The Marchioness of Brinvilliers: the poisoner of the seventeenth century

By Albert Smith and John Leech

One hundred and eighty years ago, on a sunny spring evening in the year of grace 1665, the space of ground which extended from the front of the Grand Châtelet in Paris to the rude wooden barrier which then formed the only safeguard between the public road and the river, at the northern foot of the Pont au Change, was crowded with a joyous and attentive mass of people, who had collected from their evening promenade to this spot, and now surrounded the temporary platform of an itinerant charlatan, erected in front of the ancient fortress.
Let us rest awhile on the steps of the Pont au Change, to become acquainted with the localities; for little of its ancient appearance now remains. The present resident at Paris, however well versed he might be in the topography of that city, might search in vain for even the vestiges of any part of the principal building, which rose, at the date above spoken of, on the banks of the River Seine. The Pont au Change still exists, but not as it then appeared. The visitor may call to mind this picturesque structure, with its seven arches crossing to the Marché aux Fleurs from the corner of the Quai de la Megisserie. In 1660 it was covered with houses, in common with most of the other bridges that spanned the Seine, with the exception of the Pont Neuf. These were now partly in ruins, from the ravages of time, and frequent conflagrations. Lower down the river might be seen the vestiges of the Pont Marchand—a wooden bridge, which had been burnt down nearly forty years before, some of whose charred and blackened timbers still obstructed the free course of the river. It had stood on the site of the Pont aux Meuniers—also a wooden bridge—to which six or seven boat-mills were attached; and these, in consequence of the flooding of the Seine, dragged the whole structure away in the winter of 1596.

• Language: English
• Publisher: Librorium Editions
• Release date: May 30, 2024
• ISBN: 9782385746605

Book preview

THE MARCHIONESS

OF

BRINVILLIERS

THE POISONER OF THE SEVENTEENTH CENTURY

A Romance of Old Paris

By ALBERT SMITH

© 2024 Librorium Editions

ISBN : 9782385746605

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The Escape of Lachaussée Prevented

CONTENTS

CHAPTER I.

The Mountebank of the Carrefour du Châtelet

CHAPTER II.

The Boat-Mill on the River

CHAPTER III.

The Arrest of the Physician

CHAPTER IV.

The Students of 1665

CHAPTER V.

Sainte-Croix and his Creature

CHAPTER VI.

Maître Glazer, the Apothecary, and his man, Panurge, Discourse with the People on Poisons—The Visit of the Marchioness

CHAPTER VII.

Louise Gauthier Falls into the Hands of Lachaussée

CHAPTER VIII.

The Catacombs of the Bièvre and their Occupants

CHAPTER IX.

The Revenge of Sainte-Croix—The Rencontre in the Bastille

CHAPTER X.

What further befel Louise in the Catacombs of the Bièvre

CHAPTER XI.

Maître Picard Prosecutes a Successful Crusade against the Students

CHAPTER XII.

Exili Spreads the Snare for Sainte-Croix, who falls into it

CHAPTER XIII.

Gaudin Learns Strange Secrets in the Bastille

CHAPTER XIV.

The Château in the Country—The Meeting—Le Premier Pas

CHAPTER XV.

Versailles—The Rival Actresses—The Discovery

CHAPTER XVI.

The Grotto of Thetis—The Good and Evil Angels

CHAPTER XVII.

The Gascon Goes through Fire and Water to Attract Attention—The Brother and Sister

CHAPTER XVIII.

The Rue de L’Hirondelle

CHAPTER XIX.

The Mischief still Thickens on all Sides

CHAPTER XX.

Two Great Villains

CHAPTER XXI.

The Dead-house of the Hôtel Dieu, and the Orgy at the Hôtel de Cluny

CHAPTER XXII.

The Orgy at the Hôtel de Cluny

CHAPTER XXIII.

Sainte-Croix and Marie Encounter an Uninvited Guest

CHAPTER XXIV.

Louise Gauthier falls into Dangerous Hands

CHAPTER XXV.

