Decade of the Brain: Poems
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About this ebook
In the deeply personal Decade of the Brain, Janine Joseph writes of a newly-naturalized American citizen who suffers from post-concussive memory loss after a major auto accident.
The collection is an odyssey of what it means to recover—physically and mentally—in the aftermath of trauma and traumatic brain injury, charting when “before” crosses into “after.” Through connected poems, buckling and expansive syntax, ekphrasis, and conjoined poetic forms, Decade of the Brain remembers and misremembers hospital visits, violence and bodily injury, intimate memories, immigration status, family members, and the self.
After the accident I turned out
all of the lights in the room while I watched,
concussed, from the mirror. I edged like a fever
with nothing on the tip of my tongue.
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Decade of the Brain - Janine Joseph
COUP-CONTRECOUP
I was at a low ebb when the ambulance
reversed along the gravel and the roar
traveled to Janine. For days the churned
rocks looped their sound until her brain
felt like the surf and the familiarity lulled
her to sleep. Lulled her in the hospital’s
machines, lulled her in the backyard
of her father’s home where she swayed
in suspension like the empty hammock
at first, then thrashed in the gale
like Odysseus lashed to the mass of me.
She could not tell you where I was though
the depths were in her. Wailing where
I waited were the sirens skirting the corner,
the vehicle still leagues away from rescue.
INTO THE GANZFELD
With my grief counselor I talk about hallucinating,
as a child, a double on the dashboard and my double
would say, Don’t you say a word,
though I’d already be looking past myself
and at the horizon of taillights reddening.
It is possible to have been this way even then.
Even then it is possible something split in me
the first time I lied myself a citizen.
At the tilt of a head, was I the young woman
or the old, the duck or the rabbit in the optical
illusion? After the accident I turned out
all of the lights in the room while I watched,
concussed, from the mirror. I edged like a fever
with nothing on the tip of my tongue.
SELF-PORTRAIT AROUND THE BENDS
INTAKE FORM
In the beginning, there was a window
I pried the blinds to make light
of my losses
I fished my hands into and shattered
the water
What a hook I was
doubled in the beginning
In the beginningMy mouth
and the gasp upon impact
The skull intact
and the brain increasing
activity where the neurons
didn’t die
Slowly I filled the form
X
X
X
My torso scored in order
of severity
only a diagram
FOUR DARKS IN RED
after Laura Jensen
Bad body is a hemorrhaging Rothko.
It drags like a laundry sack smearing
its unshowered oils across the wood floor.
Down the hall, bad body takes a break
like a bone. It balances its head
with a throbbing. Bad body complains
even the wind hurts. See how its hairs
rise when you get too close—
you are a zap of static. Bad body is so
negative. Bad body won’t get dressed.
It stands in the open hallway
refusing to lift its arms for the shirt.
Refuses to lift its legs for the shorts.
Bad body says maybe tomorrow.
Bad body says can’t you see I’m fatigued
in red and redder and black camouflage.
Bad body says don’t move, just listen,
just stop, wait a second, give me
a second. Bad body swells a bad grenade
brain, cupping now its ears from the pealing.
HOW TO EXPLAIN MY BECOMING
another person?
In every shell I heard myself chasing
my brothers on a