Dream Witchery: Folk Magic, Recipes & Spells from South America for Witches & Brujas

By Elhoim Leafar

Experience the Magic of the Dream World Through South American Witchcraft

Venezuelan practitioner Elhoim Leafar presents more than seventy spells, charms, folk remedies, and exercises to help you understand the world of dreams. With his wealth of experience, Elhoim demonstrates what dream witchery is, why it's important, and how to practice it.

This esoteric compendium teaches you many aspects of dream work, including how to use dream altars, journals, pillows, herbs, crystals, incense, and oils. You'll learn how to interpret dreams, practice lucid dreaming, communicate with spirit guides, and protect yourself through it all. Elhoim shares activities and stories specially chosen to help you develop your mediumship and clairvoyance, perform rituals, create infusions, and more. Dream Witchery also features spells from over fifteen contributors who specialize in Wicca, Hoodoo, and Brazilian and Cuban folk traditions. You'll meet:

Ariana Carrasca • Oncle Ben • Maria Elena U. • Miss Aida • J. Allen Cross • Lorraine Monteagut • Hector Salva • Laura González • Phoenix Coffin Williams • Jennifer Sacasa-Wright • Dawn Aurora Hunt • Alysha Kravetz • Mira A. Gade • Laura Davila • Emma Kathryn • Temperance Alden • Mawiyah Kai EL-Jamah Bomani • Ella Harrison

• Language: English
• Publisher: Llewellyn Worldwide
• Release date: Dec 8, 2023
• ISBN: 9780738774862

Elhoim Leafar

Elhoim Leafar (New York City, NY) is an astrologer, dowser, and traditional shaman who also serves as an author, blogger, and regular columnist for national and international publications. He became a practitioner of the Afro-Caribbean religion Yoruba at age sixteen, teaches courses and workshops, and has participated in various cultural projects in Venezuela. Visit him at www.ElhoimLeafar.com.

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Copyright Information

Dream Witchery: Folk Magic, Recipes & Spells from South America for Witches & Brujas Copyright © 2023 by Elhoim Leafar.

All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Llewellyn Worldwide Ltd., except in the form of brief quotations embodied in critical articles and reviews.

As the purchaser of this e-book, you are granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means.

Any unauthorized usage of the text without express written permission of the publisher is a violation of the author’s copyright and is illegal and punishable by law.

Photography is used for illustrative purposes only. The persons depicted may not endorse or represent the book’s subject.

First e-book edition © 2023

E-book ISBN: 9780738774862

Book design by Christine Ha

Cover design by Kevin Brown

Interior art by David F. Dagnino (pages 15, 40, 62, 72, 88, 100, 107, 123, 137, 153, 155, 156, 165, 179, 192, 206, 221, 239, 267, 299, 310, 333)

Llewellyn Publications is an imprint of Llewellyn Worldwide Ltd.

Library of Congress Cataloging-in-Publication Data is on file with the Library of Congress

ISBN: 978-0-7387-7475-6

Llewellyn Publications does not participate in, endorse, or have any authority or responsibility concerning private business arrangements between our authors and the public.

Any Internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific reference will continue or be maintained. Please refer to the publisher’s website for links to current author websites.

Llewellyn Publications

Llewellyn Worldwide Ltd.

2143 Wooddale Drive

Woodbury, MN 55125

www.llewellyn.com

Manufactured in the United States of America

Hey, Tribu, each and every one of you.

This work is for you.

Dedication

To all those who have been marginalized, ignored, mocked, exiled, and trampled on—to all those who have ever felt cornered in fear—you are not alone, you are not a burden, you are not difficult to love, and you are not out of place. Do not let anyone make you doubt who you are or how valuable you are.

And to all those in my coven—extended, beautiful, sacred, and eternal family.

David, if I had to emigrate again, drop everything and start all over again, as long as it was with you, I wouldn’t think twice.

Disclaimer

The publisher and author assume no liability for any injuries caused to the reader that may result from the reader’s use of content contained in this publication and recommend common sense when contemplating the practices described in the work. In the following pages you will find recommendations for the use of certain essential oils, incense blends, and ritual items. If you are allergic to any items used in the rituals, please refrain from use. Magical work is not meant to replace the care of a qualified medical professional.

