Courting the Cowboy

By Carolyne Aarsen

Meeting the Cowboy's Family 

Looking for inspiration, artist Ella Langton rents a cabin in the isolated Porcupine Hills of Alberta. She didn't count on having neighbors, but rancher Cord Walsh and his three children are just a stone's throw away. Still healing from a tragic accident, Ella has no plans of reaching out, but she's having a hard time keeping them out of her yard and her thoughts. And when little Suzy ropes Ella into helping her with an art project, she can't help her growing feelings for the girl's rugged daddy. With three persistent children, Cord and Ella may find their fenced-off hearts opening up sooner than they thought!

• Language: English
• Publisher: Open Road Integrated Media
• Release date: Feb 1, 2017
• ISBN: 9781488018114

Carolyne Aarsen

Carolyne Aarsen lives in Northern Alberta where she was born, raised and married and has raised four children and numerous foster children. Carolyne's writing has been honed between being a stay-at-home mother, housewife, gardener, crafter columnist and business partner with her husband in their cattle farm and logging business. Writing for Love Inspired has given her the chance to combine her love of romance writing with her love for the Lord.

Book preview

Chapter One

Ella tossed the pencil onto the kitchen counter with a clatter, glaring at the doodles on her sketch pad. She’d been working all morning trying to capture the image in her mind but all she could create was pages of dark scribbles, a grocery list and a cartoon of her dog. None of which bore any resemblance to the eerie forest she had envisioned.

It used to come easier.

Before.

She shook off the thoughts and closed her sketch pad. If you’ve got nothing, you’ve got nothing. Move, get out and get something.

The voice of her art instructor in her head wasn’t any consolation. Ella had been painting and producing for years and she’d never had...nothing. It was mostly the past two years that she felt empty and uninspired.

She thought moving to this cabin, nestled in the Porcupine Hills of Alberta, would jump-start her moribund creativity. The low price was perfect for her. Her reduced income, thanks to her inactive creative life, had narrowed her options. When her mother called her to tell her about this place she encouraged Ella to take it.

Behind her mother’s suggestion was the unsubtle hint that Ella start producing. Ella knew what was on the line. She had applied to L’école des Arts Créatifs, an art school attached to a prominent art gallery in Montreal for a position as a teacher. One of the conditions was that she come up with a series of new works for the gallery.

So Ella signed a six-month lease on the cabin, packed up her apartment in Calgary and moved here.

That was when she discovered that the owner of the ranch where the cabin was located, an elderly man named Boyce Walsh, lived in town. And that his son and three young grandkids were the ones who lived in the other house on the yard. She didn’t need the distraction but by then it was too late to back out of the lease. She had given her notice at her other apartment, and other than moving in with her mother, which wasn’t an option at all, she had no recourse but to move.

Boyce had assured her the kids would leave her alone, and they did. It wasn’t that she didn’t like kids. But lately they created a sadness she didn’t want to face.

What do you figure, Pablo? she said to the dog lying on the floor at her feet as she slid off the stool she was perched on. Time for some coffee?

Pablo lifted his large head, his brown eyes staring at her as if trying to decide what he wanted, then unexpectedly he stood and trotted to the door, his bushy tail curved over his back as he released a single bark.

Ella got up to see what he was barking at, then frowned as she saw, through the glass window in the door, a flustered-looking young woman standing on her step. She wore snug blue jeans and a tight blue T-shirt that said Awesome Ends with Me. She had one hand on the shoulder of a young boy who seemed to be about seven and was all skinny arms and legs sticking out of cargo shorts and a button-down short-sleeved shirt. The younger girl beside him looked to be about six and was chewing on one end of a loose braid, her pink sundress hanging crooked on her tiny frame.

The children from the main ranch house down the road, she assumed, her heart taking a swan dive.

She sucked in a deep breath, stilled her rapidly beating heart and put on what she hoped was a pleasant expression as she opened the door.

Good afternoon, what can I do for you? she asked, looking directly at the young woman, her heart rate increasing even more when she noticed the toddler clinging to the woman’s hand, wispy blond hair framing a chubby face. Ella guessed he was two years old. Almost the same age—

She cut her thoughts off as the kids dropped to their knees in front of Pablo before she could warn them to be careful.

Oh, look at the dog.

She’s so pretty.

To Ella’s surprise, Pablo, who wasn’t used to children at all, closed his eyes and leaned in as they stroked his thick fur.

Paul. Suzy. Be careful. You don’t know what the dog will do, the young girl warned.

She’s really quiet. The boy, who Ella assumed was named Paul, looked from the young woman then up to Ella, flashing her a gap-toothed smile, his dark hair slicked down. What’s her name?

Actually he’s a he, he’s a Malamute and his name is Pablo. Her voice came out strained as she struggled to get a grip on her fluctuating emotions.

Well, miss, I need your help, the young woman was saying, flicking her long brown hair away from her face, her mouth working at her chewing gum while she spoke. I applied for another job and I’m supposed to start this afternoon.

