in London. When he was still young, he lost both his parents. His mother succumbed to tuberculosis, the disease that eventually killed Keats himself. When he was fifteen, Keats entered into a medical apprenticeship, and eventually he went to medical school. But by the time he turned twenty, he abandoned his medical training to devote himself wholly to poetry. He published his first book of poems in 1817; they drew savage critical attacks from an influential magazine, and his second book attracted comparatively little notice when it appeared the next year. Keats’s brother Tom died of tuberculosis in December 1818, and Keats moved in with a friend in Hampstead.
In Hampstead, he fell in love with a young girl named Fanny Brawne. During this time, Keats began to experience the extraordinary creative inspiration that enabled him to write, at a frantic rate, all his best poems in the time before he died. His health and his finances declined sharply, and he set off for Italy in the summer of 1820, hoping the warmer climate might restore his health. He never returned home. His death brought to an untimely end one of the most extraordinary poetic careers of the nineteenth century—indeed, one of the most extraordinary poetic careers of all time. Keats never achieved widespread recognition for his work in his own life (his bitter request for his tombstone: Here lies one whose name was writ on water
), but he was sustained by a deep inner confidence in his own ability. Shortly before his death, he remarked that he believed he would be among the English poets
when he had died.
Keats was one of the most important figures of early nineteenth-century Romanticism, a movement that espoused the sanctity of emotion and imagination, and privileged the beauty of the natural world. Many of the ideas and themes evident in Keats’s great odes are quintessentially Romantic concerns: the beauty of nature, the relation between imagination and creativity, the response of the passions to beauty and suffering, and the transience of human life in time. The sumptuous sensory language in which the odes are written, their idealistic concern for beauty and truth, and their expressive agony in the face of death are all Romantic preoccupations—though at the same time, they are all uniquely Keats’s.
Taken together, the odes do not exactly tell a story—there is no unifying plot
and no recurring characters—and there is little evidence that Keats intended them to stand together as a single work of art. Nevertheless, the extraordinary number of suggestive interrelations between them is impossible to ignore. The