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Contents

Exercises & Recipes

Dream Magic Insight: Contributor Spells

Tribal Tales

Disclaimer on Ethics & Morality

Acknowledgments

Introduction

PART I: The Experience of the Dream

Chapter 1: Brujas, Witches & Dreams

Chapter 2: The Biggest Realm

Chapter 3: The Fine Art of Dream Interpretation

Chapter 4: Dream Spirit Guides

Chapter 5: Lucid Dreaming & Dream Walking

Chapter 6: Dream Communication

Chapter 7: Dream Protection

Chapter 8: Dreamers & Shapeshifters (and Their South American Folklore)

PART 2: Enhancing and Working with the Dream

Chapter 9: Dream Journal

Chapter 10 Dream Altar

Chapter 11: Moon Phases & Dreaming

Chapter 12: Dream Pillow

Chapter 13: Dream Herbs & Plants

Chapter 14: Dream Incense, Resins & Oils

Chapter 15: Dream Gems & Crystals

Chapter 16: Dream Spells

Chapter 17: Dream Healers (Curanderos & Yerbateros)

Conclusion

Recommended Reading

Witchery Glossary

Guest Spellcasters

Image Description List

Bibliography

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Exercises & Recipes

Introduction

Ritual Cleansing Against All Evil

Manifestation Spell

Chapter 1: Brujas, Witches & Dreams

Conscious Bilocation

The Maze

Chapter 2: The Biggest Realm

A Spell Bag to Guide Your (and Other People’s) Dreams

Chapter 3: The Fine Art of Dream Interpretation

Moon Incense to Remember Dreams

Chapter 4: Dream Spirit Guides

Summoning a Guardian Spirit

Conjuring the Kabis

Advanced Method of Conjuring

Chapter 5: Lucid Dreaming & Dream Walking

Dream Map

Herbal Dream Tea for Lucid Dreaming

Charm Bag or Incense to Promote Lucid Dreaming

Herbal Bath Infusion to Sleep Well and Deep

Lucid Dreaming Tonic

Intuition Flower Tea

An Intuition Potion

The Perfect Charm Bag for a Dream Walker

Incense Bottled for the Altar of Dream Walkers

Scrying Spell with Fire and Water (to Perform after Dream Walking)

Chapter 6: Dream Communication

Visualization, Part I

Visualization, Part II

Chapter 7: Dream Protection

Incense to Protect Yourself Against Psychic Attacks

An Incense Formula You Need to Try

Venezuelan Old Folk Spell Against a Bad Witch

Chapter 8: Dreamers & Shapeshifters (and Their South American Folklore)

Shapeshifter Ritual

Kalinago Night Vision Magic

Chapter 9: Dream Journal

A Little Dream Journal Ritual

Journal Herbal Mix

Chapter 10: Dream Altar

Ritual to Activate the Altar

Chapter 11: Moon Phases & Dreaming

Dream Time Exercise

Tracking Your Sleep with the Moon Phases

Moon Phase Rituals

Dream Visions Moon Cycle Mojo (21-Day Spell)

Chapter 12: Dream Pillow

Creating a Dream Pillow

Prophetic Dream Pillow

Consecration Ritual

Chapter 13: Dream Herbs & Plants

Mugwort Infusion for Sleeping and Dreaming

Mugwort Clay Doll Spell

Spell to Appear in the Dreams of a Beloved One

Magic Dream of Walpurgis Ritual

Coven Clairvoyance Ritual Invocation

Chapter 14: Dream Incense, Resins & Oils

Method for Burning Homemade Herbal Incense

Incense of Dreams

Incense to Manifest Prophetic Dreams

Incense to Drive Away Nightmares

Incense to Sleep

Incense to Dream Five Nights

Incense of Dreams Gift

Jar of Dream Incense Spell

Ritual to Enchant and Protect the Witch’s Room, Version I

Ritual to Enchant and Protect the Witch’s Room, Version II

Essential Oil Mixture to Protect Your Dreams

New Moon Dream Bath

Crescent Moon Dream Bath

Full Moon Dream Bath

Waning Moon Dream Bath

Relaxing Mind Bath to Dream Deep

Chapter 15: Dream Gems & Crystals

Moonstone-Charged Oil

A Crystal Mojo Bag

Chapter 16: Dream Spells

Charm Bag to Inspire Romantic Dreams

Charm Bag to Focus Better in Your Dreams

Charm Bag for Prophetic Dreams

Charm Bag for Sweet Dreams

Easy Enchantments

Bath Ritual for Dream Lovers

Bath to Unlock Your Mind

Bath for Dream Visions

Soap to Have Beautiful and Happy Dreams

Sleep Spell for a Child

Consecrated Rope for Sleeping

Pyramid Candle Spell

A Spell to Send Sweet Dreams to Someone

To Manifest Erotic Dreams

Chapter 17: Dream Healers (Curanderos & Yerbateros)