Marie has Louise in her Power—The Last Carousal

CHAPTER XXVI.

Sainte-Croix Discovers the Great Secret sooner than he expected

CHAPTER XXVII.

Matters Become very Serious for all Parties—The Discovery and the Flight

CHAPTER XXVIII.

The Flight of Marie to Liége—Paris—The Gibbet of Montfaucon

CHAPTER XXIX.

Philippe Avails himself of Maître Picard’s Horse for the Marchioness

CHAPTER XXX.

The Stratagem at Mortefontaine—Senlis—The Accident

CHAPTER XXXI.

Philippe Glazer Throws Desgrais off the Scent

CHAPTER XXXII.

Offemont to Liége—An Old Acquaintance—The Sanctuary

CHAPTER XXXIII.

The End of Lachaussée

CHAPTER XXXIV.

The Game is up—The Trap—Marie Returns with Desgrais to the Conciergerie

CHAPTER XXXV.

News for Louise Gauthier and Benoit

CHAPTER XXXVI.

The Journey—Examination of the Marchioness

CHAPTER XXXVII.

The Last Interview

CHAPTER XXXVIII.

The Water Question—Exili—The Place de Grêve

CHAPTER XXXIX.

Louise Gauthier—The Conclusion

ENDNOTES.

THE MARCHIONESS OF BRINVILLIERS

CHAPTER I.

THE MOUNTEBANK OF THE CARREFOUR DU CHÂTELET

One hundred and eighty years ago, on a sunny spring evening in the year of grace 1665, the space of ground which extended from the front of the Grand Châtelet in Paris to the rude wooden barrier which then formed the only safeguard between the public road and the river, at the northern foot of the Pont au Change, was crowded with a joyous and attentive mass of people, who had collected from their evening promenade to this spot, and now surrounded the temporary platform of an itinerant charlatan, erected in front of the ancient fortress.

Let us rest awhile on the steps of the Pont au Change, to become acquainted with the localities; for little of its ancient appearance now remains. The present resident at Paris, however well versed he might be in the topography of that city, might search in vain for even the vestiges of any part of the principal building, which rose, at the date above spoken of, on the banks of the River Seine. The Pont au Change still exists, but not as it then appeared. The visitor may call to mind this picturesque structure, with its seven arches crossing to the Marché aux Fleurs from the corner of the Quai de la Megisserie. In 1660 it was covered with houses, in common with most of the other bridges that spanned the Seine, with the exception of the Pont Neuf. These were now partly in ruins, from the ravages of time, and frequent conflagrations. Lower down the river might be seen the vestiges of the Pont Marchand—a wooden bridge, which had been burnt down nearly forty years before, some of whose charred and blackened timbers still obstructed the free course of the river. It had stood on the site of the Pont aux Meuniers—also a wooden bridge—to which six or seven boat-mills were attached; and these, in consequence of the flooding of the Seine, dragged the whole structure away in the winter of 1596.

The Grand Châtelet stood at the foot of the Pont au Change; its ground is now occupied by a square, and an elegant fountain. The origin of the Châtelet has been lost in antiquity. It had once been a strong fortress; and its massive round-towers still betokened its strength. Next it was a prison, where the still increasing city rendered its position of little value in guarding the gates; and afterwards it became the Court of Jurisdiction pertaining to the Provost of Paris. Part of its structure was now in ruins; wild foliage grew along the summits of its outer walls, and small buildings had been run up between the buttresses, occupied by retailers of wine and small merchandise. It was a great place of resort at all times; for a dark and noisome passage, which ran through it, was the only thoroughfare from the Pont au Change to the Rue St. Denis, and this was constantly crowded with foot-passengers.

