Shakespeare´s orchards and the Rosalind-principle: IMPLICATIONS OF NATURE´S ROLE IN THE PLAYWRIGHT´S WORK
()
About this ebook
Related to Shakespeare´s orchards and the Rosalind-principle
Related ebooks
Scribes of Space: Place in Middle English Literature and Late Medieval Science Rating: 0 out of 5 stars0 ratingsThe Counterhuman Imaginary: Earthquakes, Lapdogs, and Traveling Coinage in Eighteenth-Century Literature Rating: 0 out of 5 stars0 ratingsShakespeare Dwelling: Designs for the Theater of Life Rating: 0 out of 5 stars0 ratingsAnimal Characters: Nonhuman Beings in Early Modern Literature Rating: 2 out of 5 stars2/5Communication: A House Seen from Everywhere Rating: 0 out of 5 stars0 ratingsAtmosphere, Mood, Stimmung: On a Hidden Potential of Literature Rating: 0 out of 5 stars0 ratingsEcosublime: Environmental Awe and Terror from New World to Oddworld Rating: 0 out of 5 stars0 ratingsAnimals and Other People: Literary Forms and Living Beings in the Long Eighteenth Century Rating: 0 out of 5 stars0 ratingsThe Uses Of Literature Rating: 4 out of 5 stars4/5Changes in the Land: Indians, Colonists, and the Ecology of New England Rating: 4 out of 5 stars4/5The Persistence of Memory: Organism, Myth, Text Rating: 3 out of 5 stars3/5Appalachian Ecocriticism and the Paradox of Place Rating: 0 out of 5 stars0 ratingsWriters on... Nature: A Book of Quotations, Poems and Literary Reflections Rating: 0 out of 5 stars0 ratingsThe Situationality of Human-Animal Relations: Perspectives from Anthropology and Philosophy Rating: 0 out of 5 stars0 ratingsGale Researcher Guide for: Robert Macfarlane and the New Nature Writing Rating: 0 out of 5 stars0 ratingsThe Universe is Intelligent. The Soul Exists. Quantum Mysteries, Multiverse, Entanglement, Synchronicity. Beyond Materiality, for a Spiritual Vision of the Cosmos.: Quantum mysteries, multiverse, entanglement, synchronicity. Beyond materiality, for a spiritual vision of the cosmos. Rating: 0 out of 5 stars0 ratingsFollow Me: Religion in Fantasy and Science Fiction Rating: 0 out of 5 stars0 ratingsOf Levinas and Shakespeare: "To See Another Thus" Rating: 0 out of 5 stars0 ratingsThe Disposition of Nature: Environmental Crisis and World Literature Rating: 0 out of 5 stars0 ratingsThe Fate of Place: A Philosophical History Rating: 0 out of 5 stars0 ratingsThe Quasar Enigmas Rating: 0 out of 5 stars0 ratingsLife and Literature in the Roman Republic Rating: 3 out of 5 stars3/5Site Reading: Fiction, Art, Social Form Rating: 0 out of 5 stars0 ratingsReal Presences Rating: 4 out of 5 stars4/5How the Spiritual World Projects into Physical Existence: The Influence of the Dead Rating: 0 out of 5 stars0 ratingsThe Evolution of the Dragon Rating: 0 out of 5 stars0 ratingsEssays of Schopenhauer Rating: 2 out of 5 stars2/5Nature's Sorrows and Nature's Joys: Poems for Reflection and Action Rating: 0 out of 5 stars0 ratingsLARB Digital Edition: Humanities Rating: 0 out of 5 stars0 ratings
Literary Criticism For You
The Book of Virtues Rating: 4 out of 5 stars4/5As I Lay Dying Rating: 4 out of 5 stars4/5Man's Search for Meaning: by Viktor E. Frankl | Conversation Starters Rating: 3 out of 5 stars3/5A Reader’s Companion to J.D. Salinger’s The Catcher in the Rye Rating: 4 out of 5 stars4/5Killers of the Flower Moon: by David Grann | Conversation Starters Rating: 3 out of 5 stars3/512 Rules For Life: by Jordan Peterson | Conversation Starters Rating: 4 out of 5 stars4/5The 48 Laws of Power: by Robert Greene | Conversation Starters Rating: 4 out of 5 stars4/5Letters to a Young Poet Rating: 4 out of 5 stars4/5The Untethered Soul: The Journey Beyond Yourself by Michael A. Singer | Conversation Starters Rating: 3 out of 5 stars3/5Behold a Pale Horse: by William Cooper | Conversation Starters Rating: 4 out of 5 stars4/5The Art of Seduction: by Robert Greene | Conversation Starters Rating: 3 out of 5 stars3/5Oscar Wilde: The Unrepentant Years Rating: 4 out of 5 stars4/5Bad Feminist: Essays Rating: 4 out of 5 stars4/5The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation Rating: 4 out of 5 stars4/5Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.by Brené Brown | Conversation Starters Rating: 4 out of 5 stars4/5The Lincoln Lawyer: A Mysterious Profile Rating: 5 out of 5 stars5/5Moby Dick (Complete Unabridged Edition) Rating: 4 out of 5 stars4/5
