Everything Is Now
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About this ebook
In this collection Christopher explores old poetic forms through a contemporary lens, presenting the reader with odes, sonnets and dramatic monologues that tackle the grind, the suffering, and the joys of daily life.
The ‘Odes’ touch on classic themes of mortality, work, friendship, memory, loss, and art, as relevant today as they were to Horace, and through a variety of metre and rhyme recall poems by the Romantics, even if the modern-day settings of a beach holiday or a drive at night place it firmly in the present.
‘The Gypsy Moth Sonnets’ are a short cycle of erotic and neurotic episodes about how those enduring a sad middle age can throw away everything for fresh love, and the effects of that on the psyche. These poems are pathetically comedic yet still remain infused with passion and feeling.
Finally, the ‘Laments’ are composed of dramatic monologues from historic, mythical, and invented characters. Some of these poems are comical and some are about loss, but throughout they are permeated with death.
Christopher Dadson
Christopher Dadson is a British poet and playwright. He was born in 1982 in Belfast and received degrees in English and Latin American Studies from Cambridge and London universities respectively. He currently lives with his wife and son in London, where he works full time in the charity sector and writes poetry and plays in his spare time.
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Everything Is Now - Christopher Dadson
About the Author
Christopher Dadson is a British poet and playwright. He was born in 1982 in Belfast and received degrees in English and Latin American Studies from Cambridge and London universities respectively. He currently lives with his wife and son in London, where he works full time in the charity sector and writes poetry and plays in his spare time.
Dedication
In memory of my father, Professor Trevor John Dadson,
1947–2020
Copyright Information ©
Christopher Dadson 2024
The right of Christopher Dadson to be identified as author of this work has been asserted by the author in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publishers.
Any person who commits any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
A CIP catalogue record for this title is available from the British Library.
ISBN 9781035837892 (Paperback)
ISBN 9781035837908 (Hardback)
ISBN 9781035837915 (ePub e-book)
www.austinmacauley.com
First Published 2024
Austin Macauley Publishers Ltd®
1 Canada Square
Canary Wharf
London
E14 5AA
Part 1
Odes
The Long Drive Home
The atmosphere mellows with tints of mauve,
A whisky sigh of welcome wraps me round
Exiling the blue, cloudless summer sky
And settling in Steely Dan at my side.
Darkness leans upon the deserted earth,
The mount ahead holds up the silhouette
Of a silent-giant purple-fringed bull.
I journey alone and leave behind me
A waste of burnished bodies bronzing like
Manikins displayed for the apocalypse,
Shrivelling like tomatoes in the sun.
Stars twink ope as navy deepens to black,
And the sky’s like a child’s bedroom ceiling,
Fretted in fluorescent conflagration.
I used to look out from a bus window
So long ago before I had a car,
The cold glass pressing my face, cradling it
Along the interminable trips
Across nations, over borders and all
For a pittance of a price, even then.
Now, I just press my foot on the pedal
Like I have control, like I’m an agent.
Sometimes, when it was fine, I slept outside
In my hammock, by a waterfall,
Or at a still lake, my fire for friendship.
Now I’m alone, surrounded by my friends;
In the bosom of family linger.
From further back in my geology
There’s a child slumbering on a sunned seat,
Nodding like the sunflowers speeding past,
T-shirt and shorts sellotaped to with sweat
In the days before air conditioning,
In the easy days when others drove
Before the centre of gravity dropped,
Before we were left alone to lead our own
The eldest segment in this