One Good Thing: A Living Memoir
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About this ebook
One Good Thing is a charming collision of memoir with the living, exuberant, and vulnerable natural world. Written in sixty-four short epistolary chapters, M.A.C. Farrant’s latest offering represents a search for hope and appeasement in a rapidly changing and often perplexing society. One Good Thing is also an homage to gardening columnist extraordinaire Helen Chesnut of Victoria’s Times Colonist, each section of the book focusing and expanding on one of her gardening columns.
Using a familiar “Dear Helen” structure, almost every piece in One Good Thing intimately and playfully relates to the gardening article that gave rise to it while simultaneously ranging into myriad other topics, including the author’s creative practice, personal and familial details, and comic riffs on a number of close-to-the-heart themes. With a mindful persistence that’s often hilarious, the book strives to find personal “calm abidance” through the practice of gardening as mediated by the universal and personal practice of writing.
M.A.C. Farrant
M.A.C. Farrant is the author of over twenty works of fiction, non-fiction, memoir, chapbooks, two plays, and over one hundred book reviews and essays for the Vancouver Sun and the Globe & Mail. Her memoir, My Turquoise Years, which she adapted for the stage, premiered in 2013 at the Arts Club Theatre in Vancouver. Her novel, The Strange Truth About Us – A Novel of Absence, (Talonbooks, 2011) was cited as a Best Fiction Book of 2012 by the Globe and Mail. The World Afloat (Talonbooks, 2014), the first in a trilogy of collections of miniature fiction and prose poems, won the Victoria Book Prize. One Good Thing—A Living Memoir, published by Talonbooks in 2021, was a BC Bestseller. Most recently from Talonbooks: Jigsaw—A Puzzle in Ninety-Three Pieces, (2023); forthcoming: My Turquoise Years, 20th Anniversary Edition (2024). Archived material is in the “Special Collections Branch” at the University of Victoria. She lives on Vancouver Island.
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One Good Thing - M.A.C. Farrant
1.
CUCUMBER
Dear Helen Chesnut,
You have been writing your gardening columns for many years now, but it is only recently that I’ve begun reading them. As you know, they appear in our local newspaper, Victoria’s Times Colonist, in the Home section, on Wednesday and Saturday of each week. I used to pass them over because I didn’t consider myself a gardener, ignoring them in the same way I still ignore the automotive section and TV listings that appear daily, and the ponderous advice given to strata owners that also appears on Wednesdays.
But now I’ve suddenly become beguiled by what you write – you offer so many metaphors with which to frame one’s thoughts.
You are clearly carrying on a tradition with your column – I believe your father wrote it before you. I hope there’ll be a family member to eventually take over from you and follow your example of calm abidance. It’s a quality many of us could use just now, and it’s one you seem to have in spades – pardon the pun – and have been practising for years. I’m beginning to imagine you as a kind of gardening Bodhisattva: someone who is steadfast, playful, and wise as you continue on your gardening way. Season after season, you have prevailed – planning, working the soil, planting, harvesting, head down, tending your vegetable plot, or with your nose in a flower, but absorbed by the task at hand, then writing about it with care. And all the while the world continues on its own perilous way.
For some strange reason, your column today about growing a memorable cucumber helped assuage my fears about the state of the world. I read it like a psalm. It calmed me way down.
Perhaps it was the optimistic headline – Seedy Connections Yield Refreshing Results
– that drew me in, and the focus you applied to producing one good thing: a cucumber. I read the column as if it were a life raft of hope.
One good thing.
Planting success, you write, comes from saving seeds from season to season. Seeds are a kind of life raft too, aren’t they? Promising continuance, promising the future. And isn’t that what a gardener is? A futurist who believes passionately in tomorrow?
This is what I am thinking: What if we could get the same results from seeding hope as you’ve achieved with seeding the Crystal Apple cucumber? What if we could make hope in these times grow as abundant and refreshing and cooling and prevailing as that cucumber?
I will read your columns in future with this question in mind.
2.
OPEN TRUNK
Dear Helen,
(May I call you Helen? If I’m going to be writing to you in the days ahead?)
I’m always trying to keep the area around my trunk
open, as you suggest in your column this morning. Or, to put it another way, to receive with openness whatever comes my way. I appreciate your reminder to do this. Again, your column today strikes me as a metaphor.
You say it’s not a good idea to have the trunk area so cluttered that fresh air and sunshine can’t penetrate to the roots. In fact, that it’s crucial to keep the trunk clear. Otherwise you get pests, disease, and weeping dieback. Yes, weeping dieback. You say that. The image takes my breath away.
And it’s a relief not to be told to take supplements or breathe deeply or think positively if I want to avoid these things. All I have to do is get down to work, clear the trunk, think about something else. It’s what Elsie, the aunt who raised me, used to say of my childhood moodiness: Go down to the beach and play in the seaweed, for heaven’s sake! Take your mind off yourself!
So what I did this morning was take a walk.
I did this after breakfast. Everyone had gone home and, with them, the cars, the dogs, the dramas, the dinners. The three-day holiday was over. I walked out the front door and kept walking for an hour. Initially, the area around my trunk – my body, my state of mind – was difficult to navigate because of all that had occurred during the previous week still adhering to me. Besides the visitors, there had been the bat the cat brought in, which meant the involvement of several government departments, vet visits, rabies shots, and medium-level agitation. (Never, if I may say so, pick up a bat, alive or dead, with a Kleenex – use thick gloves.)