Reviews for Shakespeare´s orchards and the Rosalind-principle
0 ratings0 reviews
Book preview
Shakespeare´s orchards and the Rosalind-principle - Bernd-Peter Liegener
1. Introduction
Tityre tu, patulae recubans sub tegmine fagi…
You, Tityrus, lying relaxed under the spacious roof of the beech…
These words are the beginning of Virgil´s bucolica. It was written in the last pre-Christian century and is probably the most famous work of pastoral literature in the classic period. Having strong roots in 3rd century´s Eidyllia, (the Greek word means originally small pictures
and is the origin of the English word idyll
) written by Theokritos of Syracuse (Segal 1981), it depicts nature as a place of peace and wellbeing. This idyllic idea of nature can be related to the age-old human longing for the Golden Age (Ryberg 1958). Hesiod wrote down different versions of the old legend about 700 years before Christ (Most 1998): In the very old days of Golden Age the world was a paradise. Due to human misbehaviour, according to the myth, times changed and after a Silver and a Bronze Age we live today in the Iron or Ferrous Age of violence, toil and misery. In modern terms this is called the Anthropocene. And, as a matter of fact, we have to concede that human presence and actions have resulted in environmental changes from the earliest times on.
In this essay I want to find out which relation and mutual influence between humans and nature can be detected in some of Shakespeare´s work. Can nature change and possibly improve human fate? Which human attitudes towards nature do his characters display and how do these attitudes contribute to shaping nature? And what can we learn from Shakespeare with respect to our modern ways to deal with nature? There are two overlapping aspects of nature on which I will focus in this paper. I will investigate green
, environmental nature and human nature. Is there a relation between these two forms of nature? Nature, especially in contrast to urban areas, is often described as green space
(e.g. Swanwick et al. 2003). But nature does not only occupy space on the surface of our earth but also in our minds. Accordingly, I want to use the concept of spaces in my paper, and formulate two theses. First thesis: In Shakespeare´s plays natural space can function as a healing agent. Not denying the temporally restricted access to natural space for Shakespeare´s protagonists I want to examine also intermediate spaces between nature and culture, represented by orchards, and their influence on humans. Second thesis: human and green nature are viewed as reflecting each other. I want to see, if I can find also a reflection of intermediate spaces like orchards in human nature. Due to analogies in 16th century´s male perceptions of green nature and female nature, my intention is to show that this intermediate space could be located between the expected patterns of male and female behaviour.
As starting point I will give a short survey of spatial analysis of Shakespeare. Habermann and Witen (2016) compiled in their book seven categories for spatial analyses of Shakespeare: structural/topological space, stage space/setting/ locality, linguistic/poetic space, social/gendered space, early modern geographic space, cultured spaces/contact zones, and the material world/cultural imaginary. As other spaces used for analysis of Shakespeare can be named Cleopatra´s theatrical space, wherever she goes
(Bronfen 2016), the political arena, the theatrical stage and the psychic realm (Wald 2016), more generally the "psychic spaces that