Ai Weiwei: Sunflower Seeds
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Ai Weiwei - Juliet Bingham
JULIET BINGHAM
INTRODUCTION
Ai Weiwei in Jingdezhen, southern China, 2010
1
Studio House, Beijing 1999
Instead of putting a personal mark on something as an artist, you set up a structure, you make room for possibilities.¹
Ai Weiwei’s house and studio complex, FAKE Design, is located in Beijing’s northeast Caochangdi district, a semi-industrial area near the city’s fifth ring road and not far from Beijing Capital International Airport. The studio bustles with activity day and night, while at its centre Ai’s nonchalant presence belies his radical thinking and incessant output. The constant stream of visitors to the studio includes musicians, actors, collectors, curators, architects, academics, fashion designers, journalists and film crews, many of whom are informally photographed by Ai and their images posted directly onto the internet, part of his approach to making his life and art transparent.
Before it was shut down by the Chinese authorities in May 2009, Ai had a popular blog on which he posted thousands of documentary images of his life alongside poignant social and political commentaries. He now avidly uses Twitter, on which he currently has over fifty thousand followers, to communicate his philosophical and political views.² A number of assistants live within the studio compound in their own apartments, while others arrive each day to work on various projects, from Ai’s ongoing citizen’s investigation into the thousands of children who