The afternoon sunlight fell upon the many turrets and spires, and quivered on the vanes and casements of the fine old buildings that then surrounded the carrefour. Across the river the minarets of the Palais de Justice rose in sharp outline against the blue sky, glowing in the ruddy tint; together with the campanile at the corner of the quay, and the blackened towers of Notre Dame, farther in the Ile de la Cité, round which flocks of birds were wheeling in the clear spring air, who had their dwellings amidst the corbels, spouts, and belfries of the cathedral. There was not an old gray gable or corroded spire which, steeped in the rays of the setting sun, did not blush into light and warmth. And the mild season had drawn all the inhabitants of the houses who were not abroad to their windows, whence they gazed upon the gay crowd below, through pleasant trellises of climbing vegetation, which crept along the pieces of twine latticing the casements. Humble things, indeed, the plants were,—hops, common beans, wild convolvuli, and the like, spreading from a rude cruche of mould upon the sill; but the beams of the sun came through them cheerfully; and their shadows danced and trembled on the rude tiled floor as sportively as on the costly inlaid parquets of the richer quarters of the city.

The Carrefour du Châtelet was at this period, with the Pont Neuf, the principal resort of the people of Paris, then, as now, ever addicted to the promenade and out-of-door lounging. A singularly varied panorama did the open place present to any one standing at the cross which was reared in the centre, and gazing around him. He might have seen a duel taking place between two young gallants on the footpath, in open contest. Swords were then as quickly drawn forth as tempers; no appointments were made for the seclusion of the faubourgs beyond the walls which occupied the site of the present boulevards; and these quarrels often ended fatally, though merely fought for the possession of some courtesan who, in common with others, blazed forth in her sumptuous trappings on the bridges during the afternoon. But the guards never interfered, and the passengers looked on unconcernedly until the struggle was, one way or the other, decided.

The beggars were as numerous then as now, perhaps more so; for the various Cours des Miracles, the ‘Rookeries’ of Paris, if we may be allowed the expression, which abounded all over the city, offered them a ready colony and retreat. Here were counterfeiters of every disease to which humanity is liable, dragging themselves along the rude footpath; there, beggars of more active habits, who swarmed, cap in hand, by the side of the splendid carriages which passed along the quays, to and from the Louvre. The thieves, too, everywhere plied their vocation; and the absurd custom of carrying the purse suspended at the girdle, favoured their delinquencies; whence certain of them acquired the title of coupe-bourse, as in England the pick-pockets were formerly termed cut-purses.

Crowds of soldiers, vendors of street merchandise, and charlatans of every description filled the carrefour. Looking to the tableau offered by the public resorts of Paris at the present time, the Champs Elysées for instance (in 1665, consisting only of fields, literally in cultivation), it is curious to observe how little the principal features of the assembly have altered from the accounts left us by accurate and careful delineators of former manners.

But, besides all these, the mere idlers, of both sexes, were numerous and remarkable; an ever-changing throng of gay habits, glittering accoutrements, and attractive figures and faces. The license of the age, unbounded in its extent, permitted appointments of every kind to be made without notice. Every kind of dissipation was openly practised, and therefore the world winked at it, as under such circumstances it always does, even if the place of an illicit assignation or conference (and in the reign of Louis XIV. they were seldom otherwise) were a church, as indeed was most frequently the case. The generally licentious taste extended to the dress and conversation; hence, from the crowds of gallants who thronged the carrefour, salutations and remarks of strange freedom were constantly addressed to the handsome women who, in the prodigality of their display of dazzling busts and shoulders, invited satire or compliments; nay, to such a pitch was that negligee attire carried, that some might be seen walking abroad in loose damask robes merely confined at the waist by a cord of twisted silk.

The platform round which the laughing crowd had assembled was formed on a light cart that had its wheels covered with some coarse drapery. There were two occupants of this stage. One of them was a man who might have numbered some forty years; but his thin furrowed cheeks and sunken eye would have added another score to his age, in the opinion of a casual observer. He was dressed entirely in faded black serge, made after the fashion of the time, with full arms, and trunks fastened just above the knee. Some bands of vandyked lace were fastened round his wrists; and he wore a collar of the same material, whilst his doublet was looped together but a little way down his waist. A skull-cap of black velvet completed his attire.