Dream Healing

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Contributor Spells

Chapter 1: Brujas, Witches & Dreams

Restful Sleep Tea × Dawn Aurora Hunt

Chapter 2: The Biggest Realm

The Art of Dream/ Astral Travel of the Masques × Oncle Ben

Chapter 3: The Fine Art of Dream Interpretation

Dream Interpretation Spell × Temperance Alden

Chapter 4: Dream Spirit Guides

Charm Bag to Meet Your Familiar in Your Dreams × Ariana Carrasca

Chapter 5: Lucid Dreaming & Dream Walking

Para Ayudar a Conciliar el Sueño (Rest Dream Spell) × Maria Elena U.

Chapter 6: Dream Communication

Know Your Enemy’s Plan in Advance × Miss Aida

Chapter 7: Dream Protection

Dream Protection Spell × J. Allen Cross

Chapter 8: Dreamers & Shapeshifters (and Their South American Folklore)

Sleep Protection Spell × Rev. Laura González

Chapter 9: Dream Journal

Guardian of Dreams: A Journal Consecration Ritual× Ella Harrison

Chapter 10: Dream Altar

The Dream Altar × Lorraine Monteagut, PhD

Chapter 11: Moon Phases & Dreaming

Luna Lunita for Getting More Money × Hector Salva

Chapter 12: Dream Pillow

Dream Pillow to Travel the Astral World × Phoenix Coffin Williams

Lavender Dream Pillow Spell × Jennifer Sacasa-Wright

Chapter 13: Dream Herbs & Plants

A Sleeping Spell to Aid in Plant Communication × Emma Kathryn

Chapter 14: Dream Incense, Resins & Oils

Herbal Smoke Meditation to Increase Dreams and Visions × Aly Kravetz a.k.a. The BronxWitch

Chapter 15: Dream Gems & Crystals

Quartz Amulet to Protect Your Mind × Mira A. Gade

Chapter 16: Dream Spells

Night Pleasure Bath and Exploration × Mawiyah Kai EL-Jamah Bomani

Chapter 17: Dream Healers (Curanderos & Yerbateros)

Ritual de San Jose Dormido × Laura Davila

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Tribal Tales

Chapter 1: Brujas, Witches & Dreams

The Wayúu People and Guajiro People

Chapter 2: The Biggest Realm

The Initiation Rites of the Amazon (Os Ritos Iniciáticos da Amazônia)

Chapter 3: The Fine Art of Dream Interpretation

The Ciparacoto / Los Indios de la Costa

Chapter 4: Dream Spirit Guides

Pacahuara People

Chapter 5: Lucid Dreaming & Dream Walking

Ona People / Onawo or Selk’nam / The Shamans

Chapter 6: Dream Communication

The Yanomami People

Chapter 7: Dream Protection

Yagán People / Yámana or Tequenica

Quechua People / los Añu

Chapter 8: Dreamers & Shapeshifters (and Their South American Folklore)

The Hag & the Dreaming Witches of Trinidad & Tobago

Chapter 9: Dream Journal

Hotï People

Chapter 10: Dream Altar

Chácobo People

Chapter 11: Moon Phases & Dreaming

Kalinago People / Island Caribs / Los Indios Caribe

Chapter 12: Dream Pillow

The Initiation Circle of Paorima

Chapter 13: Dream Herbs & Plants

The Mataco or Wichí

Chapter 14: Dream Incense, Resins & Oils

Inga People / The Ayahuasqueros

Chapter 15: Dream Gems & Crystals

The Initiatory Rites of Camora

Chapter 16: Dream Spells

A Venezuelan Folk History about Mirrors and Magic

Chapter 17: Dream Healers (Curanderos & Yerbateros)

Karajá People / Iny

Disclaimer on Ethics & Morality

In modern witchcraft and magic, especially in Western magic, we have continual conversations about the ethics and use of esoteric arts for the benefit of others with regard to people’s consent. An example of this is the saying Don’t cast a spell on someone, even to their benefit, without the person’s prior consent.