So why are you telling me this?

My name is Adana by the way and I need you to watch the kids. I called Cord, the kids’ dad, and he said he would come right away but he’s not here and if I don’t go now I could lose this job. It’s a great office job and they’re hard to find in Cedar Ridge so I gotta go pronto or I’ll lose my chance.

Ella tried to keep up with her breathless chatter but all she caught was watch the kids.

No. She couldn’t do this. Not a chance.

But before she could say anything Adana knelt down in front of the toddler. Hey, Ollie, you be a good boy for— Adana looked up at Ella who was still trying to absorb what was going on. What’s your name again?

Ella Langton, she said automatically, her own emotions a tumble of pain and concern as she clasped her arms around her midsection struggling to articulate her protest. Pablo, however, was eating up the attention with low grunts of pleasure.

That’s just like Elsa except for the Langton part, the little girl called out, her smile broad and toothless. "From Frozen. Do you have a sister named Anna?"

So, kids, Miss Langton will be watching you, Adana said before Ella could tell Suzy that no, she didn’t have a sister. Paul and Suzy, you listen and take care of Ollie, okay? Your dad will be here right away. And remember, no cookies.

Wait a minute, Ella shouted as Adana spun around and jogged down the stairs. You can’t just leave—

Tell Cord I’m sorry. Her insincere apology floated in the breeze behind her as she hurried toward her vehicle.

Ella called out one more futile protest but Adana was already reversing out of the drive in her little red car, sending up a roiling cloud of dust as she sped toward the joint driveway leading to the road to town.

Ollie’s lower lip stuck out and his eyes welled with tears. But he didn’t make a sound, which made his sorrow even harder to deal with.

Can we come in? Suzy looked up at her, her cheeks pink and eyes bright with excitement. My grandpa said we’re not allowed to come into the house but I think it’s so cute. I just love it.

I... I don’t...know... she floundered, her head and heart battling with each other and an anger with Miss Adana swirling through it all.

Adana said my dad is coming right away, Suzy assured her as if she understood Ella’s hesitation. We won’t make a mess and we’ll make sure Ollie is quiet.

Ella’s gaze slid back to Ollie and the sight of him standing there, in silent misery, hooked into her wounded heart. A trembling began deep in her soul. She wanted to run. To leave.

But how could she with three small children looking up at her expectantly, one of them on the verge of tears?

Can we come in? Suzy pressed.

Ella looked behind her at the house that still held boxes from her move, then at the kids. I’m not completely moved in yet.

But Suzy seemed to assume that meant yes. She grabbed Ollie’s hand and dragged the reluctant toddler inside.

Do you have any snacks? Paul asked as he followed his sister, hands in his pockets, looking around the house.

Remember, Adana said no cookies, Suzy warned, one hand still clutching her little brother’s.

But Adana is gone, Paul said in a matter-of-fact voice. And Daddy isn’t here, either. He glanced over at Ella. My dad won’t let us have sweets.

Sorry, I don’t have any candy or anything like that, Ella said, still standing by the door, one arm clasped around her midsection, the other resting on Pablo’s head. She wished she didn’t feel uncomfortable around these little people. Ollie, especially, created an unwelcome rift in her heart.

Her dog released a gentle whine, then pulled away from her, padding toward the children.

Grandpa Walsh lets us have snacks when my daddy isn’t around, Paul said, stroking Pablo again, holding the dog’s massive head between his thin hands. He says my dad is too strict.

Then the sound of a truck snagged her attention as another vehicle roared onto her yard and stopped where Adana’s car had once been.

A tall man stepped out, slender, broad shoulders, cowboy hat, blue jeans and twill shirt rolled up over his forearms. He looked around, his head swiveling and then stopping when he noticed Ella standing in the doorway.

Are my kids with you? he called out.

The father, Ella guessed. Cord Walsh. She hadn’t met him, either, preferring to keep to herself.

They’re in the house, she said as he strode toward her.

He was taller than she had expected. Lean, his face shadowed by stubble, his eyes a piercing aqua and right now they were like lasers. His jaw was clenched, his hands balled into fists, swinging in time with his determined stride.

The children must have heard him because they came to stand beside her.

Where is Adana? he asked the kids, snatching Ollie up in his arms, cuddling him close. Why did she leave you guys here? His ice-blue eyes ticked over the kids and then landed on Ella as if it was her fault they were there.

She said she got a real job, Paul said in a matter-of-fact tone, seemingly unfazed by his father’s harsh voice, his narrowed eyes. And we were going to visit with Miss Ella and she has this cool dog.

Cord drew Ollie closer as the little boy, sensing his father’s anger, started crying in earnest, fat tears rolling down his cheeks, sobs spilling from his mouth.

It’s okay, buddy. I’ve got you. Cord’s voice melted immediately, turning soft and tender. He tucked the little head into his neck, pressing his cheek against the little boy’s.

