Earlier
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'If each life is a world, what is a world of billions of lives? Sweeping through evolutionary time, through the passage of ages, Rosanna Licari's Earlier looks back, applies its forensic gaze to an insistent, pervasive history of births and creations, human and other. Weaving threads and connections, Licari's poems investigate rich and
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Earlier - Rosanna E. Licari
EARLIER
ROSANNA LICARI
Ginninderra PressEarlier
ISBN 978 1 76109 469 9
Copyright © text Rosanna E. Licari 2023
Cover image: public domain pictures from Pixabay
All rights reserved. No part of this ebook may be reproduced, distributed or transmitted in any form or by any means without the prior written permission of the copyright holder. Requests for permission should be sent to the publisher at the address below.
First published 2023 by
Ginninderra Press
PO Box 3461 Port Adelaide 5015
www.ginninderrapress.com.au
CONTENTS
perhaps the loneliness wanted to share its darkness
no skullcap will fetter ideas
a bristling corpus that stretches and champs
the doctor will join my head, heart and life lines
the soft rain presses the day into eucalypt leaves and bark
a brisk wave slaps my face
Acknowledgements
For all that has come before
PERHAPS THE LONELINESS WANTED TO SHARE ITS DARKNESS
Earlier
after The Hymn of Creation, Rig Veda (10:129)
Perhaps, the loneliness wanted
to share its darkness,
to jounce its inert insomnia,
blow form into the shapeless nothing
that surrounded it.
So it spoke with a brilliance
that was wide and fierce.
The flame of a million stars.
Violence that creates
and destroys
and pleasures itself
with its own force, timbre and breath.
Then, a moving mass,
matter that slowly found its form
expanding into black,
dividing, forming and reforming into a planet:
a molten, metal-laced vat.
Chambers of magma collapsed
lava spread, hardened,
molecules aligned to form the blue
above and below.
Then the freeze, the thaw and refreeze,
a play of cycles.
The plants came,
in water they spawned then shifted to land.
In an act of longing,
ferns stretched and branched,
a hint of things to come.
The large humid mass that was forest
populated a vast continent
that would crack apart
as simply as a dry twig.
Those left behind in the shifting sea,
apertures filled with stomach and intestine,
brushed against the scales of fish
which were jammed with tiny
multiplying rainbows.
Elliptical bodies governed by fins and tail
sliced through water
then scurried onto sand, rock and earth
to begin a scion, forged
with muscle, tendon, bones,
to crawl, lift head and tongue
to smell the air and warm
on the soft clay
and from this, scripture’s hand
would mould us.
Feathers sprang from limbs
which became legs with claws, wings
spreading into the world of flight.
Then an egg transformed.
In a dark red womb,
a half met another to form
and divide inside a body
to build tissue, veins, blood
a beating heart −
the muscle of life.
And after, a whole
that was wet and shiny
slowly birthing head first.
Still attached to its mother
in anticipation of their separation
it would cry out.
Our ancestors looked up.
Above the trees,
the pleated clouds spread
into a fleece gaping with blue sky.
The tribe caught insects,
ate them with the fruit
that hung from branches and vines.
They swang upside down,
then climbed to the ground
and stepped out
with a bipedal stride,
past the roar and screech
of the other animals.
They gripped flint spears
and but for pelage, walked naked
through wind and savannah,
their dark eyes fixed on the horizon.
The Line
after The divided unity, Brett Whiteley, 1973
Inside each frame
division is in thirds.
One equals sky, the rest, sea.
Not favouring pure imitation,
suggestion is all that is needed.
The line goes forward
as a beginning
then curves freely right and left.
A nod towards the Japanese.
A flowing wrist movement
builds foam-edged waves
unscrolling like paper.
The sky is
an extension of water.
Wet inky lines:
curved,
twisting,
hyphenated.
Drifters
A mass of water
churns tropical waters,
reaching a