In contrast, in Venezuela we say, "Quien te mira en aprietos y ofrece ayudarte simplemente está esperando un no por respuesta, el que quiere ayudarte, va y te ayuda sin preguntar. This is translated as Whoever looks at you in trouble and offers to help you is simply waiting for a no for an answer, whoever wants to help you goes and helps without asking."

As someone born and raised in South America, I wrote this book on the magic of dreams to reflect the perspective and tradition of our Hispanic people. In that tradition, consent regarding the use of spells and rituals, as long as they are done with good intentions, is not part of our discussions or traditions.

Receiving people’s consent or asking permission to help is not something in our vocabulary or in our books. It is not part of our culture to ask someone in an overwhelming situation or in trouble whether or not they want our help. We would not ask someone who is thirsty if they want water and then simply sit idly by while the person collapses, dehydrated, in front of us if they refuse help.

Our Latin American and Caribbean esoteric traditions descend mostly from Indigenous peoples, native slaves, or pirates fleeing the system. Our magic is a reflection of those who made use of different spells and recipes to help anyone who might need it because, for them, there was a common enemy: the invading white European man and his ideas of racial identity, colonialism, and Christianity.

Throughout the book you will find language in the recipes such as if you want to use this spell to help someone without the person knowing … It is up to the reader, based on maturity and their individual ethics, whether or not to consult with the person affected or seeking help.

Once again, this book was not written to reflect contemporary American or Western aspects of modern magic and witchcraft but to share the authentic rituals and esoteric traditions of South America as they are performed by their sorcerers and brujos. Therefore, and to reiterate, asking someone if they need help is culturally and ethically considered rude.

Acknowledgments

To the incredible and talented team at Llewellyn for making this possible, for the trust in this work, for their enormous dedication and respect for my work, and for allowing me to make the book that I would have wanted to have in my hands when I was growing up, a book that will represent me and my people.

To Heather Greene and Stephanie Finne for helping me materialize this work that I spent so many years trying to get out there. Only those in the heavens know how difficult it must be to edit my complicated ideas and put them in order. You made it possible.

Infinitas Gracias!

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Introduction

It was a terrible day at military school with the usual bullies. A couple of seniors locked me in one of the bathroom stalls; I couldn’t fight them. I spent four hours locked in the cubicle before the kind janitor found me and let me out. Parents had already picked up their children from school, and those classmates who locked me in told my dad that I left early, so he left without picking me up.

I walked for hours, arriving home hungry and physically and mentally exhausted, without even the desire to cry. I just wanted to shower and go to sleep, and that’s what I did.

The next morning, I wrote in my journal—an old blank notebook that I covered with some pieces of cloth from my mom’s workshop:

I dreamed with many numbers last night. I don’t know what they mean. I dreamed that I was flying very high among the clouds and my hands could stretch so much that I felt like I could touch the moon. It was a gigantic moon, and I was flying so high that I couldn’t see the moon above me but at my same height. A long piece of cloth was tied around my neck, and looking down there was sea, water, waves, many waves. The water reflected the dark night and the full moon next to me.

A lady with bronze or copper-colored skin danced on the waves, but I did not listen to the music. She danced with open arms and a huge circle of golden fire formed around her. She and the circle remained on the waves, and behind her I only saw clouds, many white clouds, as white as the moon.

Naturally I thought that the copper and bronze lady was Yemaya, the goddess that my mother always invoked on the beach. I was only twelve years old, and I didn’t know what it meant, but I guessed that a goddess was taking care of me.

Thirteen years later, I found myself in the United States, in what would become my new home, after a long, exhausting trip from Venezuela. It was around 7:00 p.m. after a busy day. I had already filled four pages of my diary (now virtual from my smartphone). I had barely eaten half a sandwich at the airport. A few hours before I was in Atlanta, Georgia, then I had to endure the most complicated transfer ever to take the flight to New York.