Yet few who looked at him took much notice of his dress: the features of this man absorbed all attention. His face exactly resembled that of a condor, his cap adding to the likeness by being worn somewhat forward; from beneath which his long black hair fell perfectly straight down the back of his neck. His brows were scowling: his eyes deep-set and jet-black: but they were bloodshot, and surrounded by the crimson ridges of the lids. His cheeks were pallid as those of a corpse; and his general figure, naturally tall, was increased in appearance of height by his attenuated limbs. He took little notice of the crowd, but remained sitting at a small table on the carriage, upon which there was a small show of chemical glasses and preparations: leaving nearly all the business of his commerce to his assistant.

This was a merry fellow, plump, and well-favoured, in the prime of life. He was habited in a party-fashioned costume of black and white, his opposite arms and legs being of different colours; and his doublet quartered in the same style. Round his waist he carried a pointed girdle, to which small hawk-bells were attached; and he wore the red hood of the moyen âge period, fitting closely to his neck and head, and hanging down at the top, to the extremity of which a larger bell was fastened His face had such a comic expression, that he only had to wink at the crowd to command their laughter. And when to this he added his jests, he threw them into paroxysms of merriment.

‘Ohé! ohé! my masters!’ he cried, ‘the first physician of the universe, and many other places, has come again to confer his blessings on you. He has philtres for those who have not had enough of love, and potions for those who have had too much. He can attach to you a new mistress when she gets coy, or get rid of an old one when she gets troublesome. And if you have two at once, here is an elixir that will kill their jealousies.’

‘Send some to Louis!’ cried one of the bystanders.

A roar of laughter followed the speech, and the crowd looked round to see the speaker. But, although bold enough to utter the recommendation, he had not the courage to support it. However, the cue had been given to the crowd, and the applause and laugh of approbation continued.

‘Give it to La Vallière!’ exclaimed another of the citizens.

‘Or Madame de Montespan,’ cried a third.

‘Or, rather, to her husband!’ was ejaculated in a woman’s voice.

‘Respect his parents,’ exclaimed a bourgeois, with mock solemnity, who was standing at the foot of the bridge, and pointing to a group of three figures in bronze relief, which adorned a triangular group of houses close to where he was stationed. They were those of Louis XIII., Anne of Austria, and the present King when a child.

‘Simon Guillain, the sculptor, was a false workman!’ shouted the bystander who had first spoken. ‘Where is the fourth of the family?’

The mountebank, who had been endeavouring to talk through the noise, found himself completely outclamoured by the uproar that now arose. He gave up making himself heard, and remained silent whilst the crowd launched their sallies, or bandied their satirical jibes from one to the other.

‘Where is the fourth?’ continued the speaker.

‘Ask Dame Perronette, who nursed him!’ was the reply from the other side of the carrefour.

‘Ask Saint-Mars who locked on his iron mask.’

‘Who will knock and ask at Mazarin’s coffin!’ shouted another, with a strength of lungs that ensured a hearing. ‘He ought to know best.’

The name of Anne of Austria was on the lips of many; but, with all the license of the time, they dared not give utterance to it. And, besides, as the last speaker finished, a yell broke forth that drowned every other sound; and showed by its force, which partook almost of ferocity, in what manner the memory of the Cardinal was yet held. The instant comparative silence was obtained a fellow sung, from a popular satire upon the late prime minister—

‘He trick’d the vengeance of the Fronde,—

All in the world, and those beyond.

A bas! à bas le Cardinal!

He trick’d the headsman by his death—

The devil, by his latest breath,

Who for his perjured soul did call,

But found that he had none at all,

A bas! à bas le Cardinal!’

The throng chorused the last words with great emphasis; and then in a few minutes were once more tranquil. The charged cloud had got rid of its thunder, and the storm abated.

The physician, who was upon the platform, took little notice of the clamour. At its commencement, he glared round upon the assembly for a few seconds, and then once more bent his eyes upon the table before him. His assistant continued, as soon as he could make himself audible—

‘Ohé! masters! a philtre for your eyes that will make them work upon others at a distance. Here is one that will infect the spirit of the other with sickness at heart; here is a second that will instil love also by the glance of the eye that is washed with it.’