I persisted with my walk and was rewarded with the space around me opening up. For example, the sky appeared. I actually saw it. It was a faded blue, yet still hanging over us in spite of the darkening times.
I also noticed a smiling woman on a bike, several Robinia Frisia
trees with their bright yellow leaves, a bifold door placed at the end of a driveway with a sign that read Free,
and a lot of Queen Anne’s Lace in the ditches.
When I returned home, the house around me was peaceful. The silence I experienced there did not exclude the sound of the birds chirping at the deck feeder, or the engine of the blue-and-white recycling truck out on the street keeping us virtuous.
3.
THE SMALL-SPACE
Dear Helen,
I read your headline today – A Satisfying Experiment in Small-Space
– as a confirmation, another metaphor in your column that I can appreciate. It was as if you were speaking directly to me. Experimenting with a small space
is what I’ve been doing in my writing for years. Satisfaction, at times, is what I’ve achieved. Your small-space, with that hyphen, is none other than my blank white page and the writing I strive to lay upon it. The experiment is the art. It’s the small space where ideas and images can shimmer and expand towards the margins.
And, as you say, it’s the place where yield happens – the place of harvest, but also of surrender, a place to succumb. Yield, with its usual mix of successes and disappointments, surprises and things learned,
you write.
The small-space is life condensed, enlarging when we pay attention to what it can produce.
You speak of gardeners playing with space.
That’s it, exactly. It’s what writers and poets do with words. What musicians do with notes. Dancers with their bodies. We play, and in doing so find joy in the unfolding world.
So, I welcome your hands-on instructions for maintaining yield in the small-space, and offer my take on it in return. Keeping the soul uplifted is one way to do this. Companion seeding, such as an appreciation of family and of the everyday, is another. The small-space is ultimately our bodies, containing the only life we will ever have, so it’s wise to treat it well.
You must have read Lu You, the Chinese poet. He wrote the definitive book about the cultivation and preparation of tea, The Classic of Tea.
I am sure he was speaking of the small-space, and how it can enlarge our experience, when he wrote:
The clouds above us join and separate,
The breeze in the courtyard leaves and returns.
Life is like that, so why not relax?
Who can stop us from celebrating?
4.
POWDERY MILDEW
Dear Helen,
A teenager in England, who refused to eat anything but French fries, Pringles potato chips, white bread, and the occasional slice of ham, has gone blind because of his diet. We’re told this in today’s newspaper as a warning. It reads like a cautionary fairy tale or a myth.
In another section of the paper, we’re told that long-running discharge – not from the blind teenager, but from anywhere on our own bodies – needs to be checked, and soon.
There’s also advice from a pop singer who says he’s sorry for using drugs: When the odds are against you, keep fighting.
Against corrupt leaders, who are also greedy morons, I want to add. They continue their assault on the vulnerable, which includes the rest of us – the destruction of everyone’s ego-system continues apace.
Today’s paper seems to suggest we’re experiencing the disease at the end of civilization.
Thank goodness that you, Helen Chestnut, have a plan to rehabilitate a world stricken with this disease, which, in your gardening parlance, takes the form of eradicating powdery mildew. Get into the garden and clean up and clear out, you say. Plan for next season!
Because I’m in turmoil about the times we are living through, I’m needing more and more of the calm abidance that emanates from your columns. I’ve practised yoga for several years. You’d think I’d have been more equipped to find it by now.
5.
SHORT PLOT
Dear Helen,
I am hoping to overwinter. I will do this by listening carefully to everything you say during the months ahead. Overwintering can be about finding solutions to common problems, as you note in today’s column about the short plot. It will also constitute my attempt to come to terms with the dual realities – the everyday and the global – that have preoccupied me so much of late.
Your statement that a short plot is worth the effort again sounds like a metaphor to me – keeping things contained and manageable. Because my short plots – my writing about the nature of our lives – are tucked into a corner of last year, and the years before that. They continue to write themselves, and I continue to try and follow where they are going. But it’s hard sometimes!
I’m taking heart, though, or maybe I’m trying not to lose heart. Overwintering with you will be restorative, I think.
The short plot is really a big opening for the way good things can be seeded forward – like vegetables and love. And any life is a big memoir, if you think about it. Norwegian writer Karl Ove Knausgård tapped into this truth in his series of novels
titled My Struggle. But it’s all of our struggles, isn’t it? Seasonal short struggles, and rosary bits of joy along the way.
People are getting ready to abandon the conversation; this is becoming clear to me. It’s too hard to hold all the threads together: the climate, the refugees, the wars, the diseases, the songbirds’ extinction. It’s hard to get us to abandon old reasons for the way we’ve been living. And change is coming too changeably fast. We don’t know where the adze will fall next.
I’m not a natural gardener, though I could learn. Focus and patience are required, I think. My plan is to overwinter with you for a season, at least. Perhaps this conversation will flow into spring and summer, as well.
6.
THE FAR END
Dear Helen,
Today’s column – Tomatoes Turn Red at Far End
– gave me a thrill. I have wondered for most of my adult life where the far end is. Does your headline mean you know its exact location? Humankind has been asking this question for millennia.
Is death the far end? Or a portal into another dimension? Is it a relative term for where we personally reside on the space-time continuum, the one that stretches from our births to our deaths? Is there a longer far end, that we see in childhood, versus a nearer far end, that we see in old age?
You use the term with such authority, saying, "The far end