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Women's Leadership in Music: Modes, Legacies, Alliances
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Various modes of women's contemporary cultural, social and political leadership can be found in music. Informed by different histories and culturally bound social mores but also by a comparative perspective, the contributors of this volume ask what can be considered leadership in culture from women's point of view. They deconstruct the notion of leadership as corporative and career-related modes of success by showing how women's agency, power and negotiation in and through music can and should be considered as empowering, transformative and role-modeling. By interweaving several disciplinary perspectives - from ethnomusicology, musicology and cultural management to sociology and anthropology - this volume aims to substantially contribute to the study of women's leadership.
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Titles in the series (60)
Vokale Performancekunst als feministische Praxis: Meredith Monk und das künstlerische Kräftefeld in Downtown New York, 1964-1979 Der hörbare Raum: Entdeckung, Erforschung und musikalische Gestaltung mit analoger Technologie Rating: 0 out of 5 stars0 ratingsUnlaute: Noise / Geräusch in Kultur, Medien und Wissenschaften seit 1900 Rating: 0 out of 5 stars0 ratingsBewegung in der Musik: Eine transdisziplinäre Perspektive auf ein musikimmanentes Phänomen Rating: 0 out of 5 stars0 ratingsMusik - Raum - Technik: Zur Entwicklung und Anwendung der graphischen Programmierumgebung »Max« Rating: 0 out of 5 stars0 ratingsGeräusch - das Andere der Musik: Untersuchungen an den Grenzen des Musikalischen Rating: 0 out of 5 stars0 ratingsMauricio Kagels Buenos Aires (1946-1957): Kulturpolitik - Künstlernetzwerk - Kompositionen Rating: 0 out of 5 stars0 ratingsMusik und Narration: Philosophische und musikästhetische Perspektiven Rating: 0 out of 5 stars0 ratingsVerkörperungen der Musik: Interdisziplinäre Betrachtungen Rating: 0 out of 5 stars0 ratingsMusik im Zeitalter der Globalisierung: Prozesse - Perspektiven - Stile Rating: 0 out of 5 stars0 ratingsMusik - Kolonialismus - Identität: José Figueroa Sanabia und die puerto-ricanische Gesellschaft 1925-1952 Rating: 0 out of 5 stars0 ratingsWissenskulturen der Musikwissenschaft: Generationen - Netzwerke - Denkstrukturen Rating: 0 out of 5 stars0 ratingsMusikalische Praxis als Lebensform: Sinnfindung und Wirklichkeitserfahrung beim Musizieren Rating: 0 out of 5 stars0 ratingsSpiel (mit) der Maschine: Musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio Rating: 0 out of 5 stars0 ratingsMashup in der Musik: Fremdreferenzielles Komponieren, Sound Sampling und Urheberrecht Rating: 0 out of 5 stars0 ratingsMusik als Medium der Erinnerung: Gedächtnis - Geschichte - Gegenwart Rating: 0 out of 5 stars0 ratingsKlang und Semantik in der Musik des 20. und 21. Jahrhunderts Rating: 0 out of 5 stars0 ratingsMusik und Körper: Interdisziplinäre Dialoge zum körperlichen Erleben und Verstehen von Musik Rating: 0 out of 5 stars0 ratingsKultsounds: Die prägendsten Klänge der Popmusik 1960-2014 Rating: 0 out of 5 stars0 ratingsGegenwart und Zukunft des Musiktheaters: Theorien, Analysen, Positionen Rating: 0 out of 5 stars0 ratingsMusikgeschichte ohne Markennamen: Soziologie und Ästhetik des Klavierquintetts Rating: 0 out of 5 stars0 ratingsCurating Contemporary Music Festivals: A New Perspective on Music's Mediation Rating: 0 out of 5 stars0 ratingsMusic Practices Across Borders: (E)Valuating Space, Diversity and Exchange Rating: 0 out of 5 stars0 ratingsDer Klang der Vernunft: Eine Philosophie Neuer Musik Rating: 0 out of 5 stars0 ratingsWas sind Sounds?: Eine Ontologie des Klangs Rating: 0 out of 5 stars0 ratingsDer komponierte Raum: Luigi Nonos »Prometeo, tragedia dell'ascolto« Rating: 0 out of 5 stars0 ratingsWie klingt es im »Paradies«?: Deutschsprachige Reiseberichte als Quellen zur Musikgeschichte Brasiliens im 19. Jahrhundert Rating: 0 out of 5 stars0 ratingsTanzmusik in der DDR: Dresdner Musiker zwischen Kulturpolitik und internationalem Musikmarkt, 1945-1961 Rating: 0 out of 5 stars0 ratings
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