They were little phials containing a small quantity of coloured fluid. The price was small, and they were eagerly purchased by the multitude. But for every one of the second, they purchased a dozen of the first.

‘Art thou sure of its operation?’ asked a looker-on.

‘Glances of love and malice shoot subtly,’ replied the fool; ‘and my master can draw subtle spirits from simple things that shall work upon each other at some distance. But your own spirits, with the aid of this philtre, are more subtle than they.’

‘A proof! a proof!’ cried a young man at the extremity of the carrefour.

‘The philtre is not for such as you,’ cried the mountebank. ‘You have youth, and a well-favoured aspect; you have a strong arm, a gay coat, and a trusty rapier. What would man require more?’

The crowd turned to look at the object of the clown’s speech. At the end of the carrefour, two young men were gazing, arm-in-arm, upon the assemblage. Both were of the same age; their existence might have reached to some seven or eight-and-twenty years, and they were attired in the gay military costume of the period; with rich satin under-sleeves, and bright knots or epaulettes upon the right shoulder.

One of them, to whom the mountebank had more particularly addressed himself, was of a fair complexion, and wore his own light hair in long flowing curls upon his shoulders. His face was well formed, and singularly intelligent and expressive; his forehead high and expansive, and his eyes deep set beneath the arch of the orbit, ever bearing the appearance of fixed regard upon whatever object they were cast. Still to the close observer there was a faint line running from the edge of the nostril to the outer angle of the lip, which, coupled with his retreating eye, gave him an expression of satire and mistrust. But so varied was the general expression of his face, that it was next to impossible to divine his thoughts for two minutes together.

The other was dark—his face had less indication of intellect than his companion’s, although in general contour equally good-looking. Yet did the features bear a somewhat jaded expression, and the colour on his cheek was rather fevered than healthy. His eyes too were sunk, but more from active causes than natural formation; and he gazed on the objects that surrounded him with the listless air of an idler. His mind was evidently but little occupied with anything he then saw. His attire was somewhat richer than his friend’s, betokening a superior rank in the army.

‘A proof! a proof!’ cried the gayer of the two, repeating his words.

‘Where will you have it then?’ asked the mountebank, looking about the square. ‘Ha! there is as fair a maiden as ever a king’s officer might follow, sitting at the cross. Shall she be in love with you?’

Again the attention of the crowd was directed by the glance of the mountebank towards a rude iron cross that was set up in the carrefour.

At its foot was a young girl, half sitting, half reclining upon the stone-work which formed its base. She was attired in the costume of the working order of Paris. Her hair, different from that of the higher class of females, who wore it in light bunches of ringlets at the side of the head, was in plain bands, over which a white handkerchief, edged with lace, was carelessly thrown, falling in lappets on each side. Her eyes and hair were alike dark as night, but her beautiful face was deadly pale, until she found the gaze of the mob had been called towards her. And then the red blood rushed to her neck and cheeks, as she hastily rose from her seat, and was about to leave the square.

‘A pretty wench enough,’ cried the cavalier with the black hair, as he raised himself upon the step of a house to see her. She was still hidden from his companion.

‘I doubt not,’ answered the other carelessly; ‘but I do not care to look. No,’ he cried loudly to the mountebank, ‘I have no love to spare her in return, and that might break her heart.’

The girl started at his voice, and looked towards the spot from whence it proceeded. But she was unable to see him, for the intervening people.

‘A beryl!’ cried the fool, showing a small crystal of a reddish tint to the crowd. ‘A beryl! to tell your fortune then. Who will read the vision in it? a young maiden, pure and without guile, can alone do it; are there none in our good city of Paris?’

None stepped forward. The fair-haired cavalier laughed aloud as he cried out:

‘You seem to have told what is past better than you can predict what is to come. Ho! sirs, what say you to this slur upon the fair fame of your daughters and sisters—will none of them venture?’

