The Glory Gets
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About this ebook
Winner of the Harper Lee Award (2018)
In her three previous, award-winning collections of blues poetry, Honorée Fanonne Jeffers has explored themes of African American history, Southern culture, and intergenerational trauma. Now, in her fourth and most accomplished collection, Jeffers turns to the task of seeking and reconciling the blues and its three movements—identification, exploration, and resolution—with wisdom. Poems in The Glory Gets ask, "What happens on the road to wisdom? What now in this bewildering place?" Using the metaphor of "gets"—the concessional returns of living—Jeffers travels this fraught yet exhilarating journey, employing unexpected improvisations while navigating womanhood. The spirit and spirituality of her muse, the late poet Lucille Clifton, guide the poet through the treacherous territories other women have encountered and survived yet kept secret from their daughters. An online reader's companion will be available.
Honoree Fanonne Jeffers
Honorée Fanonne Jeffers is a fiction writer, poet, and essayist. She is the author of five poetry collections, including the 2020 collection The Age of Phillis, which won the NAACP Image Award for Outstanding Literary Work in Poetry and the Lenore Marshall Poetry Prize, was longlisted for the National Book Award for Poetry, and was a finalist for the PEN/Voelcker Award, the George Washington Prize, and the Los Angeles Times Book Prize. She was a contributor to The Fire This Time: A New Generation Speaks About Race, edited by Jesmyn Ward, and has been published in the Kenyon Review, Iowa Review, and other literary publications. Jeffers was elected into the American Antiquarian Society, whose members include fourteen U.S. presidents, and is Critic at Large for Kenyon Review. She teaches creative writing and literature at University of Oklahoma. The Love Songs of W. E. B. Du Bois is her first novel and was a New York Times bestseller, winner of the National Book Critics Circle Award for Fiction, longlisted for the National Book Award, shortlisted for the Center for Fiction First Novel Prize, a Finalist for the Kirkus Prize for Fiction, longlisted for the Aspen Words Literary Prize, and an Oprah Book Club Pick.
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The Glory Gets - Honoree Fanonne Jeffers
fear
SINGING COUNTER
after Hayes and Mary Turner, Valdosta, Georgia, May 1918
The rope, the tree,
the tired comparison to Jesus on the Cross. Avoid the tropes.
The metaphors.
This stands for that, but if no one black ever says that, how would
someone white learn
this? How would any of us? I desire the surprise of intellectual,
fractured lyrics.
Yet here I am, refusing refusal. Calling the mob out by name.
Not even safely—
as with an anonymous South—but uncomfortably. As with white
man by white man.
(I’m scared just saying it.) And locating each in case
you have trouble.
(My People are exceedingly patient.) There: the expected
poor, drunk one,
neck darkened in the field. He’s a nice cliché. But not the next:
a churchgoer
and father. A man who believes in Christ and the love of a virtuous
woman who fries
chicken for picnics and stirs up lemon cakes. After the lynching
he will continue
to believe and live his life in a good fashion. Beside him, his little boy,
smiling, his teeth
only beginning to loosen as he moves from baby to heir. He will grow,
remember his father’s
beauty, the godly meat in that chest. In the back of this crowd,
a young scholar
home from college, brought by his friends who wanted to see
if what their science
professor said was true, that niggers did not feel pain the same
as better men.
Too old for the rowdy festival, someone’s grandfather
remains at home.
An educated-in-the-North patrician who owns the newspaper
that later will run
the story. A savage raised his voice to a man. (One tenor
singing counter
to the other.) Or, he asked for his pay on Friday. Or, he
did not dance
when desired. Or, he did not step off the sidewalk for a