Woman's Head as Jug
By Jackie Wills
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About this ebook
"She is at her best when most surprising, bringing flashes of the extraordinary to the everyday." – Christina Patterson, The Independent
"Her talent for thoughtful... observation, accompanied by brisk injections of the personal and the strikingly real, is indisputably clear." – Kate North
Jackie Wills's most recent poetry collection is Commandments (Arc, 2007). Her first, Powder Tower (Arc, 1995), was shortlisted for the TS Eliot Prize and was a Poetry Book Society Recommendation, while Party (Leviathan, 2000) was acclaimed by Ruth Padel in the Independent on Sunday. She has been a Poet in Residence at the Aldeburgh Poetry Festival, and her work appears on a dress by designer Helen Storey, in the animated film Alphabetic (2006), and on a path in Farnham by potter Julian Belmonte. She lives in Brighton.
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Jackie Wills
Jackie Wills has worked for newspapers, magazines and several universities. A former journalist, she’s been a writer in residence in business, schools, arts and community organisations, including Unilever, London Underground, Shoreham Airport, the Surrey Hills, the London Symphony Orchestra and Aldeburgh Poetry Festival. She has been a Royal Literary Fund Fellow and run reading groups. Over three decades, Wills has organised live poetry events and mentored many emerging writers, consolidating her experience in The Workshop Handbook for Writers (Arc, 2016). Her poems feature in several anthologies including Writing Motherhood (Seren, 2017) and Poems of the Decade: An Anthology of the Forward Books of Poetry (Forward Arts Foundation, 2015). Wills writes short stories and creative non-fiction as well as poetry. She has collaborated over many years with visual artist Jane Fordham and Fabrica Gallery in Brighton.
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Woman's Head as Jug - Jackie Wills
AUTHOR’S ACKNOWLEDGEMENTS
I would like to thank the editors of the following publications in which some of the poems in this collection have appeared: Agenda, Dark Horse, Molossus World Poetry Series, Poetry Wales, The Echo Room and Warwick Review.
My thanks go to Jane Sybilla Fordham for the title, ‘Woman’s head as jug’ and for her prints, drawings and paintings that live within these poems. Her work has never illustrated mine, my poems have never been about her work, but we have been writing and drawing together since 2006 often using the same sources, so we are true collaborators. Thanks also to David Parfitt for encouraging us.
I am grateful to Moniza Alvi, Martha Kapos, Christina Dunhill, Kate Smith-Bingham, and Susan Wicks – my London lifeline – who’ve read many of these poems, as well as Maria Jastrzębska, Robert Hamberger, Lee Harwood, John McCullough, Janet Sunderland, Bernadette Cremin and Robert Dickinson – the Brighton gang, or as John O’Donoghue calls us, the Beach Generation. For reminding me what it’s all about, as always my thanks go to Brendan Cleary, Catherine Smith, Lorna Thorpe and Michael Hulse.
I am indebted to the Royal Literary Fund for Fellowships at Surrey and Sussex universities.
Finally, I would like to thank my mum Sheila Alcock and my children Mrisi and Giya.
CONTENTS
I
A lone leaping woman
Owner of a mangle
Feather-wife
Saturday girl
Grace-wife
Herring girl
Dorset buttonmaker
Blacksmith
Corset-maker
Fripperer
Boarding house keeper
Ale-wife
II
Forest choir
Words for women
Woman’s head as jug
Cliff
La Fontasse
Calanque
Fireworks on the Feast of the Assumption
The seals’ goodbye
Mackerel shoal
Her year
Translations from the silence of colour
Canopy
Balance
Moults
The change
What she became
Female ancestor
Five aunts
III
SWEATS
Elephants
She wants a baby
It’s unclear how much of a man she needs
A woman without a man
When she finds herself at the top of the stairs
Libido
Clots
Four professors at the menopause symposium
Her beard
Spiders have placed a cataplasm of webs
Smear
Hypothalamus
Superannuation
Her mirror face is spinning
Veins
Her troubles
Her heart
Trace
Atrophy
IV
Return
Imagining my great