A murmur was arising from the crowd, when the physician, who had been glancing angrily at the two young officers, suddenly rose up, and shouted with a foreign accent—

‘If you will have your destinies unfolded, there needs no beryl to picture them. Let me look at your hands, and I will tell you all.’

‘A match!’ cried the young soldier. ‘Now, good people, let us pass, and see what this solemn-visaged doctor knows about us.’

The two officers advanced towards the platform. As they approached it, the crowd fell back, and then immediately closed after them with eager curiosity. The friends stood now directly beside the waggon.

‘Your hands!’ said the physician.

They were immediately extended to him.

‘You are in the king’s service,’ continued he.

‘Our dresses would tell you that,’ said the darker of the two.

‘But they would not tell me that you are married,’ answered the physician. ‘You have two children—a fair wife—and no friend.’

‘’Tis a lie!’ exclaimed the cavalier with the light hair.

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The Physician and Mountebank

‘It is true,’ replied the necromancer coldly, directing the gaze of his piercing eye full upon him.

‘But our destiny, our destiny,’ said the dark officer with impatience.

‘You would care but little to know,’ returned the other, ‘if all should turn out as I here read it. I have said your wife is fair—a score and a half of years have robbed her of but little of her beauty; and I have said you have no friend. Now read your own fate.’

‘Come away,’ said the fair cavalier, trying to drag his friend by the arm from the platform. ‘We will hear no more—he is an impostor.’

As the soldier spoke a hectic patch of colour rose on the pale cheek of the physician, and his eye lighted up with a wild brightness. He raised his arm in an attitude of denunciation, and cried, with a loud but hollow voice:

‘You are wrong, young man; and you shall smart for thus bearding one to whom occult nature is as his alphabet. We have met before—and we shall meet again.’

‘Pshaw! I know you not,’ replied the other heedlessly.

‘But I know you,’ continued the physician. ‘Do you remember an inn at Milan—do you recollect a small room that opened upon the grape-covered balcony of the Croce Bianca? Can you call that to mind, Gaudin de Sainte-Croix?’

As the officer heard his name pronounced, he turned round; and stared with mingled surprise and alarm at the physician. The latter beckoned him to return to the platform, and he eagerly obeyed. The crowd collected round them closer than ever, hustling one another in their anxiety to push nearer to the platform, for affairs appeared to be assuming a turn rather more than ordinary. And so intent were they upon the principal personages of the scene, that they paid no attention to the girl who had been sitting at the cross, and who, upon hearing the name, started from her resting-place, and rushed to the outside of the throng that now closely surrounded the waggon. But the crowd was too dense for her to penetrate; and she passed along from one portion to the other, vainly endeavouring to force her way through it. Some persons roughly thrust her back; others bade her desist from pressing against them; and not a few launched out into some questionable hints, as to the object of her anxiety to get closer to the two officers.

Meanwhile, Sainte-Croix, as we may now call him, had again reached the edge of the platform. The physician bent down and whispered a word or two into his ear, which, with all his efforts to retain his self-possession before the mob, evidently startled him. He looked with a scrutinising attention, as if his whole perception were concentrated in that one gaze, at the face of the other, and then with an almost imperceptible nod of recognition, caught his companion by the arm, and dragged him forcibly through the crowd.

As the two cavaliers departed, the interest of the bystanders ceased, and they fell back from the platform, except the girl, who glided quickly between them, towards where the officers had been standing. But they were gone; and, after a vain search amidst the crowd in the carrefour, she retired back to where she had been sitting, and covering her face with her hands, was once more unheeded and alone.

CHAPTER II.

THE BOAT-MILL ON THE RIVER

At last the sun went down, and twilight fell upon the towers and pointed roofs of the old chatelet. The loiterers gradually disappeared from the place and bridge. The rough voitures de place, which clattered incessantly over a pavement so rude and uneven that it became a wonder how they were enabled to progress at all, one by one withdrew from the thoroughfares, carrying a great portion of the general noise with them, not more proceeding from the hoarse voices of the drivers than from the ceaseless cracking of their long whips, which was thus always going on. The cries of those who sold things in the streets was also hushed, as well as the tolling and chiming of the innumerable bells in the steeples of the churches, which until dusk never knew rest, but tried to outclang each other as noisily as the supporters of the different sects, whose hour of meeting they announced. One or two lanterns were already glimmering from the windows of private houses; for by this means only were the streets of Paris preserved from utter darkness throughout the night: and the full moon began to rise slowly behind the turrets of Notre Dame.