The gesture and the soothing sound of his voice weaseled their way into Ella’s lonely soul. That a man could speak so gently to a child so soon after being seemingly consumed by anger surprised her.

She couldn’t keep her eyes off him or the child he held. And each created opposite emotions. Appeal and withdrawal.

She was about to look away when those eerily green eyes connected with hers. And for a moment something indefinable sparked between them.

She shook it off. Being married to Darren had taught her hard lessons about trust.

Then she stole another glimpse at the child in his arms, an even starker reminder of why she had to keep her distance. The churning in her stomach eased away any attraction he might hold. He had kids and there was no way she could travel down that road, her own grief snapping at her heels.

Paul. Suzy. We should get back to the house, Cord said to his children. You have homework to do.

But, Dad, she has a cool dog, Paul protested, then looked over at Ella. Please? Can we stay and play with Pablo? He grabbed her hand, looking up at her with pleading eyes.

Then before she could stop herself, she pulled her hand back from his. As soon as she saw the hurt look on his face she felt horrible. But her action was instinctive.

I’m sure Miss Langton has her own work to do, Cord said, coming unwittingly to her rescue, the narrowing of his eyes showing Ella that he had caught her retreat from his son.

She wanted to explain, but why bother? She would talk to Boyce. Ask him to please make sure the children didn’t come there again.

Cord rested a hand on Paul’s shoulder, easing him toward their house. Thanks for watching them, he said, his voice holding the faintest edge.

You don’t understand, she wanted to say, wishing she wasn’t so concerned about his opinion.

Instead Ella clasped her hands together and took a step back, giving him a tight nod.

Finally Cord left, holding Ollie in his arms, Paul and Suzy trailing along behind, looking back over their shoulders at Pablo.

Let’s go, Pablo, Ella said, holding the door open for him to come back into the house.

But he was whining softly, watching the children leave, his tail waving slowly as if telegraphing his regret.

Then before she could stop him, he bounded down the stairs after the kids.

Pablo, come back here, she called out, hurrying down the steps after him.

He hesitated but then Paul squealed his pleasure and ran toward the dog just as Pablo ran to meet him.

They collided and Paul went down. Pablo barked, straddling the boy, licking his face.

Cord spun around just at that moment and, from the look of horror on his face, Ella sensed what he was thinking and realized how it might look to him.

Pablo, heel, she called out.

Cord quickly set Ollie down and he wailed his protest as Cord hurried to where Paul and Pablo were wrestling. Paul was laughing and Suzy joined in.

Kids. Get away from that dog, Cord shouted as he reached out to catch Pablo’s collar.

Don’t, Ella yelled. Don’t grab him.

Cord listened just as Pablo jumped back and barked again. But he was facing Cord now and his bark held a tone of warning.

Please, Lord, let him listen, Ella prayed.

Pablo, heel, she called again as her dog faced down Cord. Heel.

Finally he heard her and returned to her side.

She grabbed him by the collar and turned his head to look at her, establishing her dominance over him. Down. Now.

He sat down, looking at her, awaiting further instructions.

I can’t say I like this situation, Cord said, his tone angry as he picked up Ollie, who was now sobbing his little heart out.

Ella knew anything she would have to say would be a waste of breath. Instead she turned back to the house, pulling Pablo along with her.

She was relieved that he behaved himself as she led him inside and closed the door, heaving out a sigh.

As first impressions went, that one was not good.

* * *

I love that dog, Paul said as Cord ushered his kids into his house, disappointed at how shaky he still felt. I wish we could have a dog.

You need to stay away from Miss Langton’s house, Cord said, frustrated at the harsh tone that edged his voice.

Cord’s own heart was still thundering in his chest at the memory of that huge dog straddling his son. Ollie must have sensed his fear because as soon as he picked up the little guy again, Ollie cried even louder.

Trouble was, his heart was pounding for another reason that he was loathe to acknowledge. Though he had heard about Ella from his grandfather, he had imagined someone a whole lot different. Someone artsy looking—and older.

Not a young woman with large, expressive brown eyes and auburn hair that seemed to glow.

He knew he’d been a jerk. Seeing her had created a confusing mix of emotions he knew he couldn’t indulge in. It was easier to make it sound like he was more worried about the dog than her.

He brushed aside the clothes his kids had draped over the couch and sat down. Cuddling his sobbing son, the reality of his situation drowned out any thoughts he might have of their attractive neighbor.

Adana had called at the worst possible time. Cord was hassling with the mayor, trying to get the wording of their grant application right. His uncle George was being difficult and wrangling with Helen, the group’s secretary, who was trying not to snap back at either of them. The meeting was falling apart and he could see the entire project going south.

And that couldn’t happen.

After Adana’s call he had tried to get hold of his father, but Boyce wasn’t answering his cell phone. Or he had left it behind, as he was prone to do. So Cord cut the stressful meeting short and hurried home, only to end up worrying about their new neighbor’s