On the plane from Georgia, the man sitting next to me seemed to know all the flight attendants. He helped me put my luggage above the seat. He kindly offered me the window. I was happy because this was my first time traveling to the United States, and I wanted to enjoy the view.

Suddenly, everyone was looking out the windows. I was half asleep but still could hear everyone murmuring, and curiosity sucked me in. I looked out the window and was overtaken with awe. Oh my Goddess, I thought. I had completely forgotten that it was the day of the lunar eclipse. You can’t imagine how big the moon looked from the plane window. The man sitting next to me, who at that point I was guessing was the plane’s marshal, was looking past me to see what the excitement was about too. I managed to tell him, in my limited English, Lunar eclipse tonight. He responded with a curt, Oh, thank you.

I looked at the moon and how impressive it was—right next to me. We seemed to be at the same height, and when I got a little closer to the glass, I could see the clouds below us and under the clouds a dark sea. At that moment, the flight attendant announced something on the plane’s speaker. I couldn’t hear what it was, but everyone seemed to be happy. Apparently, as I finally learned, we were going to arrive at the airport in good time. Was it possible that I had taken the only flight in the history of flights that did not suffer from a delay?

As we descended very slowly into New York City, I was once again surprised by the beautiful sight of the city, with its impressive bridges and huge lights. Then, I heard everyone murmuring once again with excitement. There, in the water, stood a beautiful lady with her huge crown and a torch in her hand. She looked forward with such an imposing presence. I wondered aloud what that statue represented. What was it? The man next to me told me that it was the Statue of Liberty, who welcomes the passengers.

Witches say that when you are looking for something, something is out there sitting and waiting for you. Clearly there was a goddess out there waiting for my arrival, sending moments and memories in the form of night visions to me. It was not the same goddess that I thought it would be but was instead another of the multiple manifestations of the universal feminine creative energy, who was the goddess of immigrants. She welcomed me with open arms in the middle of the night of the lunar eclipse in the Big Apple. Printed in bronze inside the statue’s pedestal is the poem The New Colossus, written by Emma Lazarus in 1883:

Not like the brazen giant of Greek fame,

With conquering limbs astride from land to land;

Here at our sea-washed, sunset gates shall stand

A mighty woman with a torch, whose flame

Is the imprisoned lightning, and her name

Mother of Exiles. From her beacon-hand

Glows world-wide welcome; her mild eyes command

The air-bridged harbor that twin cities frame.

Keep, ancient lands, your storied pomp! cries she

With silent lips. "Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tost to me,

I lift my lamp beside the golden door!¹

Eight years have passed since that trip, since that dream finally manifested into reality. Living in the United States has not only led me to learn a new language but also to discover other forms of witchcraft, to connect with other witches with different experiences and knowledge, and most importantly, it has forced me to search and discover even deeper connections with my own craft, with my roots, and with my ancestors.

In the field of witchcraft, there are many books with vague references to what we practice in South America, which is my own way of encompassing the countries connected to the Amazon. They often discuss how witches in South America do this or that. However, these books are written by authors who don’t speak our languages and have never set foot in our countries or only spent a few weeks of vacation there. This frustrates and angers me, which is always followed by another thought: authors write these books because they know that someone else wants to read it or someone else is curious about the subject. This last thought was the motivation for me sitting down for long hours to write between jobs, repeating to myself, Okay. You guys want to read about this? Well, I’m going to make you read everything you don’t know about our practices—starting with the dreamworld.

A Window to the World Beyond the World

In South America, our families, most of whom descended from Indigenous peoples and slaves, have developed enormous religious, mystical, and spiritual practices around the subject of dreams. Although this can be read as an overgeneralization, the truth is that many of our native practices are similar. Before colonial times, a large percentage of our Indigenous peoples were navigators in small canoes. Those native Indigenous groups, from which the Wayúu, Arawak, and Taino peoples originated from, to just mention a few, were not precisely limited to a single place. Their influence covered much of South America before the settlers arrived, and their religious and esoteric practices, as well as their initiation rites, found a way to prevail over time by adapting and hiding in folklore and oral tradition.