There was little security, then, in the most public places, and few cared to be about after dusk, except in the immediate company of the horse or foot patrol, save those who only stalked abroad with the night, so that it was not long before the carrefour was nearly deserted. Two persons alone remained there. One was the assistant to the physician, who had left him in charge of the platform; and he was now occupied in harnessing two miserable mules to the waggon, in which the platform and the apparatus had been stowed away. The other was the girl whom we have before spoken of, and who had remained at the cross in almost the same attitude—one of deep sorrow and despondency.

The fool had nearly finished his labours, and was preparing to leave the square, when the young female quitted her resting-place, and advanced towards him with a timid and faltering step. Believing her to be some wretched wanderer of the carrefour proceeding to her home before the curfew sounded, he took but little notice of her, and was about to seize the mules by the bridle and lead them onwards, when she placed her hand upon his arm and implored him to stop.

‘Now, good mistress—your business,’ said the assistant; ‘for I have little time to spare. A sharp appetite hurries labour more than a sharp overseer; and my stomach keeps time better than the bell of Notre Dame.’

‘I wished to purchase something,’ returned the girl.

‘Ah! you are too late—we have nought left but holy pebbles to keep steeds from the nightmare, and philtres for the court dames to retain their butterfly lovers. Good-night, ma belle. Hir-r-r-r! Jacquot! hir-r-r-r!’

The last expression was addressed to his mules, as they rattled the old bells upon their head-pieces, and moved forwards. Again the girl seized the upraised hand of the mountebank, as he was about to use the whip, and begged him to desist.

‘I am sure you have what I want,’ she said hurriedly. ‘I will pay you for it—all that I have left from my wages is yours. Is not your master the doctor St. Antonio?’

‘Well—and suppose he is?’

‘They talk strangely of his art about Paris, as being able to play with life and death as he chooses. They say that he can enchant medicines; and with a little quicksilver so prepared destroy a whole family—nay, an army.’

‘Were you to believe an hundredth part of the lies they tell daily about Paris, your credulity would find time for nothing else,’ returned the other. ‘What should one so young and fair as you want with poison, beyond keeping the rats from your mansarde?—for to that end alone does my master prepare it, and even then in small quantities.’

‘I wanted it for myself,’ replied the girl. ‘I have nothing left in this world to care about. I wish to die.’

Her head drooped, and her voice faltered as she spoke these words, so that they were almost inaudible; more so than the deep and weary sigh that followed them.

‘Die—sweetheart!’ cried the mountebank cheeringly, as he turned towards her, and raised her chin with his hand. ‘Die!—St. Benoit, who rules my fete day, prevent it! You must not die this half-century. Besides, although the doctors can’t yet find poisons in the stomach, like witches’ nails and pins, yet the stones can whisper, in Paris, all they hear. And what should we get—I and my master—for thus serving you?’

‘All that I possess in the world,’ answered the girl.

‘Ay—that would come first, without doubt; and next, a short shrift, a long cord, and a dry faggot, on the Place de Grêve. No, no, sweetheart: if you brought as much gold as my mules could drag home, we could not do it.’

‘Then you will not let me have it?’

‘Why, you silly pigeon, I have told you so. With that pretty face and those dark eyes be sure you have much yet in store to live for. Or if you must die, don’t make any one your murderer. The Seine is wide and deep enough for all; and, besides, will cost you nothing.’

He spoke these words less in a spirit of levity than the wish to cheer the poor applicant by his good-humoured tones. But the girl clasped her hands together, and looked round with a shudder towards the quays.

