Angles
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About this ebook
'With freedom of movement and association seriously curtailed during lockdown, Carmel Macdonald Grahame and Karen Throssell found instead an opportunity for liberty of mind - to recollect, richly embroider, and feel into other lives and vistas. This book showcases the agile creativity - dress-up boxes of the imagination - of these two eloquent p
Carmel Macdonald Grahame
Carmel Macdonald Grahame is a Western Australian teacher and writer now living in Warrandyte, Victoria. Carmel has previously lived in Canada, London and Korea. Her short fiction, poetry, critical essays and reviews have been published in journals, periodicals and anthologies in Australia and in North America, and she has had three stage plays performed. She has a PhD in Australian literature, and for several years taught courses in literature and creative writing at secondary and tertiary levels in her home state of Western Australia. Personal Effects is her debut novel.
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Angles - Carmel Macdonald Grahame
ANGLES
CARMEL MACDONALD GRAHAME
KAREN THROSSELL
Ginninderra PressAngels
ISBN 978 1 76109 423 1
Copyright © text Carmel Macdonald Grahame
and Karen Throssell 2022
Cover: Bry Throssell
All rights reserved. No part of this ebook may be reproduced, distributed or transmitted in any form or by any means without the prior written permission of the copyright holder. Requests for permission should be sent to the publisher at the address below.
First published 2022 by
Ginninderra Press
PO Box 3461 Port Adelaide 5015
www.ginninderrapress.com.au
CONTENTS
Angles
Acknowledgements and Author Notes
ANGLES
Calendar
January always begins, like an eldest,
time starting with fireworks and kisses,
first of the first, standing over the year,
arms folded, laying claim to old ideas
about fresh starts and good intentions,
like a pastor assigning annual penance,
to which I objected conscientiously, well
before resolutions sounded like wish lists.
Anniversary month for us, of long ago
antique vows, made with fingers crossed.
Although, these days when he leaves
I miss him as much as then, but absence
creates unexpected possibilities, like time
to be sitting here sifting through language
that might describe this window light –
ambitious words, I want; precise, clear.
Which is why, at a nondescript minute,
I happen to be in this chair looking out
at this view, thesaurus open at lucid,
hearing this plane as it passes overhead,
and how this mudbrick cottage creaks…
I can smell patchouli, my fetish pen leaks –
all minutiae, but on the strength of which
another year has started climbing over me.
Carmel
Pretending to be Slow Loris
Limbo month, life on hold or upside down normally
bustling inland towns suburbs empty vacant void vacuous
they’ve left for the coast or hiding hibernating hunkering down in or on couches with cricket or cocktails drowsing dreaming or drunk
Where is all that panting traffic weary schoolkids at bus stops heads down tapping tapping? Local haunts shut stunning shocked patrons: no coffee library gym no friends all on the beach with the plumber mechanic sparky all of whom you need of course in January when even the machines go slow go on strike or surrender
Now once quiet coastal towns become swarming cities – roads footpaths cafés bustling jostling tiny shops chock full of eager shoppers street swarming with swanning strangers with their bare flesh sunglasses and ubiquitous phones…
January metamorphosis – city shell sloughed-off suits ties heels stockings – and underneath glum uniforms waiting to emerge are summer butterflies! Pink and red and green and orange
sundresses shorts frocks spread their wings, thongs slap happily
But unlike other butterflies who emerge gorgeous energised full of flighty excitement we emulate the languorous slow loris – slow down slow melt slow food fold flop flump sleep in and on beaches lounges decks with our Xmas books holiday movies and endless repeats of Grand Designs
We can smell the roses or resolve to smell the roses or at least notice the roses but all the time rose-blindness lurks in a corner of our minds the work corner still there despite all that slow loris drift and waft it’s there poised waiting…
These days even more insidious
little pocketful at beaches cafés walking trails
all full of holiday pretenders work blinking bleeping bullying…insistently reminding them of their real lives bustling away in their beach bags backpacks pockets…
A pocketful of meetings agendas memos discussion papers risk assessments quotes appraisals training schedules performance reviews Quality Control Best Practice…
A pocketful of spoilers – twitching chafing
quietly sabotaging slow loris
Karen
Black Is…
what Renoir called queen of colours,
beyond indigo, out past the spectrum,
where light is not and rainbows switch off;
a cliché of magic, vampires, witches’ cats;
shades of intellectuals and existentialists;
hallmark of modernity, elegance, restraint;
manifest as Doc Martens, pointy-toed patents,
crepe, lace, velvet; little-dress proverbial
like satin sheets on antique beds and raven hair;
lustrous as ebony and jet; key to sharps and flats
and half a game of chess; shape-taking darkness
in the ecliptic silhouettes of mountains, trees;
sombre as funeral suits and widow’s weeds,
but well-worn as leathers astride a Harley,
a warrior belt, the eye that follows the fist;
found in ocean trenches and underground,
the stuff of caves and mines preceding signs
of tunnel-ending light; growls as bleak despair;
the gravely named lost-box of airline tragedy;
that which fills holes in galaxies, astronomical
dark matter, those elusive enigmatic WIMPS*…
but down to earth as lists, plagues, markets;
often worn, still, for burying a loved one,
and in mourning, enduring symbol of grief;
and now, what will spill into this waiting house
at dead of night, when in the end I leave it.
But first: this pen, this ink.
Carmel
(* Weakly Interacting Massive Particles in Space)
Black
Once whispering green, rustic ochre,
Elegant marble and solid sandstone – transformed:
Torched rubble, scorched wasteland, ashen obliteration
Funeral garb, homage to the colour of sorrow.
We wear the grave, the endless night
We are memory’s dark shadows
Dogs, or the one that hounds
you drags you down into that pit
Black as no colour – when colour is joy
Stealth fills the midnight room. A nothing so thick
you can’t feel the walls
Tunnels, caves – no edges, no end…
No colours any more, I want them to turn black
Thunder is black:
Cannon roar, war drums
Coal and oil, old friends turned dark threat
Cities seethe with it – a huddle of black
Funeral gear for the deathly office
Cool uniforms for conformity and camouflage
The soothing balm of dark
after day’s white heat
City lights obliterated, snuffing out pretence
Slinking panthers, sleek stallions, glossy bears,
whip slither of black snakes
purple/black of prancing bower birds
Epitome of elegance, style
Minimal, functional – a wide-brimmed hat
and that little dress
The black skin of our first peoples
disparaged by pink invaders
whose skin blisters and peels under the blackfella sun
Black was the colour of my true love’s hair
The colour of mystery and magic
Old women stirring healing potions
with their friends – cats, bats and crows…
If there were no black night
there would be no new dawn
and you would never see the stars
Karen
You Yangs*
for Patrick
Startling aberration sprawling on the edge of that flat plain,
mystically looming, like an arm’s length Hanging Rock
He loved the name, it had to mean something significant
to the local Wathaurong, had to be a creation tale, a fallen star
pushed out of heaven and turned into an ugly lump,
an Icarus star, punished for flying too high…