For the Indigenous and later the enslaved peoples, dreams were not limited to predicting future events. Instead, dreams were mostly a window to the world beyond the world where gods, ancestors, elemental spirits, and the souls of all those who had departed from their physical body finally dwelled together. For these peoples, dreams were a magical escape between labyrinths of illusions where they could communicate with their ancestors, hide secrets that could only be revealed from there, and even move between worlds and bodies. For example, brujas Wachi in Colombia possess the bodies of the youngest people while they sleep. There’s also brujas Macici in Venezuela who, when sleeping, release their spirits through their mouths and travel by possessing the bodies of nocturnal birds and pumas in order to spy on their enemies and keep evil spirits away.

When you live most of your life in your country of origin, you learn and practice and become initiated into the esoteric practices and rites of that land, so it is only a matter of time before you begin to take certain things for granted. When you emigrate to another place, you discover that those items in your suitcase can get lost at the airport and the only thing that really matters, and has more value, is what you know, what you have lived, what you have learned. You then give greater value to these old teachings. That was what happened to me when I arrived in the United States. After several years, I understood that many of the experiences and much of the knowledge that I took for granted are for many the engine of their spiritual search.

The peoples of South America are a people who—like many others—were conquered and enslaved, and although the settlers forced their language and culture on us, we became independent. We tamed the language and made it our own. We enriched it, we nurtured it with our different accents and cultures, and we added our own words and our own pronunciation. Just as it happened with the language, it also happened with our religious practices. Catholicism was imposed by the evangelizers, but after several years, and thanks to religious secretism as well as to the modern decolonizers of our history, we have found the return to our roots, and this empowered us.

Even being so different from each other, Latin Americans master our language, our magic, our gastronomy, and our religious faith. This book was made to represent how rich our culture is and how powerful our roots are, which connect us directly with the Pachamama and with the spirits of the earth, with the deities of the mountain, with the gods that our ancestors venerated, and with the gods of the river that change shape and the goddesses of the stars that wear crowns of wheat and dresses made of feathers and fur.

About This Book

This is not just another dream book but rather a complete esoteric compendium on dream magic and its applications from a South American perspective. In those countries, witchcraft is not only seen as a magical religion based on fertility and the celebration of natural cycles but also a powerful tool that includes centuries of practice and learning from the hands of slaves, witches, outcasts, exiles, and priests of Indigenous tribes. Collectively these peoples have made use of these magical tools in the form of spells and amulets to liberate their families and communities against the colonizer, against the oppressor, and against the abusive monarch.

In the end, what is brujeria or witchcraft for our peoples? It is another way of telling our stories and myths masked as spells and perfumed with oils and powders to free the weak and the oppressed from abusive arms.

As you read this book, you will discover that I deal with the subject of dreams as an instrument of mediumship. It is an aspect of magic that is vitally important but not sufficiently investigated or studied in sorcery. I will go beyond the manuals of dream interpretation and spells that just put objects under the pillow. I will show how dreams are an essential means of divination, clairvoyance, and precognition for witches, warlocks, and sorcerers. I will also show, from the spiritualist perspective, that dreams are a vision of our subconscious self that allows us to distract the mind enough to free it from the physical body and allow the spiritualist’s body to be possessed by a passing spirit that has been summoned.

As the book progresses, you will develop your own views on dreams and their magical applications in sorcery. You will also find many exercises and rituals, stories, folklore, legends, and a huge number of simple spells to perform at home or in a small patio, as well as rituals to be performed on specific dates in groups of two or more people. I also include concoctions, tisanes, and common herbal infusions to help you fall asleep and avoid insomnia, as well as instructions on making amulets at home.

Each chapter is punctuated with legends and short myths from different parts of South America, particularly those that have survived the oppression of Indigenous peoples by colonialism and the church. I gathered much of this information during conversations with priests, spiritual workers (shamans, healers, and witch doctors), as well as sorcerers from various parts of Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Guyana, Paraguay, Peru, Suriname, Trinidad and Tobago, Uruguay, and Venezuela.

Contributors

May your craft always be a representation of your intelligence and experience, not just a verbatim copy of the books you’ve read. It is for this reason that I decided to do something for this book that is often not valued in society: I asked for help and advice.

My magical work is a mixed representation of the places I have lived and the traditions I have been initiated into, and I have learned in the process from many different masters. Inviting some of them to collaborate here with me has been of vital importance, and each contributor added something new, something different, and, in turn, something vital that enhances the cultural experience that you can read in each line of this book.