‘The river!’ she exclaimed. ‘I have gazed upon it often, but my heart failed me. I shrank from the cold black water as it tore and struggled through those dark arches: I could not bear to think that its foul polluted current would be my only winding-sheet. I would sooner die in my little room; and then in the morning the sun would fall upon me as it does now, but it would not awaken me to another day of weeping—the same sun that shines in Languedoc, only there it is brighter.’

‘Are you from Languedoc, then?’ inquired the man.

‘I was born near Béziers,’ she replied sadly.

‘Mass! why that is my own country. What is your name?’

‘Louise Gauthier.’

‘I don’t remember to have heard it. I ought to have known, though, that you were from the south by your accent. And what brought you to Paris?’

‘There has been much misery and persecution amongst us,’ answered the girl; ‘for we are Protestant; almost all our homes have been broken up, for that reason, and so,’—and she hesitated—‘and so I came up to seek work.’

‘Was there no other reason?’ asked the man. ‘I think there must have been.’

‘I went to the Gobelins,’ continued Louise, avoiding the question, ‘and got employment. I heard that others had gained money there.’

‘And rank too,’ said the fool. ‘My master had a customer this afternoon—an officer in the King’s army, who is better known as the Marquis of Brinvilliers than by his proper name of Antoine Gobelin. The water of the Bièvre has rather enriched his blood; he has besides a fair income, and a fairer wife. And are you there still?’

‘I am not. I was discharged from the atelier this morning for resisting the importunities of the superintendent Lachaussée, and I am now alone—alone!’

She hid her face in her hands, and burst into tears.

‘And why not return to Languedoc, my poor girl?’ said the mountebank, in a kind voice, which associated but oddly with his quaint dress. ‘They would scarcely care to persecute such a gentle thing as yourself—Protestant though you be.’

‘No, no, I cannot leave Paris. There is another object that keeps me here; or rather it did—for all hope is gone. There is now nothing left for me but death. I could have remained unheeded in the country; but in this great city the solitude is fearful: those who are alone, alone can tell how terrible it is.’

Although the duty of the charlatan was to impose upon the public in every fashion that they were likely to bite at most readily, yet there was a kind heart under his motley attire. He threw his whip over the backs of the two mules, and taking the weeping girl kindly by the hands, said to her:

‘Come, come, countrywoman: I shall not leave you to your loneliness this night at least. If aught were to happen to you, I should feel that I myself had brought your body on the Grêve. My wife and myself live in a strange abode, but there is room for you; and you shall go with me.’

The girl looked at him with an expression of mistrust which his calling might well have occasioned; and murmured out a few faint words of refusal.

‘Bah!’ exclaimed the other. ‘You are from Languedoc, like myself, and therefore we are neighbours. I would wager that we have sat under the same trees, within a short half-league of Béziers.’

And he commenced humming the refrain of a ballad in the old Provençal dialect. It was evidently well known to Louise. She shook her head, and pressed her hand before her eyes as if to shut out some sad image that her ideas had conjured up.

‘You have heard that before?’ asked the man.

‘Very often—I know it well.’

‘You heard it from a man, then, I will be sworn; and perhaps a faithless one. He wrote well, long, long ago, who said that those who were gifted with music and singing loved our Languedocian romances, and travelled about the earth that they might betray women. My marotte to an old sword-belt that the tune sang itself in your ears all the way to Paris. Was it not so?’

The girl returned no answer, but remained silent, with her eyes fixed upon the ground.

‘Well, well—we will not press for a reply. But you shall come with me this night, ma bonne, for I will not leave you so. Only let me take you to where our mules’ lodging is situated, and then I will bring you back to my own.’

He scarcely waited for her acquiescence, but lifting her gently in his arms, placed her on the waggon. And then he gave his signal to the mules, and they moved along the carrefour, over which the darkness was now stealing.

They passed along the quays and the Port au Foin, now dimly lighted by the few uncertain and straggling lanterns before alluded to, until the mules turned of their own accord into a court of the Rue St. Antoine. A peasant in wooden