These contributions, as varied as they are vital, led me to expand the scope of this book in order to find the perfect space for them. Our esoteric community is erroneously led by authors—we apparently get all the fame—and the leaders are really the booksellers, bloggers, YouTubers, podcasters, editors, and even the occasional event organizer. They act as our anchors, our cultural and social glue, and several of them were invited to collaborate on this project.

A Note about the Illustrations

To preserve the folkloric aspect and the particular texture of the book, the illustrations were made by David Dagnino (Venezuelan) and curated together with Elhoim Leafar. They represent and illustrate various everyday rituals and esoteric aspects of oral and traditional folklore that are culturally shared by several countries from South America and various Indigenous tribes in the region.

Many of the images used throughout the chapters of this book are reproduced and captioned in an Image Description List. You can find it at the back of this book.

Spells to Get Started

In magic and sorcery, the intention is important, but the intention is not everything. The passage from theory to practice is what separates the experts from the amateurs. Although accumulating knowledge is important, the experience is gained with the daily practice. To get into practice, here are two easy but functional exercises.

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Exercise

Ritual Cleansing Against All Evil

Sometimes the simplest methods are the most effective, and it is not always necessary to overelaborate to achieve the purpose we are seeking. In traditional spiritualism, we always say that before each ritual you must take a moment to carry out a spiritual cleansing, otherwise you will end up contaminating the entire ritual with your own energy. With that in mind, here is a simple cleansing ritual that you can carry out. My advice here is: if it is within your means, buy these ingredients in large quantities, store them in properly sealed glass bottles, and use them whenever you need them.

You will need:

White or purple candle in candleholder

Lavender incense cone

Lighter

One long willow stick that you can bend, between 1 to 2 feet (30.5 to 61 centimeters) long

Hemp yarn (always have enough yarn at hand)

Myrrh or frankincense essential oil

Handful of pins

Bouquet of dried chamomile flowers

Bouquet of dried lavender flowers

Light the candle and incense. Then bend the willow stick into a huge hoop. Moisten the hemp yarn with the oil and use it to tie the hoop.

Pin the chamomile and lavender flowers along the hoop until it is completely covered. Now pass the hoop through the smoke of the incense several times.

Place the consecrated ring on the ground and stand in it. Close your eyes for a minute and take a deep breath. Take the ring with both hands and pass it over your body from bottom to top five times, reciting:

Enchanted circle, cure me of all evil.

Enchanted circle, protect me from all evil.

Enchanted circle, heal me from the inside out.

Enchanted circle, protect me from outside and inside.

So be it.

Keep the hoop near your altar or sacred space. Add more flowers to it every so often to strengthen its magic and reuse it.

My personal recommendation is to never put out the incense; let it burn out instead. Be careful with the candles, though. Use glass jars for candles when they are very large, or put them out a couple of hours after the ritual to prevent fires.

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Exercise

Manifestation Spell

Suppose you are totally new to the esoteric field and this is one of your first metaphysical books. You do not call yourself a professional witch, and you do not have a large library full of books to show off on Instagram. You are a newbie, as we all are—even after about thirty years of practice. Try this exercise to manifest understanding in your path, to open your mind and identify those obstacles in the process of your magical work.

You will need:

White or yellow candle in candleholder (The candle can be small and simple or long and exuberant; just make sure it is white or yellow. These are colors that, at first glance, remind us of the tone of light at home.)

Lighter

Pencil and sheet of paper

Bay leaf

Heat-resistant saucer or small cauldron

Light the candle. Then take the pencil and write on the sheet of paper five reasons you think it is important for you to master your magic and learn to perform spells. For example, I feel that in this way I can connect more with divinity, I want to be able to understand my dreams, or I want to get a better job where my efforts are duly valued and rewarded.

Now place a bay leaf in the center of the paper. Yes, a simple and common bay leaf that you probably have in the kitchen. You don’t need to look for the sacred laurel that only grows at midnight on the outskirts of a mountain.

Now fold the paper around the leaf, as if it were an envelope. Be creative. You can roll it up like a sheet of parchment or fold it into triangles and squares. The important thing is that the bay leaf is completely covered and stored inside the paper.

Close your eyes for a moment with paper in hand. Meditate on what you have written and visualize the shape